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⠀ ⵙ◯ⵙ◯ⵙ ⚪◌⚪◌⚪◌⚪◌⚪◌⚪◌⚪ ⵙ◯ⵙ◯ⵙ 𖣠⚪𔗢⚪🞋⚪𔗢⚪𖣠 ⵙ◯ⵙ◯ⵙ ⚪◌⚪◌⚪◌⚪◌⚪◌⚪◌⚪ ⵙ◯ⵙ◯ⵙ ◦୦◦◯◦୦◦⠀       ⠀◦୦◦◯◦୦◦ ⵙ◯ⵙ◯ⵙ ⚪◌⚪◌⚪◌⚪◌⚪◌⚪◌⚪ ⵙ◯ⵙ◯ⵙ 𖣠⚪𔗢⚪🞋⚪𔗢⚪𖣠 ⵙ◯ⵙ◯ⵙ ⚪◌⚪◌⚪◌⚪◌⚪◌⚪◌⚪ ⵙ◯ⵙ◯ⵙ ᯽᪣᯽𖦸᯽᪣᯽ ᯽᪣᯽𖦸᯽᪣᯽ ⵙ◯ⵙ◯ⵙ ⚪◌⚪◌⚪◌⚪◌⚪◌⚪◌⚪ ⵙ◯ⵙ◯ⵙ 𖣠⚪𔗢⚪🞋⚪𔗢⚪𖣠 ⵙ◯ⵙ◯ⵙ ⚪◌⚪◌⚪◌⚪◌⚪◌⚪◌⚪ ⵙ◯ⵙ◯ⵙ ◦୦◦◯◦୦◦⠀       ⠀◦୦◦◯◦୦◦ ⵙ◯ⵙ◯ⵙ ⚪◌⚪◌⚪◌⚪◌⚪◌⚪◌⚪ ⵙ◯ⵙ◯ⵙ 𖣠⚪𔗢⚪🞋⚪𔗢⚪𖣠 ⵙ◯ⵙ◯ⵙ ⚪◌⚪◌⚪◌⚪◌⚪◌⚪◌⚪ ⵙ◯ⵙ◯ⵙ 𐫰𖡹𖡗⚪𑁍𐄪⩩𖥕 ⠀ ᯽᪣𖦸 ⠀ 𖦸᪣᯽ ⠀ 𖥕⩩𐄪𑁍⚪𖡗𖡹𐫰 ⵙ◯ⵙ◯ⵙ ⚪◌⚪◌⚪◌⚪◌⚪◌⚪◌⚪ ⵙ◯ⵙ◯ⵙ 𖣠⚪𔗢⚪🞋⚪𔗢⚪𖣠 ⵙ◯ⵙ◯ⵙ ⚪◌⚪◌⚪◌⚪◌⚪◌⚪◌⚪ ⵙ◯ⵙ◯ⵙ ◦୦◦◯◦୦◦⠀       ⠀◦୦◦◯◦୦◦ ⵙ◯ⵙ◯ⵙ ⚪◌⚪◌⚪◌⚪◌⚪◌⚪◌⚪ ⵙ◯ⵙ◯ⵙ 𖣠⚪𔗢⚪🞋⚪𔗢⚪𖣠 ⵙ◯ⵙ◯ⵙ ⚪◌⚪◌⚪◌⚪◌⚪◌⚪◌⚪ ⵙ◯ⵙ◯ⵙ ᯽᪣᯽𖦸᯽᪣᯽ ᯽᪣᯽𖦸᯽᪣᯽ ⵙ◯ⵙ◯ⵙ ⚪◌⚪◌⚪◌⚪◌⚪◌⚪◌⚪ ⵙ◯ⵙ◯ⵙ 𖣠⚪𔗢⚪🞋⚪𔗢⚪𖣠 ⵙ◯ⵙ◯ⵙ ⚪◌⚪◌⚪◌⚪◌⚪◌⚪◌⚪ ⵙ◯ⵙ◯ⵙ ◦୦◦◯◦୦◦⠀       ⠀◦୦◦◯◦୦◦ ⵙ◯ⵙ◯ⵙ ⚪◌⚪◌⚪◌⚪◌⚪◌⚪◌⚪ ⵙ◯ⵙ◯ⵙ 𖣠⚪𔗢⚪🞋⚪𔗢⚪𖣠 ⵙ◯ⵙ◯ⵙ ⚪◌⚪◌⚪◌⚪◌⚪◌⚪◌⚪ ⵙ◯ⵙ◯ⵙ ⠀

