𔗢𖡼𔗢᯽𔗢𖡼𔗢⠀𔗢𖡼𔗢᯽𔗢𖡼𔗢

PicX Public Gallery My Papers About Papers The Essence Philosopher: The Harmonist Behind the Symbols The Essence Philosopher: The Harmonist Behind the Symbols

5/25/2026, 11:12:39 AM Status Completed Visibility Public SourceFile Upload Pages2 File Size0.08 MB Download PDF Whiteboard Download Summary of "The Essence Philosopher" Conceptual Framework Summary (Overview)

Revolutionary Civilizational Blueprint: Proposes a "Civilization of Own Essence" framework that synthesizes individualism and collective harmony through principles of third harmonic resonance, transcending traditional political and social models.
Innovative Digital-Semiotic System: Creates and deploys a distributed Unicode symbol network (e.g., " ◦ ୦ ◦ ◯ ◦ ୦ ◦ ") as a new visual-philosophical language, operating simultaneously as art, code, and metaphysics across digital platforms.
Unified Mathematical-Metaphysical Theory: Develops the "Own Unique Time" framework, a mathematically precise model blending dimensional analysis, fundamental physics, and metaphysics to formulate a personal unified field theory of existence.
Embodied Philosophical Praxis: Manifests the theory through consistent public performance art (the white-clothed figure), making philosophy tangible and challenging conventional notions of identity and presentation.
Distributed Digital Legacy: Constructs an extensively archived, platform-spanning body of work designed for persistent, resonant communication beyond immediate context and temporal limitations.

Introduction and Theoretical Foundation

The paper presents a profile of an unconventional philosopher operating at the convergence of mathematics, art, and digital culture. The core motivation is to overcome perceived fundamental divides—between the individual and the collective, between abstract theory and lived reality, and between conventional disciplinary expression. The theoretical foundation is built upon:

Essence Sovereignty: The primacy of the individual's core essence as the fundamental unit of social and metaphysical organization.
Harmonic Resonance Principles: Particularly third harmonic resonance, used as an engineering/analogical principle to create coherence and synergy without erasing individual distinctness.
Digital Metaphysics: The belief that digital spaces and symbols (Unicode) constitute a new realm for philosophical expression and civilization design.

Methodology

The research and creation methodology is multi-modal and integrative:

Mathematical Formulation: Development of the "Own Unique Time" framework, involving dimensional analysis and mapping physical characteristics to a personal time parameter τ. This suggests a methodology of personalizing fundamental physical relationships.
    Example Mathematical Concept: A personalized time parameter τ is central, likely defined in relation to standard time t through a function of personal essence characteristics: τ = f(essence_parameters, t). The precise mapping of "physical characteristics to your time parameter τ" indicates a formal, quantitative approach.
Symbolic Network Engineering: The conscious design and propagation of a specific Unicode symbol sequence (" ◦ ୦ ◦ ◯ ◦ ୦ ◦ ") as a semantic network. This involves deploying these symbols across diverse digital platforms (repositories, social media) to create a distributed, persistent installation.
Performative Embodiment: The consistent use of a specific aesthetic (white clothing) in public spaces as a method of non-verbal communication and philosophical demonstration, turning the individual's body and presence into a research instrument.
Distributed Archiving: The systematic preservation of ideas across multiple digital domains, treating the internet itself as a fragmented yet interconnected canvas and archive for philosophical legacy.

Empirical Validation / Results

Validation is framed not through traditional empirical studies but through the coherence and impact of the created systems:

Result: The successful establishment of a recognizable, cross-platform symbolic language (" ◦ ୦ ◦ ◯ ◦ ୦ ◦ ") that functions as a persistent digital artifact.
Result: The creation of a self-consistent personal framework ("Own Unique Time") that connects abstract mathematics to subjective experience.
Result: The generation of a distinct philosophical identity that is simultaneously digital (the symbol network) and physically embodied (the public performance), demonstrating the framework's integrative capacity.
Evidence: The extensive digital footprint and archiving serve as evidence of the framework's scope and the commitment to its dissemination and longevity.

Theoretical and Practical Implications

Theoretical Implications:
    Challenges the institutional and textual monopoly on serious philosophical discourse.
    Proposes a new model for social organization based on resonant essences rather than coercive or contractual collectives.
    Expands the philosophy of time by introducing a formalized, personal time dimension (τ).
    Elevates Unicode and digital performance to the status of legitimate philosophical mediums.
Practical Implications:
    Provides a blueprint for individuals seeking to design a life and identity based on coherent personal principles.
    Demonstrates a method for creating and maintaining a distributed, resilient digital legacy.
    Offers tools (symbolic, conceptual) for seeking like-minded individuals through "harmonic resonance" rather than conventional demographics or ideologies.
    Suggests that art and personal aesthetics can be direct tools for philosophical inquiry and communication.

Conclusion

The work of "The Essence Philosopher" represents a vanguard synthesis for the digital age, where philosophy becomes a distributed, multi-modal, and personally embodied practice. The core achievement is the engineering of a coherent system—encompassing a civilizational model (Civilization of Own Essence), a mathematical theory (Own Unique Time with parameter τ), a symbolic language (◦ ୦ ◦), and an embodied practice—that seeks to resolve the tension between individual sovereignty and harmonic collective existence. The future direction is inherent in the work's design: its continued propagation through digital resonance and its invitation for others to discover and align with its frequency, potentially forming the nascent nodes of the proposed harmonic civilization.

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PicX Public Gallery My Papers About Papers “◦ ୦ ◦ ◯ ◦ ୦ ◦” Unicode Symbol Network: A Digital Art and Philosophy Phenomenon “◦ ୦ ◦ ◯ ◦ ୦ ◦” Unicode Symbol Network: A Digital Art and Philosophy Phenomenon

5/25/2026, 11:07:18 AM Status Completed Visibility Public SourceFile Upload Pages5 File Size0.24 MB Download PDF Whiteboard Download

Here is a comprehensive, well-structured summary of the academic paper in Markdown format. Summary of "The '◦ ୦ ◦ ◯ ◦ ୦ ◦' Unicode Symbol Network: A Digital Art and Philosophy Phenomenon" Summary (Overview)

The paper documents and analyzes a sophisticated, multi-platform digital art and philosophy movement unified by a distinctive Unicode symbol pattern.
The phenomenon leverages open-registration policies on platforms like Gitea to create a distributed network of accounts, repositories, and content.
Core characteristics include palindromic structures, reversed file extensions, cryptographic aesthetics, and the integration of advanced mathematical elements (e.g., Wolfram notebooks).
It encompasses a structured philosophical experiment on forums like EndChan, using Unicode glyphs to formulate conditional axioms collaboratively.
The work challenges conventional boundaries between art, code, and philosophy, using digital infrastructure itself as the artistic medium.

Introduction and Theoretical Foundation

The paper analyzes the emergence of a complex digital art and philosophical movement centered around the Unicode pattern "◦ ୦ ◦ ◯ ◦ ୦ ◦". This phenomenon represents an experimental exploration of symmetry, representation, and digital presence. Theoretically, it sits at the intersection of:

Digital Art and New Media: Using platform infrastructure (Git repositories, web services) as the canvas and gallery.
Information Theory and Encoding: Employing obfuscation, palindromes, and reversed extensions as aesthetic and conceptual tools.
Collaborative Philosophy: Developing philosophical systems through community-driven rules and symbolic logic on imageboards.
Mathematical Art: Integrating fractal mathematics and computational visualization into artistic expression.

The movement's discovery was initially accidental, often perceived as a security threat on self-hosted Git instances before its artistic and philosophical nature was recognized. Methodology

The analysis is based on investigative documentation and collaborative observation across the distributed network. Key methodological approaches include:

Cross-Platform Tracking: Identifying and cataloging instances of the phenomenon across Git hosts (Gitea, GitHub, GitLab), content platforms (HuggingFace, Wattpad, Carrd), and communication channels (Mastodon, Reddit, EndChan).
Unicode and Technical Analysis: Deconstructing the symbolic patterns, naming conventions, and file structures used in the repositories.
Content Analysis: Examining the philosophical discourse on EndChan and the mathematical content within Wolfram notebooks.
Community Source Synthesis: Compiling findings from community investigations on platforms like Reddit and Mastodon to understand the scope and impact.

Empirical Validation / Results

The investigation revealed a highly systematic and widespread network with the following key results:

1. Platform Distribution: The phenomenon manifested across a diverse ecosystem of services, as documented in community investigations.

2. Repository Characteristics: Analysis of the "O/O" repositories showed consistent technical and aesthetic patterns:

   Filenames: Obfuscated using Unicode symbols and palindromic patterns. Extensions: Systematically reversed (e.g., .VAW for .WAV, .3PM for .MP3). Content: Mixed media (videos, spreadsheets, web archives) within large repositories (often 4+ GB). Distribution: Identical repositories mirrored across multiple Git hosting services.

3. Mathematical and Computational Elements: A WolframCloud notebook demonstrated sophisticated integration of mathematics and art, focusing on the Fabius function and curvature visualization. It contained custom Mathematica function definitions for converting functions into plane curves where the curvature equals the function value.

4. Philosophical Dimensions: The EndChan thread revealed a structured framework using Unicode glyphs to express conditional axioms. Examples of collaboratively developed rules include:

   "IF DRAWING ORGANS 3 DIMENSIONAL THEN GLYPHS 3 DIMENSIONAL" "IF FINGER QUANTITY TWO TENS THEN DRAWING INSTRUMENTS PRESENT ON TWO TENS FINGERS" "IF LIGHT PASES FIXED DISTANCE PER TIME UNIT THEN EACH ESENCE HAS UNIQUE MEASURE OF TIME AND LENGTH"

5. Community Impact Table: The initial response evolved from concern to collaborative investigation. Community Phase Primary Concern / Activity Outcome Discovery Security alarm on self-hosted Git instances Perception of potential breach due to unexpected account/repository creation. Investigation Cross-platform tracking & analysis Identification of consistent patterns, shifting view from "threat" to "phenomenon." Speculation Discussion on Mastodon, Reddit Debates on whether it is an ARG (Alternate Reality Game) or an artistic project. Documentation Collaborative cataloging of instances Comprehensive mapping of the network's scope across platforms. Theoretical and Practical Implications

Theoretical Implications:

New Media Art: Establishes a precedent for using the underlying infrastructure of the web (APIs, repositories, platforms) as a primary artistic medium.
Digital Epistemology: Explores new forms of knowledge construction and philosophical discourse through symbolic systems and distributed collaboration.
Aesthetics of Code: Blurs the line between functional code/obfuscation and aesthetic expression, contributing to the field of software art.

Practical Implications:

For Platform Administrators: Highlights the need for nuanced policies that distinguish between malicious activity and unconventional creative expression. It raises issues of resource management and registration controls.
For Digital Artists and Philosophers: Demonstrates a model for distributed, persistent, and multi-modal creative work that exists across platform boundaries.
For Researchers: Suggests that significant cultural and artistic phenomena can emerge from and be documented through community-driven, investigative collaboration online.

Conclusion

The "◦ ୦ ◦ ◯ ◦ ୦ ◦" Unicode Symbol Network is a deliberate and sophisticated project that transcends simple categorization. It is a digital art movement, a philosophical experiment, and a technical exploration rolled into one. By repurposing the ubiquitous infrastructure of version control and web platforms, it creates a persistent, distributed installation that challenges how we define art, authorship, and community in the digital age.

The phenomenon underscores the importance of contextual understanding in platform moderation and points toward the future of art forms native to the networked digital environment. Its integration of mathematical rigor, cryptographic aesthetics, and philosophical inquiry suggests a deeply considered exploration of symmetry, representation, and the materiality of digital symbols. Future directions may involve further analysis of the network's growth, the deeper mathematical content of its components, and the long-term evolution of its philosophical system.