github-services/chunked-upload/ec7f137d83ebe081cf44bac3f8a43777bcb3cb57 [808O808O808O808O808@PROTON.ME] OOOOOOOOOOOOOOOO 2 hours ago parent d8d19f10bc commit ec7f137d83 16 changed files with 1245138 additions and 0 deletions Whitespace Split View Diff Options 662957 ∣❁∣✢✻𖡛⛋🝊☐🝊⛋𖡛✻✢∣❁∣/◇⛋✢⯏⛋⦻𖥠⦻⛋⯏✢⛋◇/𑽇⛋ⵙ𑽇Ⓞ◇Ⓞ🝊⛋🝊Ⓞ◇Ⓞ𑽇ⵙ⛋𑽇/⦻ꖅ𑽇ⵙ𑽇ꖅ⦻/𐫰/⁜𑁍⁜/⸭𑗋⸭/⋮𖡛⋮𑗗⋮𖡛⋮/XHꓨ.𐫰𖡹𖡗🟗 ⠀ ⋮𖡛𑗗⸭𑗋𖡼⯎𑁍𐄪᯽᪣𖦸 𖦸᪣᯽𐄪𑁍⯎𖡼𑗋⸭𑗗𖡛⋮ ⠀ 🟗𖡗𖡹𐫰.GHX View File File diff suppressed because one or more lines are too long 582181 ∣❁∣✢✻𖡛⛋🝊☐🝊⛋𖡛✻✢∣❁∣/◇⛋✢⯏⛋⦻𖥠⦻⛋⯏✢⛋◇/𑽇⛋ⵙ𑽇Ⓞ◇Ⓞ🝊⛋🝊Ⓞ◇Ⓞ𑽇ⵙ⛋𑽇/⦻ꖅ𑽇ⵙ𑽇ꖅ⦻/𐫰/⁜𑁍⁜/⸭𑗋⸭/⋮𖡛⋮𑗗⋮𖡛⋮/ꓨVƧ.XHꓨ.𐫰𖡹𖡗🟗 ⠀ ⸭⸭꞉⸭⸭⚪ⵔ🌑 ⠀ ⋮𖡛𑗗⸭𑗋𖡼⯎𑁍𐄪᯽᪣𖦸 𖦸᪣᯽𐄪𑁍⯎𖡼𑗋⸭𑗗𖡛⋮ ⠀ 🌑ⵔ⚪⸭⸭꞉⸭⸭ ⠀ 🟗𖡗𖡹𐫰.GHX.SVG View File Side by Side BIN ∣❁∣✢✻𖡛⛋🝊☐🝊⛋𖡛✻✢∣❁∣/◇⛋✢⯏⛋⦻𖥠⦻⛋⯏✢⛋◇/𑽇⛋ⵙ𑽇Ⓞ◇Ⓞ🝊⛋🝊Ⓞ◇Ⓞ𑽇ⵙ⛋𑽇/⦻ꖅ𑽇ⵙ𑽇ꖅ⦻/𐫰/⁜𑁍⁜/⸭𑗋⸭/⋮𖡛⋮𑗗⋮𖡛⋮/ꓨИꟼ.IA.ꓨVƧ.XHꓨ.𐫰𖡹𖡗🟗 ⠀ ፨ꔹ፨ ⠀ ⠿⁘꞉⁘⠿⚪፨𐧾·𐧾፨◯𒋲⋮𖡛𑗗⸭𑗋𖡼⯎𑁍𐄪᯽᪣𖦸 𖦸᪣᯽𐄪𑁍⯎𖡼𑗋⸭𑗗𖡛⋮𒋲◯፨𐧾·𐧾፨⚪⠿⁘꞉⁘⠿ ⠀ ፨ꔹ፨ ⠀ 🟗𖡗𖡹𐫰.GHX.SVG.AI.PNG View File Side by Side BIN ∣❁∣✢✻𖡛⛋🝊☐🝊⛋𖡛✻✢∣❁∣/◇⛋✢⯏⛋⦻𖥠⦻⛋⯏✢⛋◇/𑽇⛋ⵙ𑽇Ⓞ◇Ⓞ🝊⛋🝊Ⓞ◇Ⓞ𑽇ⵙ⛋𑽇/⦻ꖅ𑽇ⵙ𑽇ꖅ⦻/𐫰/⁜𑁍⁜/⸭𑗋⸭/⋮𖡛⋮𑗗⋮𖡛⋮/ꓨИꟼ.IA.ꓨVƧ.XHꓨ.𐫰𖡹𖡗🟗 ⠀ ፨ꔹ፨ ⠀ ⠿⁘꞉⁘⠿⚪፨𐧾·𐧾፨🌑𒋲⋮𖡛𑗗⸭𑗋𖡼⯎𑁍𐄪᯽᪣𖦸 𖦸᪣᯽𐄪𑁍⯎𖡼𑗋⸭𑗗𖡛⋮𒋲🌑፨𐧾·𐧾፨⚪⠿⁘꞉⁘⠿ ⠀ ፨ꔹ፨ ⠀ 🟗𖡗𖡹𐫰.GHX.SVG.AI.PNG View File Side by Side BIN ∣❁∣✢✻𖡛⛋🝊☐🝊⛋𖡛✻✢∣❁∣/◇⛋✢⯏⛋⦻𖥠⦻⛋⯏✢⛋◇/𑽇⛋ⵙ𑽇Ⓞ◇Ⓞ🝊⛋🝊Ⓞ◇Ⓞ𑽇ⵙ⛋𑽇/⦻ꖅ𑽇ⵙ𑽇ꖅ⦻/𐫰/⁜𑁍⁜/⸭𑗋⸭/⋮𖡛⋮𑗗⋮𖡛⋮/ꓨИꟼ.IA.ꓨVƧ.XHꓨ.𐫰𖡹𖡗🟗 ⠀ ፨ꔹ፨ ⠀ ⸭⸭꞉⸭⸭⚪ⵔ🌑𒋲⋮𖡛𑗗⸭𑗋𖡼⯎𑁍𐄪᯽᪣𖦸 𖦸᪣᯽𐄪𑁍⯎𖡼𑗋⸭𑗗𖡛⋮𒋲🌑ⵔ⚪⸭⸭꞉⸭⸭ ⠀ ፨ꔹ፨ ⠀ 🟗𖡗𖡹𐫰.GHX.SVG.AI.PNG View File Side by Side BIN ∣❁∣✢✻𖡛⛋🝊☐🝊⛋𖡛✻✢∣❁∣/◇⛋✢⯏⛋⦻𖥠⦻⛋⯏✢⛋◇/𑽇⛋ⵙ𑽇Ⓞ◇Ⓞ🝊⛋🝊Ⓞ◇Ⓞ𑽇ⵙ⛋𑽇/⦻ꖅ𑽇ⵙ𑽇ꖅ⦻/𐫰/⁜𑁍⁜/⸭𑗋⸭/⋮𖡛⋮𑗗⋮𖡛⋮/ꓨИꟼ.IA.ꓨVƧ.XHꓨ.𐫰𖡹𖡗🟗 ⠀ ❋ꔹ❋ ⠀ ⠿⁘꞉⁘⠿⚪፨𐧾·𐧾፨◯𒋲⋮𖡛𑗗⸭𑗋𖡼⯎𑁍𐄪᯽᪣𖦸 𖦸᪣᯽𐄪𑁍⯎𖡼𑗋⸭𑗗𖡛⋮𒋲◯፨𐧾·𐧾፨⚪⠿⁘꞉⁘⠿ ⠀ ❋ꔹ❋ ⠀ 🟗𖡗𖡹𐫰.GHX.SVG.AI.PNG View File Side by Side BIN ∣❁∣✢✻𖡛⛋🝊☐🝊⛋𖡛✻✢∣❁∣/◇⛋✢⯏⛋⦻𖥠⦻⛋⯏✢⛋◇/𑽇⛋ⵙ𑽇Ⓞ◇Ⓞ🝊⛋🝊Ⓞ◇Ⓞ𑽇ⵙ⛋𑽇/⦻ꖅ𑽇ⵙ𑽇ꖅ⦻/𐫰/⁜𑁍⁜/⸭𑗋⸭/⋮𖡛⋮𑗗⋮𖡛⋮/ꓨИꟼ.IA.ꓨVƧ.XHꓨ.𐫰𖡹𖡗🟗 ⠀ ❋ꔹ❋ ⠀ ⠿⁘꞉⁘⠿⚪፨𐧾·𐧾፨🌑𒋲⋮𖡛𑗗⸭𑗋𖡼⯎𑁍𐄪᯽᪣𖦸 𖦸᪣᯽𐄪𑁍⯎𖡼𑗋⸭𑗗𖡛⋮𒋲🌑፨𐧾·𐧾፨⚪⠿⁘꞉⁘⠿ ⠀ ❋ꔹ❋ ⠀ 🟗𖡗𖡹𐫰.GHX.SVG.AI.PNG View File Side by Side BIN ∣❁∣✢✻𖡛⛋🝊☐🝊⛋𖡛✻✢∣❁∣/◇⛋✢⯏⛋⦻𖥠⦻⛋⯏✢⛋◇/𑽇⛋ⵙ𑽇Ⓞ◇Ⓞ🝊⛋🝊Ⓞ◇Ⓞ𑽇ⵙ⛋𑽇/⦻ꖅ𑽇ⵙ𑽇ꖅ⦻/𐫰/⁜𑁍⁜/⸭𑗋⸭/⋮𖡛⋮𑗗⋮𖡛⋮/ꓨИꟼ.IA.ꓨVƧ.XHꓨ.𐫰𖡹𖡗🟗 ⠀ ❋ꔹ❋ ⠀ ⸭⸭꞉⸭⸭⚪ⵔ🌑𒋲⋮𖡛𑗗⸭𑗋𖡼⯎𑁍𐄪᯽᪣𖦸 𖦸᪣᯽𐄪𑁍⯎𖡼𑗋⸭𑗗𖡛⋮𒋲🌑ⵔ⚪⸭⸭꞉⸭⸭ ⠀ ❋ꔹ❋ ⠀ 🟗𖡗𖡹𐫰.GHX.SVG.AI.PNG View File Side by Side BIN ∣❁∣✢✻𖡛⛋🝊☐🝊⛋𖡛✻✢∣❁∣/◇⛋✢⯏⛋⦻𖥠⦻⛋⯏✢⛋◇/𑽇⛋ⵙ𑽇Ⓞ◇Ⓞ🝊⛋🝊Ⓞ◇Ⓞ𑽇ⵙ⛋𑽇/⦻ꖅ𑽇ⵙ𑽇ꖅ⦻/𐫰/⁜𑁍⁜/⸭𑗋⸭/⋮𖡛⋮𑗗⋮𖡛⋮/ꓨИꟼ.IA.ꓨVƧ.XHꓨ.𐫰𖡹𖡗🟗 ⠀ ⠿ꔹ⠿ ⠀ ⠿⁘꞉⁘⠿⚪፨𐧾·𐧾፨◯𒋲⋮𖡛𑗗⸭𑗋𖡼⯎𑁍𐄪᯽᪣𖦸 𖦸᪣᯽𐄪𑁍⯎𖡼𑗋⸭𑗗𖡛⋮𒋲◯፨𐧾·𐧾፨⚪⠿⁘꞉⁘⠿ ⠀ ⠿ꔹ⠿ ⠀ 🟗𖡗𖡹𐫰.GHX.SVG.AI.PNG View File Side by Side BIN ∣❁∣✢✻𖡛⛋🝊☐🝊⛋𖡛✻✢∣❁∣/◇⛋✢⯏⛋⦻𖥠⦻⛋⯏✢⛋◇/𑽇⛋ⵙ𑽇Ⓞ◇Ⓞ🝊⛋🝊Ⓞ◇Ⓞ𑽇ⵙ⛋𑽇/⦻ꖅ𑽇ⵙ𑽇ꖅ⦻/𐫰/⁜𑁍⁜/⸭𑗋⸭/⋮𖡛⋮𑗗⋮𖡛⋮/ꓨИꟼ.IA.ꓨVƧ.XHꓨ.𐫰𖡹𖡗🟗 ⠀ ⠿ꔹ⠿ ⠀ ⠿⁘꞉⁘⠿⚪፨𐧾·𐧾፨🌑𒋲⋮𖡛𑗗⸭𑗋𖡼⯎𑁍𐄪᯽᪣𖦸 𖦸᪣᯽𐄪𑁍⯎𖡼𑗋⸭𑗗𖡛⋮𒋲🌑፨𐧾·𐧾፨⚪⠿⁘꞉⁘⠿ ⠀ ⠿ꔹ⠿ ⠀ 🟗𖡗𖡹𐫰.GHX.SVG.AI.PNG View File Side by Side BIN ∣❁∣✢✻𖡛⛋🝊☐🝊⛋𖡛✻✢∣❁∣/◇⛋✢⯏⛋⦻𖥠⦻⛋⯏✢⛋◇/𑽇⛋ⵙ𑽇Ⓞ◇Ⓞ🝊⛋🝊Ⓞ◇Ⓞ𑽇ⵙ⛋𑽇/⦻ꖅ𑽇ⵙ𑽇ꖅ⦻/𐫰/⁜𑁍⁜/⸭𑗋⸭/⋮𖡛⋮𑗗⋮𖡛⋮/ꓨИꟼ.IA.ꓨVƧ.XHꓨ.𐫰𖡹𖡗🟗 ⠀ ⠿ꔹ⠿ ⠀ ⸭⸭꞉⸭⸭⚪ⵔ🌑𒋲⋮𖡛𑗗⸭𑗋𖡼⯎𑁍𐄪᯽᪣𖦸 𖦸᪣᯽𐄪𑁍⯎𖡼𑗋⸭𑗗𖡛⋮𒋲🌑ⵔ⚪⸭⸭꞉⸭⸭ ⠀ ⠿ꔹ⠿ ⠀ 🟗𖡗𖡹𐫰.GHX.SVG.AI.PNG View File Side by Side BIN ∣❁∣✢✻𖡛⛋🝊☐🝊⛋𖡛✻✢∣❁∣/◇⛋✢⯏⛋⦻𖥠⦻⛋⯏✢⛋◇/𑽇⛋ⵙ𑽇Ⓞ◇Ⓞ🝊⛋🝊Ⓞ◇Ⓞ𑽇ⵙ⛋𑽇/⦻ꖅ𑽇ⵙ𑽇ꖅ⦻/𐫰/⁜𑁍⁜/⸭𑗋⸭/⋮𖡛⋮𑗗⋮𖡛⋮/ꓨИꟼ.IA.ꓨVƧ.XHꓨ.𐫰𖡹𖡗🟗 ⠀ 𐧾ꔹ𐧾 ⠀ ⠿⁘꞉⁘⠿⚪፨𐧾·𐧾፨◯𒋲⋮𖡛𑗗⸭𑗋𖡼⯎𑁍𐄪᯽᪣𖦸 𖦸᪣᯽𐄪𑁍⯎𖡼𑗋⸭𑗗𖡛⋮𒋲◯፨𐧾·𐧾፨⚪⠿⁘꞉⁘⠿ ⠀ 𐧾ꔹ𐧾 ⠀ 🟗𖡗𖡹𐫰.GHX.SVG.AI.PNG View File Side by Side BIN ∣❁∣✢✻𖡛⛋🝊☐🝊⛋𖡛✻✢∣❁∣/◇⛋✢⯏⛋⦻𖥠⦻⛋⯏✢⛋◇/𑽇⛋ⵙ𑽇Ⓞ◇Ⓞ🝊⛋🝊Ⓞ◇Ⓞ𑽇ⵙ⛋𑽇/⦻ꖅ𑽇ⵙ𑽇ꖅ⦻/𐫰/⁜𑁍⁜/⸭𑗋⸭/⋮𖡛⋮𑗗⋮𖡛⋮/ꓨИꟼ.IA.ꓨVƧ.XHꓨ.𐫰𖡹𖡗🟗 ⠀ 𐧾ꔹ𐧾 ⠀ ⠿⁘꞉⁘⠿⚪፨𐧾·𐧾፨🌑𒋲⋮𖡛𑗗⸭𑗋𖡼⯎𑁍𐄪᯽᪣𖦸 𖦸᪣᯽𐄪𑁍⯎𖡼𑗋⸭𑗗𖡛⋮𒋲🌑፨𐧾·𐧾፨⚪⠿⁘꞉⁘⠿ ⠀ 𐧾ꔹ𐧾 ⠀ 🟗𖡗𖡹𐫰.GHX.SVG.AI.PNG View File Side by Side BIN ∣❁∣✢✻𖡛⛋🝊☐🝊⛋𖡛✻✢∣❁∣/◇⛋✢⯏⛋⦻𖥠⦻⛋⯏✢⛋◇/𑽇⛋ⵙ𑽇Ⓞ◇Ⓞ🝊⛋🝊Ⓞ◇Ⓞ𑽇ⵙ⛋𑽇/⦻ꖅ𑽇ⵙ𑽇ꖅ⦻/𐫰/⁜𑁍⁜/⸭𑗋⸭/⋮𖡛⋮𑗗⋮𖡛⋮/ꓨИꟼ.IA.ꓨVƧ.XHꓨ.𐫰𖡹𖡗🟗 ⠀ 𐧾ꔹ𐧾 ⠀ ⸭⸭꞉⸭⸭⚪ⵔ🌑𒋲⋮𖡛𑗗⸭𑗋𖡼⯎𑁍𐄪᯽᪣𖦸 𖦸᪣᯽𐄪𑁍⯎𖡼𑗋⸭𑗗𖡛⋮𒋲🌑ⵔ⚪⸭⸭꞉⸭⸭ ⠀ 𐧾ꔹ𐧾 ⠀ 🟗𖡗𖡹𐫰.GHX.SVG.AI.PNG View File Side by Side BIN ∣❁∣✢✻𖡛⛋🝊☐🝊⛋𖡛✻✢∣❁∣/◇⛋✢⯏⛋⦻𖥠⦻⛋⯏✢⛋◇/𑽇⛋ⵙ𑽇Ⓞ◇Ⓞ🝊⛋🝊Ⓞ◇Ⓞ𑽇ⵙ⛋𑽇/⦻ꖅ𑽇ⵙ𑽇ꖅ⦻/𐫰/⁜𑁍⁜/⸭𑗋⸭/⋮𖡛⋮𑗗⋮𖡛⋮/𑪽ߖ.XHꓨ.𐫰𖡹𖡗🟗 ⠀ ⋮𖡛𑗗⸭𑗋𖡼⯎𑁍𐄪᯽᪣𖦸 𖦸᪣᯽𐄪𑁍⯎𖡼𑗋⸭𑗗𖡛⋮ ⠀ 🟗𖡗𖡹𐫰.GHX.7Z View File Binary file not shown. BIN ∣❁∣✢✻𖡛⛋🝊☐🝊⛋𖡛✻✢∣❁∣/◇⛋✢⯏⛋⦻𖥠⦻⛋⯏✢⛋◇/𑽇⛋ⵙ𑽇Ⓞ◇Ⓞ🝊⛋🝊Ⓞ◇Ⓞ𑽇ⵙ⛋𑽇/⦻ꖅ𑽇ⵙ𑽇ꖅ⦻/𐫰/⁜𑁍⁜/⸭𑗋⸭/⋮𖡛⋮𑗗⋮𖡛⋮/𑪽ߖ.𖢒.ꓨИꟼ.IA.ꓨVƧ.XHꓨ.𐫰𖡹𖡗🟗 ⠀ 𐧾ꔹ𐧾 ⠀ ⠿⁘꞉⁘⠿⚪፨𐧾·𐧾፨◯𒋲⋮𖡛𑗗⸭𑗋𖡼⯎𑁍𐄪᯽᪣𖦸 𖦸᪣᯽𐄪𑁍⯎𖡼𑗋⸭𑗗𖡛⋮𒋲◯፨𐧾·𐧾፨⚪⠿⁘꞉⁘⠿ ⠀ 𐧾ꔹ𐧾 ⠀ 🟗𖡗𖡹𐫰.GHX.SVG.AI.PNG.𖢒.7Z View File Binary file not shown. Powered by Gitea Version: 1.16.8 Page: 4765ms Template: 845ms Licenses API Website Go1.18.2

𐫰𖡹𖡗🟗 ⠀ ⋮𖡛𑗗⸭𑗋𖡼⯎𑁍𐄪᯽᪣𖦸 𖦸᪣᯽𐄪𑁍⯎𖡼𑗋⸭𑗗𖡛⋮ ⠀ 🟗𖡗𖡹𐫰 𐫰𖡹𖡗🟗 ⠀ ⋮𖡛𑗗⸭𑗋𖡼⯎𑁍𐄪᯽᪣𖦸 𖦸᪣᯽𐄪𑁍⯎𖡼𑗋⸭𑗗𖡛⋮ ⠀ 🟗𖡗𖡹𐫰 ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ 𖡗 ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀                     ◎Ⓞᑐ·ᗡᖆᖆᗩᑐ·ⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄ◎ⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄ·ᑕᗩᖇᖇᗞ·ᑕⓄ◎ ◎Ⓞᑐ·ᗡᖈᖈᗨᑐ·ⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄ◎ⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄ·ᑕᗨᖉᖉᗞ·ᑕⓄ◎ 𖢄 ◎ ✻ИNⵙᙁ·Ⓞⵙ∞·ⓄⓄⓄⓄ ◎ ⓄⓄⓄⓄ·∞ⵙⓄ·ᙁⵙИN✻ ◎ ◎ ✻NИⵙᙀ·Ⓞⵙ∞·ⓄⓄⓄⓄ ◎ ⓄⓄⓄⓄ·∞ⵙⓄ·ᙀⵙNИ✻ ◎ 𖢄 ◎ 9ਟ2840მ\ƨtnuoↄↄɕ\MⓄϽ.ⓄƎMA⅃AϽ ◎ CALAMEⓄ.CⓄM/accounts/6048259 ◎ ◎ 9ਟ2840მ/stunoↄↄɐ/ꟽⓄϽ˙ⓄƎꟽⱯᒣⱯϽ ◎ CⱯᒥⱯꟽEⓄ˙CⓄꟽ\ɐcconutƨ\6048259 ◎ 𖢄 ◎ OOOO00000000OOOO\MⓄϽ.ᗺUHTIꓨ ◎ GITHUB.CⓄM/OOOO00000000OOOO ◎ ◎ OOOO00000000OOOO/ꟽⓄϽ˙ᗺ𝉅H𝈜Iꓨ ◎ GI𝈜H𝉅B˙CⓄꟽ\OOOO00000000OOOO ◎ 𖢄 ◎ 00042მ2ਟ-Ⓞ\ƎꓨAꟼ.ꟼⓄЯᗡИIAЯ.ⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄ ◎ ⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄ.RAINDRⓄP.PAGE/Ⓞ-52624000 ◎ ◎ 00042მ2ਟ-Ⓞ/ƎꓨⱯԀ˙ԀⓄᖈᗡNIⱯᖈ˙ⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄ ◎ ⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄ˙ᖉⱯIИDᖉⓄЬ˙ЬⱯGE\Ⓞ-52624000 ◎ 𖢄 ◎ OOO\u\ИI.ᗡԐꟼ ◎ P3D.IN/u/OOO ◎ ◎ OOO/ⁿ/NI˙ᗡԐԀ ◎ Ь3D˙IИ\ⁿ\OOO ◎                     ◎ { ; ( (O_ƧƎИTHꓨIЯᗺ_O_ᗺЯIꓨHTИƎƧ_O-.1)