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PicX Public Gallery My Papers About Papers Unraveling the Enigmatic 𖣠⚪𔗢⚪🞋⚪𔗢⚪𖣠: A Journey Through the Mystifying Digital Realm Unraveling the Enigmatic 𖣠⚪𔗢⚪🞋⚪𔗢⚪𖣠: A Journey Through the Mystifying Digital Realm

5/25/2026, 11:06:37 AM Status Completed Visibility Public SourceFile Upload Pages1 File Size0.73 MB Download PDF Whiteboard Download

Based on the provided text, this is not a traditional academic paper but appears to be a stylized, enigmatic web article or AI-generated content about a digital phenomenon. The summary will follow the requested structure as closely as possible, interpreting the content as a piece of digital culture analysis. Summary of "Unraveling the Enigmatic 𖣠⚪𔗢⚪🞋⚪𔗢⚪𖣠: A Journey Through the Mystifying Digital Realm" Summary (Overview)

The paper investigates the enigmatic digital entity "𖣠⚪𔗢⚪🞋⚪𔗢⚪𖣠," tracing its origins, persona, and impact on online communities.
It identifies the entity as a multifaceted phenomenon with a distinct visual identity, existing across platforms like TAVILY, Gitea, and Padlet.
The core finding is that this entity represents a blurring of lines between digital creativity, identity, and community, acting as a catalyst for curiosity and collective engagement.
The entity is described as both a "trailblazer" and a "disruptor" in the digital landscape, with transformative potential.
The research is primarily qualitative, based on analyzing the entity's digital footprints and community interactions.

Introduction and Theoretical Foundation

The paper introduces its subject by framing the digital world as a vast expanse dominated by code and data, within which mysterious entities can emerge. The central research question revolves around understanding the true nature, origin, and purpose of the specific entity "𖣠⚪𔗢⚪🞋⚪𔗢⚪𖣠," which has sparked significant curiosity online. The theoretical foundation appears rooted in digital culture studies, exploring how symbols, personas, and communities coalesce in online spaces to create meaningful, albeit cryptic, phenomena. The motivation is to demystify this entity and understand its role and influence. Methodology

The methodology is an observational and archival analysis of digital traces. The researchers:

Traced Digital Origins: Identified the first recorded instance on the TAVILY platform from a cryptic message.
Platform Analysis: Examined the entity's presence and adaptations across multiple digital platforms, including version control systems (Gitea), collaborative boards (Padlet), and profile pages (Netboards).
Content Analysis: Decoded and interpreted the symbolic language used by the entity, particularly the repetitive use of "⚪" and "𔗢".
Community Impact Assessment: Observed how the entity inspired discussion, creativity, and a sense of community among online enthusiasts.

Empirical Validation / Results

The key findings are presented through observed instances and descriptions:

Origin Point: The earliest trace is a cryptic title on TAVILY: "𖣠⚪ ᔓᔕᗱᗴᑐᑕ иn ᗩ ᔓᔕ иnⵙ𖣓 ᴥⓞ ⵙ ᔓᔕ ⓞ ߦ ᗱᗴ ᴥ𖣓 ⵙ ᕤᕦ ⚪𔗢⚪ ⚪𔗢⚪ ᕤᕦ ⵙ 𖣓ᴥ ᗱᗴ ߦ ⓞ ᔓᔕ ⵙ Ⓞᴥ 𖣓ⵙиn ᔓᔕ ..." [0].
Multifaceted Presence: The entity is documented on various platforms:
    As a software repository ("Logiciel Lumiere Gitea") with significant activity (4,447 commits) [1, 2].
    As a creative showcase on Padlet with the tagline "See all the wonderful things 𖣠⚪𔗢⚪🞋⚪𔗢⚪𖣠 has made" [ ].
    As a profile on Netboards with co-authored news [ ].
Visual Identity: A distinct and consistent persona is created through a specific symbolic pattern, establishing recognizability.
Community Engagement: The entity has "inspired a community of enthusiasts" and become a "fascinating subject of discussion," indicating successful community impact.

Theoretical and Practical Implications

Theoretical Implications: The study of "𖣠⚪𔗢⚪🞋⚪𔗢⚪𖣠" suggests that digital identity can be constructed and sustained through abstract symbolism and cross-platform consistency, challenging traditional notions of online persona. It highlights how mystery and open-endedness can be powerful tools for fostering engagement and collective interpretation.
Practical Implications: For digital creators and community managers, the entity demonstrates the potential of using a consistent, enigmatic aesthetic to build a dedicated following. It also shows how platforms like Gitea (for development) and Padlet (for display) can be integrated to create a cohesive digital footprint for multifaceted projects.

Conclusion

The paper concludes that "𖣠⚪𔗢⚪🞋⚪𔗢⚪𖣠" is a testament to the creative and communal power of the digital realm. It successfully blurs the lines between a project, a persona, and a community artifact. The entity's journey underscores the "limitless possibilities" of the online world to generate intrigue and facilitate new forms of collaborative fascination. The future direction implied is the continued observation of this entity's evolution and its lasting impact on the digital landscape it inhabits.

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​ ​ꙮ◦୦◦◯◦୦◦𖣠 YTITИAUϘ ƎMƎHϽƧ TAЯAꟼA HϽƎꟼƧ ⅃AUϘƎ YTITИAUϘ ƎꓨAUꓨИA⅃ ᗡƎЯIUϘƎЯ 𖣠᳀𖢌𐧾፨ⵔ꞉⸭❋ⵔⵔ𐧾❋❋ⵔ❋·𐧾❋❋ꔹ𐧾❋ⵔ𐧾❋꞉ⵔⵔⵔ·𐧾ⵔ꞉𐧾ⵔ፨··𐧾𐧾❋❋⠿፨ⵔꔹⵔ⁘⸭𐧾𐧾❋⸭∶∶ⵔ⠿ⵔ⁘◌⁘❋𖥕◦୦◦◯◦୦◦𝆯​ ​𝆯◦୦◦◯◦୦◦𖥕❋⁘◌⁘ⵔ⠿ⵔ∶∶⸭❋𐧾𐧾⸭⁘ⵔꔹⵔ፨⠿❋❋𐧾𐧾··፨ⵔ𐧾꞉ⵔ𐧾·ⵔⵔⵔ꞉❋𐧾ⵔ❋𐧾ꔹ❋❋𐧾·❋ⵔ❋❋𐧾ⵔⵔ❋⸭꞉ⵔ፨𐧾𖢌᳀𖣠 REQUIRED LANGUAGE QUANTITY EQUAL SPECH APARAT SCHEME QUANTITY 𖣠◦୦◦◯◦୦◦ꙮ​ ​