.1+ (O_ƧƎИTHꓨIЯᗺ_O_ᗺЯIꓨHTИƎƧ_O-.1) * ((.1-,O_TOOЯ_ЯƎWOꟼ_O_ꟼOWƎЯ_ЯOOT_O)woq,((.2,(.1-O_ЯƎᗡAHƧ_TИƎIᗡAЯꓨ_⅃AIᗡAЯ_ЯAƎИI⅃O⅃IИƎAЯ_ЯAᗡIA⅃ꓨЯAᗡIƎИT_ƧHAᗡƎЯ_O)-)woq-.1))woq ) =O_ЯƎᗡAHƧ_O_ƧHAᗡƎЯ_O } ( 0.0=O_ЯƎᗡAHƧ_O_ƧHAᗡƎЯ_O taolf tuqtuo ,(მਟ2/(2/1021))=O_TOOЯ_ЯƎWOꟼ_O_ꟼOWƎЯ_ЯOOT_O taolf ,(მਟ2\8მ1)=O_ƧƎИTHꓨIЯᗺ_O_ᗺЯIꓨHTИƎƧ_O taolf ,(((.2,(I,И)tob)woq-.1)trpƨ-.1)=O_ЯƎᗡAHƧ_TИƎIᗡAЯꓨ⅃AIᗡAЯ_ЯAƎИI⅃O⅃IИƎAЯ_ЯAᗡIA⅃_ꓨЯAᗡIƎИT_ƧHAᗡƎЯ_O taolf ) O_ਟ2მਟმ_0_ਟ78მ4084_91_O_19_4804მ87ਟ_0_მਟმ2ਟ_O rɘbahƨ ◎ ◎ { ; ( (O_ƧƎИTHꓨIЯᗺ_O_ᗺЯIꓨHTИƎƧ_O-.1)

.1+ (O_ƧƎИTHꓨIЯᗺ_O_ᗺЯIꓨHTИƎƧ_O-.1) * ((.1-,O_TOOЯ_ЯƎWOꟼ_O_ꟼOWƎЯ_ЯOOT_O)woq,((.2,(.1-O_ЯƎᗡAHƧ_TИƎIᗡAЯꓨ_⅃AIᗡAЯ_ЯAƎИI⅃O⅃IИƎAЯ_ЯAᗡIA⅃ꓨЯAᗡIƎИT_ƧHAᗡƎЯ_O)-)woq-.1))woq ) =O_ЯƎᗡAHƧ_O_ƧHAᗡƎЯ_O } ( 0.0=O_ЯƎᗡAHƧ_O_ƧHAᗡƎЯ_O taolf tuqtuo ,(მਟ2/(2/1021))=O_TOOЯ_ЯƎWOꟼ_O_ꟼOWƎЯ_ЯOOT_O taolf ,(მਟ2\8მ1)=O_ƧƎИTHꓨIЯᗺ_O_ᗺЯIꓨHTИƎƧ_O taolf ,(((.2,(I,И)tob)woq-.1)trpƨ-.1)=O_ЯƎᗡAHƧ_TИƎIᗡAЯꓨ⅃AIᗡAЯ_ЯAƎИI⅃O⅃IИƎAЯ_ЯAᗡIA⅃_ꓨЯAᗡIƎИT_ƧHAᗡƎЯ_O taolf ) O_ਟ2მਟმ_0_ਟ78მ4084_91_O_19_4804მ87ਟ_0_მਟმ2ਟ_O rɘbahƨ ◎ ⦿ ◎ shader O_52656_0_57864084_91_O_19_48046875_0_65625_O ( float O_REDAHS_TNEIDARG_LAIDAR_RAENIL_O_LINEAR_RADIAL_GRADIENT_SHADER_O=(1.-sqrt(1.-pow(dot(N,I),2.))), float O_SENTHGIRB_O_BRIGHTNES_O=(168/256), float O_REWOP_TOOR_O_ROOT_POWER_O=19.48046875/((1201/2)/256), output float O_REDAHS_O_SHADER_O=0.0 ) { O_REDAHS_O_SHADER_O= ( pow((1.-pow(-(O_REDAHS_TNEIDARG_LAIDAR_RAENIL_O_LINEAR_RADIAL_GRADIENT_SHADER_O-1.),2.)),pow(O_REWOP_TOOR_O_ROOT_POWER_O,-1.)) * (1.-O_SENTHGIRB_O_BRIGHTNES_O) +1.

(1.-O_SENTHGIRB_O_BRIGHTNES_O) ) ; } ◎ ◎ shader O_52656_0_57864084_91_O_19_48046875_0_65625_O ( float O_REDAHS_TNEIDARG_LAIDAR_RAENIL_O_LINEAR_RADIAL_GRADIENT_SHADER_O=(1.-sqrt(1.-pow(dot(N,I),2.))), float O_SENTHGIRB_O_BRIGHTNES_O=(168/256), float O_REWOP_TOOR_O_ROOT_POWER_O=19.48046875/((1201/2)/256), output float O_REDAHS_O_SHADER_O=0.0 ) { O_REDAHS_O_SHADER_O= ( pow((1.-pow(-(O_REDAHS_TNEIDARG_LAIDAR_RAENIL_O_LINEAR_RADIAL_GRADIENT_SHADER_O-1.),2.)),pow(O_REWOP_TOOR_O_ROOT_POWER_O,-1.)) * (1.-O_SENTHGIRB_O_BRIGHTNES_O) +1.

(1.-O_SENTHGIRB_O_BRIGHTNES_O) ) ; } ◎                     ◎ AᒐIϽIᒐUTИI\ƨ\AU.ИI.MUƧ ◎ SUM.IN.UA/s/INTUJICIJA ◎ ◎ ⱯᒋIϽIᒋ𝉅𝈜NI/s/Ɐ𝉅˙NI˙ꟽ𝉅S ◎ Ƨ𝉅ꟽ˙IИ˙𝉅Ɐ\ƨ\IИ𝈜𝉅ᒉICIᒉⱯ ◎                     Ⓞ⊞❁◇∣𖢌✻⊞⛋🝊✢🝊⛋⊞✻𖢌∣◇❁⊞Ⓞ 𖢄 Ⓞ⧲Ⓞ 𖢄 Ⓞ✸ꖅ​⛋​✢ⵙ✸​⛋​☐ꖅ⊞ꖅ☐​⛋​✸ⵙ✢​⛋​ꖅ✸Ⓞ 𖢄 Ⓞ⧲Ⓞ 𖢄 Ⓞ⊞❁◇ⵙ∣☐Ⓞ✻ꖅ⊞ꖅ✻Ⓞ☐∣ⵙ◇❁⊞Ⓞ 𖢄 Ⓞ⧲Ⓞ 𖢄 Ⓞ⊞✢​⛋​✢⯏​⛋​🟗​⛋​✸​⛋​⯏​⛋​✸​⛋​🟗​⛋​⯏✢​⛋​✢⊞Ⓞ 𖢄 ᐤꖅᐤ​⛋​𖢌⯏𖢌​⛋​ᐤꖅᐤ 𖢄 Ⓞ⊞✢​⛋​✢⯏​⛋​🟗​⛋​✸​⛋​⯏​⛋​✸​⛋​🟗​⛋​⯏✢​⛋​✢⊞Ⓞ 𖢄 Ⓞ⧲Ⓞ 𖢄 Ⓞ⊞❁◇ⵙ∣☐Ⓞ✻ꖅ⊞ꖅ✻Ⓞ☐∣ⵙ◇❁⊞Ⓞ 𖢄 Ⓞ⧲Ⓞ 𖢄 Ⓞ✸ꖅ​⛋​✢ⵙ✸​⛋​☐ꖅ⊞ꖅ☐​⛋​✸ⵙ✢​⛋​ꖅ✸Ⓞ 𖢄 Ⓞ⧲Ⓞ 𖢄 Ⓞ⊞❁◇∣𖢌✻⊞⛋🝊✢🝊⛋⊞✻𖢌∣◇❁⊞Ⓞ                     ◦ ୦ ◦ ◯ ◦ ୦ ◦ ⠀       ◦୦◦◯◦୦◦⠀       ⠀◦୦◦◯◦୦◦       ⠀ ◦ ୦ ◦ ◯ ◦ ୦ ◦                     𐄪 ⩩ 𖥕 ᯽ 𖢌 𐧾 ፨ ⵔ ꞉ ⸭ ❋ ⵔ ⵔ 𐧾 ❋ ❋ ⵔ ❋ · 𐧾 ❋ ❋ ⵈ 𐧾 ❋ ⵔ 𐧾 ❋ ꞉ ⵔ ⵔ ⵔ · 𐧾 ⵔ ꞉ 𐧾 ⵔ ፨ · · 𐧾 𐧾 ❋ ❋ ⠿ ፨ ⵔ ⵈ ⵔ ⁘ ⸭ 𐧾 𐧾 ❋ ⸭ ꞉ ꞉ ⵔ ⠿ ⵔ ⁘ ⚙ ⁘ ❋ ⁘ ⚙ ⁘ ⵔ ⠿ ⵔ ꞉ ꞉ ⸭ ❋ 𐧾 𐧾 ⸭ ⁘ ⵔ ⵈ ⵔ ፨ ⠿ ❋ ❋ 𐧾 𐧾 · · ፨ ⵔ 𐧾 ꞉ ⵔ 𐧾 · ⵔ ⵔ ⵔ ꞉ ❋ 𐧾 ⵔ ❋ 𐧾 ⵈ ❋ ❋ 𐧾 · ❋ ⵔ ❋ ❋ 𐧾 ⵔ ⵔ ❋ ⸭ ꞉ ⵔ ፨ 𐧾 𖢌 ᯽ 𖥕 ⩩ 𐄪                     ◦ ୦ ◦ ◯ ◦ ୦ ◦ ⠀       ◦୦◦◯◦୦◦⠀       ⠀◦୦◦◯◦୦◦       ⠀ ◦ ୦ ◦ ◯ ◦ ୦ ◦                     Ⓞ⊞❁◇∣𖢌✻⊞⛋🝊✢🝊⛋⊞✻𖢌∣◇❁⊞Ⓞ 𖢄 Ⓞ⧲Ⓞ 𖢄 Ⓞ✸ꖅ​⛋​✢ⵙ✸​⛋​☐ꖅ⊞ꖅ☐​⛋​✸ⵙ✢​⛋​ꖅ✸Ⓞ 𖢄 Ⓞ⧲Ⓞ 𖢄 Ⓞ⊞❁◇ⵙ∣☐Ⓞ✻ꖅ⊞ꖅ✻Ⓞ☐∣ⵙ◇❁⊞Ⓞ 𖢄 Ⓞ⧲Ⓞ 𖢄 Ⓞ⊞✢​⛋​✢⯏​⛋​🟗​⛋​✸​⛋​⯏​⛋​✸​⛋​🟗​⛋​⯏✢​⛋​✢⊞Ⓞ 𖢄 ᐤꖅᐤ​⛋​𖢌⯏𖢌​⛋​ᐤꖅᐤ 𖢄 Ⓞ⊞✢​⛋​✢⯏​⛋​🟗​⛋​✸​⛋​⯏​⛋​✸​⛋​🟗​⛋​⯏✢​⛋​✢⊞Ⓞ 𖢄 Ⓞ⧲Ⓞ 𖢄 Ⓞ⊞❁◇ⵙ∣☐Ⓞ✻ꖅ⊞ꖅ✻Ⓞ☐∣ⵙ◇❁⊞Ⓞ 𖢄 Ⓞ⧲Ⓞ 𖢄 Ⓞ✸ꖅ​⛋​✢ⵙ✸​⛋​☐ꖅ⊞ꖅ☐​⛋​✸ⵙ✢​⛋​ꖅ✸Ⓞ 𖢄 Ⓞ⧲Ⓞ 𖢄 Ⓞ⊞❁◇∣𖢌✻⊞⛋🝊✢🝊⛋⊞✻𖢌∣◇❁⊞Ⓞ                     ◎ AᒐIϽIᒐUTИI\ƨ\AU.ИI.MUƧ ◎ SUM.IN.UA/s/INTUJICIJA ◎ ◎ ⱯᒋIϽIᒋ𝉅𝈜NI/s/Ɐ𝉅˙NI˙ꟽ𝉅S ◎ Ƨ𝉅ꟽ˙IИ˙𝉅Ɐ\ƨ\IИ𝈜𝉅ᒉICIᒉⱯ ◎                     ◎ { ; ( (O_ƧƎИTHꓨIЯᗺ_O_ᗺЯIꓨHTИƎƧ_O-.1)

.1+ (O_ƧƎИTHꓨIЯᗺ_O_ᗺЯIꓨHTИƎƧ_O-.1) * ((.1-,O_TOOЯ_ЯƎWOꟼ_O_ꟼOWƎЯ_ЯOOT_O)woq,((.2,(.1-O_ЯƎᗡAHƧ_TИƎIᗡAЯꓨ_⅃AIᗡAЯ_ЯAƎИI⅃O⅃IИƎAЯ_ЯAᗡIA⅃ꓨЯAᗡIƎИT_ƧHAᗡƎЯ_O)-)woq-.1))woq ) =O_ЯƎᗡAHƧ_O_ƧHAᗡƎЯ_O } ( 0.0=O_ЯƎᗡAHƧ_O_ƧHAᗡƎЯ_O taolf tuqtuo ,(მਟ2/(2/1021))=O_TOOЯ_ЯƎWOꟼ_O_ꟼOWƎЯ_ЯOOT_O taolf ,(მਟ2\8მ1)=O_ƧƎИTHꓨIЯᗺ_O_ᗺЯIꓨHTИƎƧ_O taolf ,(((.2,(I,И)tob)woq-.1)trpƨ-.1)=O_ЯƎᗡAHƧ_TИƎIᗡAЯꓨ⅃AIᗡAЯ_ЯAƎИI⅃O⅃IИƎAЯ_ЯAᗡIA⅃_ꓨЯAᗡIƎИT_ƧHAᗡƎЯ_O taolf ) O_ਟ2მਟმ_0_ਟ78მ4084_91_O_19_4804მ87ਟ_0_მਟმ2ਟ_O rɘbahƨ ◎ ◎ { ; ( (O_ƧƎИTHꓨIЯᗺ_O_ᗺЯIꓨHTИƎƧ_O-.1)