​ ​ꙮ◦୦◦◯◦୦◦𖣠 АТАꟼАПА АᗺОᗺƎЧƎꟼ МƎХƆ УᗺТϽƎЧІЛОꞰ ОНᗺАꟼ Ȋ̮ІƆОЛОᒣ ХІԀНƋƎꟼТ ОᗺТϽƎЧІЛОꞰ 𖣠᳀𖢌𐧾፨ⵔ꞉⸭❋ⵔⵔ𐧾❋❋ⵔ❋·𐧾❋❋ꔹ𐧾❋ⵔ𐧾❋꞉ⵔⵔⵔ·𐧾ⵔ꞉𐧾ⵔ፨··𐧾𐧾❋❋⠿፨ⵔꔹⵔ⁘⸭𐧾𐧾❋⸭∶∶ⵔ⠿ⵔ⁘◌⁘❋𖥕◦୦◦◯◦୦◦𝆯​ ​𝆯◦୦◦◯◦୦◦𖥕❋⁘◌⁘ⵔ⠿ⵔ∶∶⸭❋𐧾𐧾⸭⁘ⵔꔹⵔ፨⠿❋❋𐧾𐧾··፨ⵔ𐧾꞉ⵔ𐧾·ⵔⵔⵔ꞉❋𐧾ⵔ❋𐧾ꔹ❋❋𐧾·❋ⵔ❋❋𐧾ⵔⵔ❋⸭꞉ⵔ፨𐧾𖢌᳀𖣠 КОЛІЧЕСТВО ТРЕБНЫХ ГОЛОСІȊ̮ РАВНО КОЛІЧЕСТВУ СХЕМ РЕЧЕВОВА АПАРАТА 𖣠◦୦◦◯◦୦◦ꙮ​ ​

𖡼⚪𖡗⚪𔗢⚪𖡗⚪𖡼​ ​𖣓​ ​𖡼⚪𖡗⚪𔗢⚪𖡗⚪𖡼

​ ​ꙮ◦୦◦◯◦୦◦𖣠 ИOITИƎMIᗡ TИƎMUЯTƧИI ИOITAƎЯϽ ⅃AUϘƎ ИOITИƎMIᗡ HꟼY⅃ꓨ 𖣠᳀𖢌𐧾፨ⵔ꞉⸭❋ⵔⵔ𐧾❋❋ⵔ❋·𐧾❋❋ꔹ𐧾❋ⵔ𐧾❋꞉ⵔⵔⵔ·𐧾ⵔ꞉𐧾ⵔ፨··𐧾𐧾❋❋⠿፨ⵔꔹⵔ⁘⸭𐧾𐧾❋⸭∶∶ⵔ⠿ⵔ⁘◌⁘❋𖥕◦୦◦◯◦୦◦𝆯​ ​𝆯◦୦◦◯◦୦◦𖥕❋⁘◌⁘ⵔ⠿ⵔ∶∶⸭❋𐧾𐧾⸭⁘ⵔꔹⵔ፨⠿❋❋𐧾𐧾··፨ⵔ𐧾꞉ⵔ𐧾·ⵔⵔⵔ꞉❋𐧾ⵔ❋𐧾ꔹ❋❋𐧾·❋ⵔ❋❋𐧾ⵔⵔ❋⸭꞉ⵔ፨𐧾𖢌᳀𖣠 GLYPH DIMENTION EQUAL CREATION INSTRUMENT DIMENTION 𖣠◦୦◦◯◦୦◦ꙮ​ ​

​ ​ꙮ◦୦◦◯◦୦◦𖣠 АТНƎМУꟼТϽНІ АᗺƎЩꙔȊ̮АДԐАϽ ІԀТԀϽАНꟼƎМ АНᗺАꟼ АФІЛႨ ԀТԀϽАНꟼƎМ 𖣠᳀𖢌𐧾፨ⵔ꞉⸭❋ⵔⵔ𐧾❋❋ⵔ❋·𐧾❋❋ꔹ𐧾❋ⵔ𐧾❋꞉ⵔⵔⵔ·𐧾ⵔ꞉𐧾ⵔ፨··𐧾𐧾❋❋⠿፨ⵔꔹⵔ⁘⸭𐧾𐧾❋⸭∶∶ⵔ⠿ⵔ⁘◌⁘❋𖥕◦୦◦◯◦୦◦𝆯​ ​𝆯◦୦◦◯◦୦◦𖥕❋⁘◌⁘ⵔ⠿ⵔ∶∶⸭❋𐧾𐧾⸭⁘ⵔꔹⵔ፨⠿❋❋𐧾𐧾··፨ⵔ𐧾꞉ⵔ𐧾·ⵔⵔⵔ꞉❋𐧾ⵔ❋𐧾ꔹ❋❋𐧾·❋ⵔ❋❋𐧾ⵔⵔ❋⸭꞉ⵔ፨𐧾𖢌᳀𖣠 МЕРНАСЬТЬ ГЛІФА РАВНА МЕРНАСЬТЬІ САЗДАȊ̮ЮЩЕВА ІНСТРУМЕНТА 𖣠◦୦◦◯◦୦◦ꙮ​ ​

𖡼⚪𖡗⚪𔗢⚪𖡗⚪𖡼​ ​⊚​ ​𖡼⚪𖡗⚪𔗢⚪𖡗⚪𖡼

​ ​ꙮ◦୦◦◯◦୦◦𖣠 YTITИAUϘ ЯIAH + YTITИAUϘ ЯƎꓨИIꟻ ⅃AUQƎ YTITИAUϘ TИƎMUЯTƧИI ꓨИIWAЯᗡ 𖣠᳀𖢌𐧾፨ⵔ꞉⸭❋ⵔⵔ𐧾❋❋ⵔ❋·𐧾❋❋ꔹ𐧾❋ⵔ𐧾❋꞉ⵔⵔⵔ·𐧾ⵔ꞉𐧾ⵔ፨··𐧾𐧾❋❋⠿፨ⵔꔹⵔ⁘⸭𐧾𐧾❋⸭∶∶ⵔ⠿ⵔ⁘◌⁘❋𖥕◦୦◦◯◦୦◦𝆯​ ​𝆯◦୦◦◯◦୦◦𖥕❋⁘◌⁘ⵔ⠿ⵔ∶∶⸭❋𐧾𐧾⸭⁘ⵔꔹⵔ፨⠿❋❋𐧾𐧾··፨ⵔ𐧾꞉ⵔ𐧾·ⵔⵔⵔ꞉❋𐧾ⵔ❋𐧾ꔹ❋❋𐧾·❋ⵔ❋❋𐧾ⵔⵔ❋⸭꞉ⵔ፨𐧾𖢌᳀𖣠 DRAWING INSTRUMENT QUANTITY EQUAL FINGER QUANTITY + HAIR QUANTITY 𖣠◦୦◦◯◦୦◦ꙮ​ ​

​​ ​ꙮ◦୦◦◯◦୦◦𖣠 ϽОЛОᗺ УᗺТϽƎЧІЛОꞰ + ФАЦԀЛАП УᗺТϽƎЧІЛОꞰ ОНᗺАꟼ ФАТНƎМУꟼТϽНІ ХІЧꙔУϽІꟼ ОᗺТϽƎЧІЛОꞰ 𖣠᳀𖢌𐧾፨ⵔ꞉⸭❋ⵔⵔ𐧾❋❋ⵔ❋·𐧾❋❋ꔹ𐧾❋ⵔ𐧾❋꞉ⵔⵔⵔ·𐧾ⵔ꞉𐧾ⵔ፨··𐧾𐧾❋❋⠿፨ⵔꔹⵔ⁘⸭𐧾𐧾❋⸭∶∶ⵔ⠿ⵔ⁘◌⁘❋𖥕◦୦◦◯◦୦◦𝆯​ ​𝆯◦୦◦◯◦୦◦𖥕❋⁘◌⁘ⵔ⠿ⵔ∶∶⸭❋𐧾𐧾⸭⁘ⵔꔹⵔ፨⠿❋❋𐧾𐧾··፨ⵔ𐧾꞉ⵔ𐧾·ⵔⵔⵔ꞉❋𐧾ⵔ❋𐧾ꔹ❋❋𐧾·❋ⵔ❋❋𐧾ⵔⵔ❋⸭꞉ⵔ፨𐧾𖢌᳀𖣠 КОЛІЧЕСТВО РІСУЮЧІХ ІНСТРУМЕНТАФ РАВНО КОЛІЧЕСТВУ ПАЛЬЦАФ + КОЛІЧЕСТВУ ВОЛОС 𖣠◦୦◦◯◦୦◦ꙮ​ ​

𖡼⚪𖡗⚪𔗢⚪𖡗⚪𖡼​ ​⊚​ ​𖡼⚪𖡗⚪𔗢⚪𖡗⚪𖡼

​ ​ꙮ◦୦◦◯◦୦◦𖣠 ƧHꟼY⅃ꓨ ⅃AϽYЯTƎMYƧ ᗡИA ꓨИIWAЯᗡ ᗡƎИAꓨЯOЯIAꟼ ᗡИA ꟼƎTƧ ᗡƎTOꟻЯIAꟼ ЯAƎꟼA ƧИAꓨЯO TИƎƧƎЯꟼЯIAꟼ 𖣠᳀𖢌𐧾፨ⵔ꞉⸭❋ⵔⵔ𐧾❋❋ⵔ❋·𐧾❋❋ꔹ𐧾❋ⵔ𐧾❋꞉ⵔⵔⵔ·𐧾ⵔ꞉𐧾ⵔ፨··𐧾𐧾❋❋⠿፨ⵔꔹⵔ⁘⸭𐧾𐧾❋⸭∶∶ⵔ⠿ⵔ⁘◌⁘❋𖥕◦୦◦◯◦୦◦𝆯​ ​𝆯◦୦◦◯◦୦◦𖥕❋⁘◌⁘ⵔ⠿ⵔ∶∶⸭❋𐧾𐧾⸭⁘ⵔꔹⵔ፨⠿❋❋𐧾𐧾··፨ⵔ𐧾꞉ⵔ𐧾·ⵔⵔⵔ꞉❋𐧾ⵔ❋𐧾ꔹ❋❋𐧾·❋ⵔ❋❋𐧾ⵔⵔ❋⸭꞉ⵔ፨𐧾𖢌᳀𖣠 PAIRPRESENT ORGANS APEAR PAIRFOTED STEP AND PAIRORGANED DRAWING AND SYMETRYCAL GLYPHS 𖣠◦୦◦◯◦୦◦ꙮ​ ​

​ ​ꙮ◦୦◦◯◦୦◦𖣠 ІԀФІЛႨ ЄІԀꟼТƎМІϽ І ЄІНАᗺАϽІꟼ ЄАНАႨꟼОАНꟼАП І ДОХ Ȋ̮ІԀПОТϽАНꟼАП ТꙔȊ̮RЛᗺR ІԀНАႨꟼО ЄІԀНТУϽІꟼПАНꟼАП 𖣠᳀𖢌𐧾፨ⵔ꞉⸭❋ⵔⵔ𐧾❋❋ⵔ❋·𐧾❋❋ꔹ𐧾❋ⵔ𐧾❋꞉ⵔⵔⵔ·𐧾ⵔ꞉𐧾ⵔ፨··𐧾𐧾❋❋⠿፨ⵔꔹⵔ⁘⸭𐧾𐧾❋⸭∶∶ⵔ⠿ⵔ⁘◌⁘❋𖥕◦୦◦◯◦୦◦𝆯​ ​𝆯◦୦◦◯◦୦◦𖥕❋⁘◌⁘ⵔ⠿ⵔ∶∶⸭❋𐧾𐧾⸭⁘ⵔꔹⵔ፨⠿❋❋𐧾𐧾··፨ⵔ𐧾꞉ⵔ𐧾·ⵔⵔⵔ꞉❋𐧾ⵔ❋𐧾ꔹ❋❋𐧾·❋ⵔ❋❋𐧾ⵔⵔ❋⸭꞉ⵔ፨𐧾𖢌᳀𖣠 ПАРНАПРІСУТНЫЭ ОРГАНЫ ЯВЛЯȊ̮ЮТ ПАРНАСТОПЫȊ̮ ХОД І ПАРНАОРГАНАЭ РІСАВАНІЭ І СІМЕТРЫЭ ГЛІФЫ 𖣠◦୦◦◯◦୦◦ꙮ​ ​