.1+ (O_ƧƎИTHꓨIЯᗺ_O_ᗺЯIꓨHTИƎƧ_O-.1) * ((.1-,O_TOOЯ_ЯƎWOꟼ_O_ꟼOWƎЯ_ЯOOT_O)woq,((.2,(.1-O_ЯƎᗡAHƧ_TИƎIᗡAЯꓨ_⅃AIᗡAЯ_ЯAƎИI⅃O⅃IИƎAЯ_ЯAᗡIA⅃ꓨЯAᗡIƎИT_ƧHAᗡƎЯ_O)-)woq-.1))woq ) =O_ЯƎᗡAHƧ_O_ƧHAᗡƎЯ_O } ( 0.0=O_ЯƎᗡAHƧ_O_ƧHAᗡƎЯ_O taolf tuqtuo ,(მਟ2/(2/1021))=O_TOOЯ_ЯƎWOꟼ_O_ꟼOWƎЯ_ЯOOT_O taolf ,(მਟ2\8მ1)=O_ƧƎИTHꓨIЯᗺ_O_ᗺЯIꓨHTИƎƧ_O taolf ,(((.2,(I,И)tob)woq-.1)trpƨ-.1)=O_ЯƎᗡAHƧ_TИƎIᗡAЯꓨ⅃AIᗡAЯ_ЯAƎИI⅃O⅃IИƎAЯ_ЯAᗡIA⅃_ꓨЯAᗡIƎИT_ƧHAᗡƎЯ_O taolf ) O_ਟ2მਟმ_0_ਟ78მ4084_91_O_19_4804მ87ਟ_0_მਟმ2ਟ_O rɘbahƨ ◎ ⦿ ◎ shader O_52656_0_57864084_91_O_19_48046875_0_65625_O ( float O_REDAHS_TNEIDARG_LAIDAR_RAENIL_O_LINEAR_RADIAL_GRADIENT_SHADER_O=(1.-sqrt(1.-pow(dot(N,I),2.))), float O_SENTHGIRB_O_BRIGHTNES_O=(168/256), float O_REWOP_TOOR_O_ROOT_POWER_O=19.48046875/((1201/2)/256), output float O_REDAHS_O_SHADER_O=0.0 ) { O_REDAHS_O_SHADER_O= ( pow((1.-pow(-(O_REDAHS_TNEIDARG_LAIDAR_RAENIL_O_LINEAR_RADIAL_GRADIENT_SHADER_O-1.),2.)),pow(O_REWOP_TOOR_O_ROOT_POWER_O,-1.)) * (1.-O_SENTHGIRB_O_BRIGHTNES_O) +1.

(1.-O_SENTHGIRB_O_BRIGHTNES_O) ) ; } ◎ ◎ shader O_52656_0_57864084_91_O_19_48046875_0_65625_O ( float O_REDAHS_TNEIDARG_LAIDAR_RAENIL_O_LINEAR_RADIAL_GRADIENT_SHADER_O=(1.-sqrt(1.-pow(dot(N,I),2.))), float O_SENTHGIRB_O_BRIGHTNES_O=(168/256), float O_REWOP_TOOR_O_ROOT_POWER_O=19.48046875/((1201/2)/256), output float O_REDAHS_O_SHADER_O=0.0 ) { O_REDAHS_O_SHADER_O= ( pow((1.-pow(-(O_REDAHS_TNEIDARG_LAIDAR_RAENIL_O_LINEAR_RADIAL_GRADIENT_SHADER_O-1.),2.)),pow(O_REWOP_TOOR_O_ROOT_POWER_O,-1.)) * (1.-O_SENTHGIRB_O_BRIGHTNES_O) +1.

(1.-O_SENTHGIRB_O_BRIGHTNES_O) ) ; } ◎                     ◎ OOO\u\ИI.ᗡԐꟼ ◎ P3D.IN/u/OOO ◎ ◎ OOO/ⁿ/NI˙ᗡԐԀ ◎ Ь3D˙IИ\ⁿ\OOO ◎ 𖢄 ◎ 00042მ2ਟ-Ⓞ\ƎꓨAꟼ.ꟼⓄЯᗡИIAЯ.ⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄ ◎ ⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄ.RAINDRⓄP.PAGE/Ⓞ-52624000 ◎ ◎ 00042მ2ਟ-Ⓞ/ƎꓨⱯԀ˙ԀⓄᖈᗡNIⱯᖈ˙ⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄ ◎ ⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄ˙ᖉⱯIИDᖉⓄЬ˙ЬⱯGE\Ⓞ-52624000 ◎ 𖢄 ◎ OOOO00000000OOOO\MⓄϽ.ᗺUHTIꓨ ◎ GITHUB.CⓄM/OOOO00000000OOOO ◎ ◎ OOOO00000000OOOO/ꟽⓄϽ˙ᗺ𝉅H𝈜Iꓨ ◎ GI𝈜H𝉅B˙CⓄꟽ\OOOO00000000OOOO ◎ 𖢄 ◎ 9ਟ2840მ\ƨtnuoↄↄɕ\MⓄϽ.ⓄƎMA⅃AϽ ◎ CALAMEⓄ.CⓄM/accounts/6048259 ◎ ◎ 9ਟ2840მ/stunoↄↄɐ/ꟽⓄϽ˙ⓄƎꟽⱯᒣⱯϽ ◎ CⱯᒥⱯꟽEⓄ˙CⓄꟽ\ɐcconutƨ\6048259 ◎ 𖢄 ◎ ✻ИNⵙᙁ·Ⓞⵙ∞·ⓄⓄⓄⓄ ◎ ⓄⓄⓄⓄ·∞ⵙⓄ·ᙁⵙИN✻ ◎ ◎ ✻NИⵙᙀ·Ⓞⵙ∞·ⓄⓄⓄⓄ ◎ ⓄⓄⓄⓄ·∞ⵙⓄ·ᙀⵙNИ✻ ◎ 𖢄 ◎Ⓞᑐ·ᗡᖆᖆᗩᑐ·ⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄ◎ⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄ·ᑕᗩᖇᖇᗞ·ᑕⓄ◎ ◎Ⓞᑐ·ᗡᖈᖈᗨᑐ·ⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄ◎ⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄ·ᑕᗨᖉᖉᗞ·ᑕⓄ◎                     ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ 𖡗 ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ 𐫰𖡹𖡗🟗 ⠀ ⋮𖡛𑗗⸭𑗋𖡼⯎𑁍𐄪᯽᪣𖦸 𖦸᪣᯽𐄪𑁍⯎𖡼𑗋⸭𑗗𖡛⋮ ⠀ 🟗𖡗𖡹𐫰 𐫰𖡹𖡗🟗 ⠀ ⋮𖡛𑗗⸭𑗋𖡼⯎𑁍𐄪᯽᪣𖦸 𖦸᪣᯽𐄪𑁍⯎𖡼𑗋⸭𑗗𖡛⋮ ⠀ 🟗𖡗𖡹𐫰

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ꖅ⯏𑽇ꖅⰙⵙ◇ꖅ✢⯏𑽇𐫱𖥠𖧷𐫱ⵙ𖢌⛋𖥠⛋𖢌ⵙ𐫱𖧷𖥠𐫱𑽇⯏✢ꖅ◇ⵙⰙꖅ𑽇⯏ꖅ

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𖡗

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𐫰𖡹☸𖡗⚪𑁍𐄪⩩𖥕 ᯽᪣𖦸 𖦸᪣᯽ 𖥕⩩𐄪𑁍⚪𖡗☸𖡹𐫰

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𖡗

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ꖅ⯏𑽇ꖅⰙⵙ◇ꖅ✢⯏𑽇𐫱𖥠𖧷𐫱ⵙ𖢌⛋𖥠⛋𖢌ⵙ𐫱𖧷𖥠𐫱𑽇⯏✢ꖅ◇ⵙⰙꖅ𑽇⯏ꖅ

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ꖅ ⯏ 𑽇 ꖅ Ⱉ ⵙ ◇ ꖅ ✢ ⯏ 𑽇 𐫱 𖥠 𖧷 𐫱 ⵙ 𖢌 ⛋ 𖥠 ⛋ 𖢌 ⵙ 𐫱 𖧷 𖥠 𐫱 𑽇 ⯏ ✢ ꖅ ◇ ⵙ Ⱉ ꖅ 𑽇 ⯏ ꖅ