𖡼⚪𖡗⚪𔗢⚪𖡗⚪𖡼​ ​𖣓​ ​𖡼⚪𖡗⚪𔗢⚪𖡗⚪𖡼

​ ​ꙮ◦୦◦◯◦୦◦𖣠 Ǝ⅃ᗺA⅃ƎƎᖷ ƎꓨᗡƎ⅃WOИꞰ ꓨИIЯAƎꟼA ƎЯUTUꟻ ЯAƎꟼA TИƎMƎ⅃Ǝ ꓨИITϽƎᒐOЯꟼ Ǝ⅃AϽƧ 𖣠᳀𖢌𐧾፨ⵔ꞉⸭❋ⵔⵔ𐧾❋❋ⵔ❋·𐧾❋❋ꔹ𐧾❋ⵔ𐧾❋꞉ⵔⵔⵔ·𐧾ⵔ꞉𐧾ⵔ፨··𐧾𐧾❋❋⠿፨ⵔꔹⵔ⁘⸭𐧾𐧾❋⸭∶∶ⵔ⠿ⵔ⁘◌⁘❋𖥕◦୦◦◯◦୦◦𝆯​ ​𝆯◦୦◦◯◦୦◦𖥕❋⁘◌⁘ⵔ⠿ⵔ∶∶⸭❋𐧾𐧾⸭⁘ⵔꔹⵔ፨⠿❋❋𐧾𐧾··፨ⵔ𐧾꞉ⵔ𐧾·ⵔⵔⵔ꞉❋𐧾ⵔ❋𐧾ꔹ❋❋𐧾·❋ⵔ❋❋𐧾ⵔⵔ❋⸭꞉ⵔ፨𐧾𖢌᳀𖣠 SCALE PROJECTING ELEMENT APEAR FUTURE APEARING KNOWLEDGE FEELABLE 𖣠◦୦◦◯◦୦◦ꙮ​ ​

​ ​ꙮ◦୦◦◯◦୦◦𖣠 ІМІԀНȊ̮Ꙕ߂ ІԀДƎᗺ RȊ̮RЛᗺR ЄАНДУƋ ТƎRЛᗺR ТНƎМƎЛЄ RУꙠЄАꟼП ПАТШАМ 𖣠᳀𖢌𐧾፨ⵔ꞉⸭❋ⵔⵔ𐧾❋❋ⵔ❋·𐧾❋❋ꔹ𐧾❋ⵔ𐧾❋꞉ⵔⵔⵔ·𐧾ⵔ꞉𐧾ⵔ፨··𐧾𐧾❋❋⠿፨ⵔꔹⵔ⁘⸭𐧾𐧾❋⸭∶∶ⵔ⠿ⵔ⁘◌⁘❋𖥕◦୦◦◯◦୦◦𝆯​ ​𝆯◦୦◦◯◦୦◦𖥕❋⁘◌⁘ⵔ⠿ⵔ∶∶⸭❋𐧾𐧾⸭⁘ⵔꔹⵔ፨⠿❋❋𐧾𐧾··፨ⵔ𐧾꞉ⵔ𐧾·ⵔⵔⵔ꞉❋𐧾ⵔ❋𐧾ꔹ❋❋𐧾·❋ⵔ❋❋𐧾ⵔⵔ❋⸭꞉ⵔ፨𐧾𖢌᳀𖣠 МАШТАП ПРАЭЦУЯ ЭЛЕМЕНТ ЯВЛЯЕТ БУДНАЭ ЯВЛЯȊ̮Я ВЕДЫ ЧЮȊ̮НЫМІ 𖣠◦୦◦◯◦୦◦ꙮ​ ​

𖡼⚪𖡗⚪𔗢⚪𖡗⚪𖡼​ ​𖣓​ ​𖡼⚪𖡗⚪𔗢⚪𖡗⚪𖡼

​ ​ꙮ◦୦◦◯◦୦◦𖣠 YTI⅃AUTЯIW ᗡƎTAƎЯϽᖷ⅃ƎƧ ᖷO TИƎMƎ⅃Ǝ HϽAƎ HTIW ᗡƎTIИU ƎϽИƎƧƎ ИWO 𖣠᳀𖢌𐧾፨ⵔ꞉⸭❋ⵔⵔ𐧾❋❋ⵔ❋·𐧾❋❋ꔹ𐧾❋ⵔ𐧾❋꞉ⵔⵔⵔ·𐧾ⵔ꞉𐧾ⵔ፨··𐧾𐧾❋❋⠿፨ⵔꔹⵔ⁘⸭𐧾𐧾❋⸭∶∶ⵔ⠿ⵔ⁘◌⁘❋𖥕◦୦◦◯◦୦◦𝆯​ ​𝆯◦୦◦◯◦୦◦𖥕❋⁘◌⁘ⵔ⠿ⵔ∶∶⸭❋𐧾𐧾⸭⁘ⵔꔹⵔ፨⠿❋❋𐧾𐧾··፨ⵔ𐧾꞉ⵔ𐧾·ⵔⵔⵔ꞉❋𐧾ⵔ❋𐧾ꔹ❋❋𐧾·❋ⵔ❋❋𐧾ⵔⵔ❋⸭꞉ⵔ፨𐧾𖢌᳀𖣠 OWN ESENCE UNITED WITH EACH ELEMENT OF SELFCREATED WIRTUALITY 𖣠◦୦◦◯◦୦◦ꙮ​ ​

​ ​ꙮ◦୦◦◯◦୦◦𖣠 ІԀТԀϽАНԀЛАУТꟼІᗺ Ȋ̮АНАДԐОϽЄАᗺϽ МАТНƎМƎЛЄ МІԀДЖАꞰ Ͻ АНДƎȊ̮ ԀТԀϽАНԀТУϽ RАᗺϽ 𖣠᳀𖢌𐧾፨ⵔ꞉⸭❋ⵔⵔ𐧾❋❋ⵔ❋·𐧾❋❋ꔹ𐧾❋ⵔ𐧾❋꞉ⵔⵔⵔ·𐧾ⵔ꞉𐧾ⵔ፨··𐧾𐧾❋❋⠿፨ⵔꔹⵔ⁘⸭𐧾𐧾❋⸭∶∶ⵔ⠿ⵔ⁘◌⁘❋𖥕◦୦◦◯◦୦◦𝆯​ ​𝆯◦୦◦◯◦୦◦𖥕❋⁘◌⁘ⵔ⠿ⵔ∶∶⸭❋𐧾𐧾⸭⁘ⵔꔹⵔ፨⠿❋❋𐧾𐧾··፨ⵔ𐧾꞉ⵔ𐧾·ⵔⵔⵔ꞉❋𐧾ⵔ❋𐧾ꔹ❋❋𐧾·❋ⵔ❋❋𐧾ⵔⵔ❋⸭꞉ⵔ፨𐧾𖢌᳀𖣠 СВАЯ СУТЬНАСЬТЬ Ȋ̮ЕДНА С КАЖДЫМ ЭЛЕМЕНТАМ СВАЭСОЗДАНАȊ̮ ВІРТУАЛЬНАСЬТЬІ 𖣠◦୦◦◯◦୦◦ꙮ​ ​

𖡼⚪𖡗⚪𔗢⚪𖡗⚪𖡼​ ​𖣓​ ​𖡼⚪𖡗⚪𔗢⚪𖡗⚪𖡼

​ ​ꙮ◦୦◦◯◦୦◦𖣠 ᗡOIЯƎꟼ ƎMIT HTꓨИƎ⅃ƎWAW ИWO ИI ᗡƎƧAꟼ ƎϽИATƧIᗡ THꓨI⅃ ⅃AUϘƎ ƎЯUƧAƎM HTꓨИƎ⅃ ƎUϘIИU 𖣠᳀𖢌𐧾፨ⵔ꞉⸭❋ⵔⵔ𐧾❋❋ⵔ❋·𐧾❋❋ꔹ𐧾❋ⵔ𐧾❋꞉ⵔⵔⵔ·𐧾ⵔ꞉𐧾ⵔ፨··𐧾𐧾❋❋⠿፨ⵔꔹⵔ⁘⸭𐧾𐧾❋⸭∶∶ⵔ⠿ⵔ⁘◌⁘❋𖥕◦୦◦◯◦୦◦𝆯​ ​𝆯◦୦◦◯◦୦◦𖥕❋⁘◌⁘ⵔ⠿ⵔ∶∶⸭❋𐧾𐧾⸭⁘ⵔꔹⵔ፨⠿❋❋𐧾𐧾··፨ⵔ𐧾꞉ⵔ𐧾·ⵔⵔⵔ꞉❋𐧾ⵔ❋𐧾ꔹ❋❋𐧾·❋ⵔ❋❋𐧾ⵔⵔ❋⸭꞉ⵔ፨𐧾𖢌᳀𖣠 UNIQUE LENGTH MEASURE EQUAL LIGHT DISTANSE PASED IN OWN WAWELENGTH TIME PERIOD 𖣠◦୦◦◯◦୦◦ꙮ​ ​

​ ​ꙮ◦୦◦◯◦୦◦𖣠 ІԀНЛАᗺ Ȋ̮ƎАᗺϽ ІԀНІЛД ƎДОІꟼƎП ᗺ МАТƎВϽ УМАМІДАХАꟼП ꙔȊ̮ІНRАТϽАꟼ АНВАꟼ ІԀНІЛД АꟼƎМ RАНԀЛАꞰІНУ 𖣠᳀𖢌𐧾፨ⵔ꞉⸭❋ⵔⵔ𐧾❋❋ⵔ❋·𐧾❋❋ꔹ𐧾❋ⵔ𐧾❋꞉ⵔⵔⵔ·𐧾ⵔ꞉𐧾ⵔ፨··𐧾𐧾❋❋⠿፨ⵔꔹⵔ⁘⸭𐧾𐧾❋⸭∶∶ⵔ⠿ⵔ⁘◌⁘❋𖥕◦୦◦◯◦୦◦𝆯​ ​𝆯◦୦◦◯◦୦◦𖥕❋⁘◌⁘ⵔ⠿ⵔ∶∶⸭❋𐧾𐧾⸭⁘ⵔꔹⵔ፨⠿❋❋𐧾𐧾··፨ⵔ𐧾꞉ⵔ𐧾·ⵔⵔⵔ꞉❋𐧾ⵔ❋𐧾ꔹ❋❋𐧾·❋ⵔ❋❋𐧾ⵔⵔ❋⸭꞉ⵔ፨𐧾𖢌᳀𖣠 УНІКАЛЬНАЯ МЕРА ДЛІНЫ РАВНА РАСТАЯНІȊ̮Ю ПРАХАДІМАМУ СВЕТАМ В ПЕРІОДЕ ДЛІНЫ СВАЕȊ̮ ВАЛНЫ 𖣠◦୦◦◯◦୦◦ꙮ​ ​

𖡼⚪𖡗⚪𔗢⚪𖡗⚪𖡼​ ​⊚​ ​𖡼⚪𖡗⚪𔗢⚪𖡗⚪𖡼

​ ​ꙮ◦୦◦◯◦୦◦𖣠 ИOITAЯƎᗺЯƎWƎЯ ⅃AϽYЯTƎMYƧ ⅃AIИƎꓨИOϽ ꟻO HTꓨИƎ⅃ OT ⅃AUϘƎ HTꓨИƎ⅃ƎWAW ƎUϘIИU ƧAH ƎϽИƎƧƎ HϽAƎ 𖣠᳀𖢌𐧾፨ⵔ꞉⸭❋ⵔⵔ𐧾❋❋ⵔ❋·𐧾❋❋ꔹ𐧾❋ⵔ𐧾❋꞉ⵔⵔⵔ·𐧾ⵔ꞉𐧾ⵔ፨··𐧾𐧾❋❋⠿፨ⵔꔹⵔ⁘⸭𐧾𐧾❋⸭∶∶ⵔ⠿ⵔ⁘◌⁘❋𖥕◦୦◦◯◦୦◦𝆯​ ​𝆯◦୦◦◯◦୦◦𖥕❋⁘◌⁘ⵔ⠿ⵔ∶∶⸭❋𐧾𐧾⸭⁘ⵔꔹⵔ፨⠿❋❋𐧾𐧾··፨ⵔ𐧾꞉ⵔ𐧾·ⵔⵔⵔ꞉❋𐧾ⵔ❋𐧾ꔹ❋❋𐧾·❋ⵔ❋❋𐧾ⵔⵔ❋⸭꞉ⵔ፨𐧾𖢌᳀𖣠 EACH ESENCE HAS UNIQUE WAVELENGTH EQUAL TO LENGTH OF CONGENIAL SYMETRICAL REVERBERATION 𖣠◦୦◦◯◦୦◦ꙮ​ ​