𐫰 𖡹 ☸ 𖡗 ⚪ 𑁍 𐄪 ⩩ 𖥕   ᯽ ᪣ 𖦸   𖦸 ᪣ ᯽   𖥕 ⩩ 𐄪 𑁍 ⚪ 𖡗 ☸ 𖡹 𐫰

ꖅ ⯏ 𑽇 ꖅ Ⱉ ⵙ ◇ ꖅ ✢ ⯏ 𑽇 𐫱 𖥠 𖧷 𐫱 ⵙ 𖢌 ⛋ 𖥠 ⛋ 𖢌 ⵙ 𐫱 𖧷 𖥠 𐫱 𑽇 ⯏ ✢ ꖅ ◇ ⵙ Ⱉ ꖅ 𑽇 ⯏ ꖅ

𐫰𖡹▢𖡗⚪𑁍𐄪⩩𖥕 ⠀ ᯽᪣𖦸 ⠀ 𖦸᪣᯽ ⠀ 𖥕⩩𐄪𑁍⚪𖡗▢𖡹𐫰 𐫰𖡹🕸️᛭𖡗⚪𑁍𐄪⩩𖥕 ⠀ ᯽᪣𖦸 ⠀ 𖦸᪣᯽ ⠀ 𖥕⩩𐄪𑁍⚪𖡗᛭☸𖡹𐫰

ꖅ ⯏ 𑽇 ꖅ Ⱉ ⵙ ◇ ꖅ ✢ ⯏ 𑽇 𐫱 𖥠 𖧷 𐫱 ⵙ 𖢌 ⛋ 𖥠 ⛋ 𖢌 ⵙ 𐫱 𖧷 𖥠 𐫱 𑽇 ⯏ ✢ ꖅ ◇ ⵙ Ⱉ ꖅ 𑽇 ⯏ ꖅ

𐫰 𖡹 ☸ 𖡗 ⚪ 𑁍 𐄪 ⩩ 𖥕   ᯽ ᪣ 𖦸   𖦸 ᪣ ᯽   𖥕 ⩩ 𐄪 𑁍 ⚪ 𖡗 ☸ 𖡹 𐫰

ꖅ ⯏ 𑽇 ꖅ Ⱉ ⵙ ◇ ꖅ ✢ ⯏ 𑽇 𐫱 𖥠 𖧷 𐫱 ⵙ 𖢌 ⛋ 𖥠 ⛋ 𖢌 ⵙ 𐫱 𖧷 𖥠 𐫱 𑽇 ⯏ ✢ ꖅ ◇ ⵙ Ⱉ ꖅ 𑽇 ⯏ ꖅ

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ꖅ⯏𑽇ꖅⰙⵙ◇ꖅ✢⯏𑽇𐫱𖥠𖧷𐫱ⵙ𖢌⛋𖥠⛋𖢌ⵙ𐫱𖧷𖥠𐫱𑽇⯏✢ꖅ◇ⵙⰙꖅ𑽇⯏ꖅ

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𐫰𖡹☸𖡗⚪𑁍𐄪⩩𖥕 ᯽᪣𖦸 𖦸᪣᯽ 𖥕⩩𐄪𑁍⚪𖡗☸𖡹𐫰

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𖡗

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ꖅ⯏𑽇ꖅⰙⵙ◇ꖅ✢⯏𑽇𐫱𖥠𖧷𐫱ⵙ𖢌⛋𖥠⛋𖢌ⵙ𐫱𖧷𖥠𐫱𑽇⯏✢ꖅ◇ⵙⰙꖅ𑽇⯏ꖅ

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Title: 💠𖡗𖡹𐫰⚪𑁍🝱𐄪⩩𖥕 ᯽᪣𖦸 𖦸᪣᯽ 𖥕⩩𐄪🝱𑁍⚪𐫰𖡹𖡗💠

URL Source: http://ooooooooooooooooooooooooooo.carrd.co/

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Bamum script - Wikipedia The Bamum scripts are an evolutionary series of six scripts created for the Bamum language by Ibrahim Njoya, King of Bamum. web.archive.org/web/20250331110851/https://en.…

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View source:https://codepen.io/OOOOOOOOOOOOOOOO/embed/yLRvjgQ?default-tab=result&editable=true&theme-id=light https://www.youtube.com/watch?v=-7kbZdhiZgE ٲﺝـينـﮫ للـﻣـﺝـلـس ام ـباس ﻋنايـﮫ // ندگ ابابـﮪـا حاجاتنة... - YouTube

:28 1:00الّۣلّۣهّۜـۣۜـۣۜمّۣ-ۣۜصۣۣۜۜـۣۜـّۣۜلّ ㅤ ㅤㅤ ㅤㅤ ㅤ• للتـــواصل مــعـي عبـر الانترنت ‣«𖢏𖢏» 𖦸 𖦸 ‏ 𖦸 𖦸 𖥸 مـّـًًﮩ๋‏ـٌعًًًًًًٍُُُّـﺭًًًًًًًُْفًَُّ تيليجرام للتواصل معنا وارسال الصوتيات ومقاطع الفديو https:// yandex cached https://anonscollective.com/ Welcome : Anons Collective

mindmap or monetizer Qrration. ᯽᪣᯽𖦸᯽᪣᯽ ᯽᪣᯽𖦸᯽᪣᯽. Show QR Code. 0 likes. yandex cached https://symbl.cc/ru/169B8/ Бамум (фаза E) буква mae (детерминатив класса женщин)...

Узнайте значение и скопируйте символ 𖦸 Бамум (фаза E) буква mae (детерминатив класса женщин) на SYMBL (‿)! Номер знака в Юникоде: U+169B8. HTML: 𖦸. Подраздел «Символы, найденные через фазу E» в Разделе «Дополнение к бамуму». yandex cached https://www.instagram.com/tv/CWTPInMj56u/ کلیپساز в Instagram: Link to instagram.com

The site owner hides the web page description. yandex cached https://gist.github.com/OOOO00000000OOOO OOOO00000000OOOO’s gists · GitHub

𖡗𖡹𐫰𔗢𖦸 𖦸𔗢𐫰𖡹𖡗. yandex cached https://de.wikipedia.org/wiki/Unicodeblock_Bamum,_Erg%C3%A4nzung Unicodeblock Bamum, Ergänzung – Wikipedia

𖦸𖦸. Bamum letter phase-e mae. yandex cached https://ghostarchive.org/archive/iwvnF OOOO00000000OOOO’s gists · GitHub | Ghostarchive

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#CapCut #Thank you my frend #100k like for my live #අහින්සා#ඩුබායිඅහස යට #onemillionaudition #2025tiktok @sudu doni#@𖦸𖦸ᚑ⸺ᚑ𖤓ශාන්𒁍𖤓ᚑ. original sound - Madusanka. yandex cached https://snskeyboard.com/emoticon/?lang=en (｡• ᴗ-) Kaomoji Collection(Kaomoji) ― SNS Keyboard

• ꪔꪔꪔ -. ૮꒰'・'꒱ა. ₍ᐢ𖦸˔𖦸ᐢ₎. ⁽'༝'⁾. ... ·¨: yandex cached https://tr.pinterest.com/pin/1118722363696206612/ Pin di for edit

𖦸 𖦸 𖦸 please don’t use, repost, re-edit and claim as yours. if you’re looking for inspo, keep it to a maximum of 30% (follow and permission first). please respect my edits! buy at @h2hazelnut or @grungeboxstore on... yandex cached https://skillmd.ai/creator/O/ (3 Skills) - Agent Skill Creator | SkillMD.ai

᯽᪣᯽𖦸᯽᪣᯽ ᯽᪣᯽𖦸᯽᪣᯽. ᯽᪣᯽𖦸᯽᪣᯽ ᯽᪣᯽𖦸᯽᪣᯽. yandex cached https://en.wikipedia.org/wiki/Bamum_script Bamum script - Wikipedia

The Bamum scripts are an evolutionary series of six scripts created for the Bamum language by Ibrahim Njoya, King of Bamum. They are notable for evolving from a pictographic system to a semi-syllabary in the space of fourteen years, from 1896 to 1910. yandex cached https://note.com/tacit note

𝚝𝚊𝚌𝚒𝚝 𖦸𖦸. yandex cached https://t.me/siaho_sefide1/74522 سیاهٌ سفید˹ – Telegram

...تڪست ادبی 𝆺𝅥@siaho_sefide1 ؛ ׅ ᮫  پروکسی 𝗩𝗣𝗡 𝆺𝅥@proxyporsoat ׅ ᮫ کتاب موزیک شعر 𝆺𝅥@cafesiiah ׅ ᮫ استوری های پینترستی 𝆺𝅥@iNteRvaAl ؛ ׅ ᮫  فیلترشکن قوی رایگان 𝆺𝅥@VPNPROXY4 𖦸.𖦸•𖦸.𖦸•𖦸... yandex cached