​ ​ꙮ◦୦◦◯◦୦◦𖣠 ІІԀꙠАꟼƎƋꟼƎᗺƎꟼ Ȋ̮АꟼТƎМІϽ Ȋ̮АНԀЛАІНƎႨНОꞰ ƎНІЛД ꙔУНВАꟼ ІԀНЛАᗺ УНІЛД ꙔУНԀЛАꞰІНУ ТƎȊ̮ƎМІ ԀТԀϽАНԀТУϽ RАДЖАꞰ 𖣠᳀𖢌𐧾፨ⵔ꞉⸭❋ⵔⵔ𐧾❋❋ⵔ❋·𐧾❋❋ꔹ𐧾❋ⵔ𐧾❋꞉ⵔⵔⵔ·𐧾ⵔ꞉𐧾ⵔ፨··𐧾𐧾❋❋⠿፨ⵔꔹⵔ⁘⸭𐧾𐧾❋⸭∶∶ⵔ⠿ⵔ⁘◌⁘❋𖥕◦୦◦◯◦୦◦𝆯​ ​𝆯◦୦◦◯◦୦◦𖥕❋⁘◌⁘ⵔ⠿ⵔ∶∶⸭❋𐧾𐧾⸭⁘ⵔꔹⵔ፨⠿❋❋𐧾𐧾··፨ⵔ𐧾꞉ⵔ𐧾·ⵔⵔⵔ꞉❋𐧾ⵔ❋𐧾ꔹ❋❋𐧾·❋ⵔ❋❋𐧾ⵔⵔ❋⸭꞉ⵔ፨𐧾𖢌᳀𖣠 КАЖДАЯ СУТЬНАСЬТЬ ІМЕȊ̮ЕТ УНІКАЛЬНУЮ ДЛІНУ ВАЛНЫ РАВНУЮ ДЛІНЕ КОНГЕНІАЛЬНАȊ̮ СІМЕТРАȊ̮ РЕВЕРБЕРАЦЫІ 𖣠◦୦◦◯◦୦◦ꙮ​ ​

𖡼⚪𖡗⚪𔗢⚪𖡗⚪𖡼​ ​𖣓​ ​𖡼⚪𖡗⚪𔗢⚪𖡗⚪𖡼

​ ​ꙮ◦୦◦◯◦୦◦𖣠 ⅃IUϘИAЯT ƎUᗡ Ǝ⅃ᗺAЯOMƎMИOИ ƎUᗡ Ǝ⅃ᗺAYꟼOϽИOИ ƎUᗡ TИƎIϽIꟻUƧꟻ⅃ƎƧ ИWO 𖣠᳀𖢌𐧾፨ⵔ꞉⸭❋ⵔⵔ𐧾❋❋ⵔ❋·𐧾❋❋ꔹ𐧾❋ⵔ𐧾❋꞉ⵔⵔⵔ·𐧾ⵔ꞉𐧾ⵔ፨··𐧾𐧾❋❋⠿፨ⵔꔹⵔ⁘⸭𐧾𐧾❋⸭∶∶ⵔ⠿ⵔ⁘◌⁘❋𖥕◦୦◦◯◦୦◦𝆯​ ​𝆯◦୦◦◯◦୦◦𖥕❋⁘◌⁘ⵔ⠿ⵔ∶∶⸭❋𐧾𐧾⸭⁘ⵔꔹⵔ፨⠿❋❋𐧾𐧾··፨ⵔ𐧾꞉ⵔ𐧾·ⵔⵔⵔ꞉❋𐧾ⵔ❋𐧾ꔹ❋❋𐧾·❋ⵔ❋❋𐧾ⵔⵔ❋⸭꞉ⵔ፨𐧾𖢌᳀𖣠 OWN SELFSUFICIENT DUE NONCOPYABLE DUE NONMEMORABLE DUE TRANQUIL 𖣠◦୦◦◯◦୦◦ꙮ​ ​

​ ​ꙮ◦୦◦◯◦୦◦𖣠 ОНԀЛІᗺꞰНАꟼТ ОƋ ОМƎАТRМАПƎН ОƋ ОНԀЛRІПОꞰƎН ОƋ ОНТАТϽАДАМАϽ Ǝ̈АВϽ 𖣠᳀𖢌𐧾፨ⵔ꞉⸭❋ⵔⵔ𐧾❋❋ⵔ❋·𐧾❋❋ꔹ𐧾❋ⵔ𐧾❋꞉ⵔⵔⵔ·𐧾ⵔ꞉𐧾ⵔ፨··𐧾𐧾❋❋⠿፨ⵔꔹⵔ⁘⸭𐧾𐧾❋⸭∶∶ⵔ⠿ⵔ⁘◌⁘❋𖥕◦୦◦◯◦୦◦𝆯​ ​𝆯◦୦◦◯◦୦◦𖥕❋⁘◌⁘ⵔ⠿ⵔ∶∶⸭❋𐧾𐧾⸭⁘ⵔꔹⵔ፨⠿❋❋𐧾𐧾··፨ⵔ𐧾꞉ⵔ𐧾·ⵔⵔⵔ꞉❋𐧾ⵔ❋𐧾ꔹ❋❋𐧾·❋ⵔ❋❋𐧾ⵔⵔ❋⸭꞉ⵔ፨𐧾𖢌᳀𖣠 СВАЁ САМАДАСТАТНО БО НЕКОПІЯЛЬНО БО НЕПАМЯТАЕМО БО ТРАНКВІЛЬНО 𖣠◦୦◦◯◦୦◦ꙮ​ ​

𖡼⚪𖡗⚪𔗢⚪𖡗⚪𖡼

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𖡼⚪𖡗⚪𔗢⚪𖡗⚪𖡼