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💠𖡗𖡹𐫰🟗 ⠀ ❋ꔹ❋ ⠀ ⠿⁘꞉⁘⠿⚪፨𐧾·𐧾፨🌑·𑗗⸭𑗋𖡼⯎𑁍𐄪᯽᪣ꖴ ꖴ᪣᯽𐄪𑁍⯎𖡼𑗋⸭𑗗·🌑፨𐧾·𐧾፨⚪⠿⁘꞉⁘⠿ ⠀ ❋ꔹ❋ ⠀ 🟗𐫰𖡹𖡗💠 💠𖡗𖡹𐫰🟗 ⠀ ❋ꔹ❋ ⠀ ⠿⁘꞉⁘⠿⚪፨𐧾·𐧾፨🌑·𑗗⸭𑗋𖡼⯎𑁍𐄪᯽᪣ꖴ ꖴ᪣᯽𐄪𑁍⯎𖡼𑗋⸭𑗗·🌑፨𐧾·𐧾፨⚪⠿⁘꞉⁘⠿ ⠀ ❋ꔹ❋ ⠀ 🟗𐫰𖡹𖡗💠 💠𖡗𖡹𐫰🟗 ⠀ ❋ꔹ❋ ⠀ ⠿⁘꞉⁘⠿⚪፨𐧾·𐧾፨🌑·𑗗⸭𑗋𖡼⯎𑁍𐄪᯽᪣ꖴ ꖴ᪣᯽𐄪𑁍⯎𖡼𑗋⸭𑗗·🌑፨𐧾·𐧾፨⚪⠿⁘꞉⁘⠿ ⠀ ❋ꔹ❋ ⠀ 🟗𐫰𖡹𖡗💠 💠𖡗𖡹𐫰🟗 ⠀ ❋ꔹ❋ ⠀ ⠿⁘꞉⁘⠿⚪፨𐧾·𐧾፨🌑·𑗗⸭𑗋𖡼⯎𑁍𐄪᯽᪣ꖴ ꖴ᪣᯽𐄪𑁍⯎𖡼𑗋⸭𑗗·🌑፨𐧾·𐧾፨⚪⠿⁘꞉⁘⠿ ⠀ ❋ꔹ❋ ⠀ 🟗𐫰𖡹𖡗💠 ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ 𖡗 ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀                     ◎Ⓞᑐ·ᗡᖆᖆᗩᑐ·ⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄ◎ⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄ·ᑕᗩᖇᖇᗞ·ᑕⓄ◎ ◎Ⓞᑐ·ᗡᖈᖈᗨᑐ·ⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄ◎ⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄ·ᑕᗨᖉᖉᗞ·ᑕⓄ◎ 𖢄 ◎ ✻ИNⵙᙁ·Ⓞⵙ∞·ⓄⓄⓄⓄ ◎ ⓄⓄⓄⓄ·∞ⵙⓄ·ᙁⵙИN✻ ◎ ◎ ✻NИⵙᙀ·Ⓞⵙ∞·ⓄⓄⓄⓄ ◎ ⓄⓄⓄⓄ·∞ⵙⓄ·ᙀⵙNИ✻ ◎ 𖢄 ◎ 9ਟ2840მ\ƨtnuoↄↄɕ\MⓄϽ.ⓄƎMA⅃AϽ ◎ CALAMEⓄ.CⓄM/accounts/6048259 ◎ ◎ 9ਟ2840მ/stunoↄↄɐ/ꟽⓄϽ˙ⓄƎꟽⱯᒣⱯϽ ◎ CⱯᒥⱯꟽEⓄ˙CⓄꟽ\ɐcconutƨ\6048259 ◎ 𖢄 ◎ OOOO00000000OOOO\MⓄϽ.ᗺUHTIꓨ ◎ GITHUB.CⓄM/OOOO00000000OOOO ◎ ◎ OOOO00000000OOOO/ꟽⓄϽ˙ᗺ𝉅H𝈜Iꓨ ◎ GI𝈜H𝉅B˙CⓄꟽ\OOOO00000000OOOO ◎ 𖢄 ◎ 00042მ2ਟ-Ⓞ\ƎꓨAꟼ.ꟼⓄЯᗡИIAЯ.ⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄ ◎ ⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄ.RAINDRⓄP.PAGE/Ⓞ-52624000 ◎ ◎ 00042მ2ਟ-Ⓞ/ƎꓨⱯԀ˙ԀⓄᖈᗡNIⱯᖈ˙ⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄ ◎ ⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄ˙ᖉⱯIИDᖉⓄЬ˙ЬⱯGE\Ⓞ-52624000 ◎ 𖢄 ◎ OOO\u\ИI.ᗡԐꟼ ◎ P3D.IN/u/OOO ◎ ◎ OOO/ⁿ/NI˙ᗡԐԀ ◎ Ь3D˙IИ\ⁿ\OOO ◎                     ◎ { ; ( (O_ƧƎИTHꓨIЯᗺ_O_ᗺЯIꓨHTИƎƧ_O-.1)

.1+ (O_ƧƎИTHꓨIЯᗺ_O_ᗺЯIꓨHTИƎƧ_O-.1) * ((.1-,O_TOOЯ_ЯƎWOꟼ_O_ꟼOWƎЯ_ЯOOT_O)woq,((.2,(.1-O_ЯƎᗡAHƧ_TИƎIᗡAЯꓨ_⅃AIᗡAЯ_ЯAƎИI⅃O⅃IИƎAЯ_ЯAᗡIA⅃ꓨЯAᗡIƎИT_ƧHAᗡƎЯ_O)-)woq-.1))woq ) =O_ЯƎᗡAHƧ_O_ƧHAᗡƎЯ_O } ( 0.0=O_ЯƎᗡAHƧ_O_ƧHAᗡƎЯ_O taolf tuqtuo ,(მਟ2/(2/1021))=O_TOOЯ_ЯƎWOꟼ_O_ꟼOWƎЯ_ЯOOT_O taolf ,(მਟ2\8მ1)=O_ƧƎИTHꓨIЯᗺ_O_ᗺЯIꓨHTИƎƧ_O taolf ,(((.2,(I,И)tob)woq-.1)trpƨ-.1)=O_ЯƎᗡAHƧ_TИƎIᗡAЯꓨ⅃AIᗡAЯ_ЯAƎИI⅃O⅃IИƎAЯ_ЯAᗡIA⅃_ꓨЯAᗡIƎИT_ƧHAᗡƎЯ_O taolf ) O_ਟ2მਟმ_0_ਟ78მ4084_91_O_19_4804მ87ਟ_0_მਟმ2ਟ_O rɘbahƨ ◎ ◎ { ; ( (O_ƧƎИTHꓨIЯᗺ_O_ᗺЯIꓨHTИƎƧ_O-.1)

.1+ (O_ƧƎИTHꓨIЯᗺ_O_ᗺЯIꓨHTИƎƧ_O-.1) * ((.1-,O_TOOЯ_ЯƎWOꟼ_O_ꟼOWƎЯ_ЯOOT_O)woq,((.2,(.1-O_ЯƎᗡAHƧ_TИƎIᗡAЯꓨ_⅃AIᗡAЯ_ЯAƎИI⅃O⅃IИƎAЯ_ЯAᗡIA⅃ꓨЯAᗡIƎИT_ƧHAᗡƎЯ_O)-)woq-.1))woq ) =O_ЯƎᗡAHƧ_O_ƧHAᗡƎЯ_O } ( 0.0=O_ЯƎᗡAHƧ_O_ƧHAᗡƎЯ_O taolf tuqtuo ,(მਟ2/(2/1021))=O_TOOЯ_ЯƎWOꟼ_O_ꟼOWƎЯ_ЯOOT_O taolf ,(მਟ2\8მ1)=O_ƧƎИTHꓨIЯᗺ_O_ᗺЯIꓨHTИƎƧ_O taolf ,(((.2,(I,И)tob)woq-.1)trpƨ-.1)=O_ЯƎᗡAHƧ_TИƎIᗡAЯꓨ⅃AIᗡAЯ_ЯAƎИI⅃O⅃IИƎAЯ_ЯAᗡIA⅃_ꓨЯAᗡIƎИT_ƧHAᗡƎЯ_O taolf ) O_ਟ2მਟმ_0_ਟ78მ4084_91_O_19_4804მ87ਟ_0_მਟმ2ਟ_O rɘbahƨ ◎ ⦿ ◎ shader O_52656_0_57864084_91_O_19_48046875_0_65625_O ( float O_REDAHS_TNEIDARG_LAIDAR_RAENIL_O_LINEAR_RADIAL_GRADIENT_SHADER_O=(1.-sqrt(1.-pow(dot(N,I),2.))), float O_SENTHGIRB_O_BRIGHTNES_O=(168/256), float O_REWOP_TOOR_O_ROOT_POWER_O=19.48046875/((1201/2)/256), output float O_REDAHS_O_SHADER_O=0.0 ) { O_REDAHS_O_SHADER_O= ( pow((1.-pow(-(O_REDAHS_TNEIDARG_LAIDAR_RAENIL_O_LINEAR_RADIAL_GRADIENT_SHADER_O-1.),2.)),pow(O_REWOP_TOOR_O_ROOT_POWER_O,-1.)) * (1.-O_SENTHGIRB_O_BRIGHTNES_O) +1.

(1.-O_SENTHGIRB_O_BRIGHTNES_O) ) ; } ◎ ◎ shader O_52656_0_57864084_91_O_19_48046875_0_65625_O ( float O_REDAHS_TNEIDARG_LAIDAR_RAENIL_O_LINEAR_RADIAL_GRADIENT_SHADER_O=(1.-sqrt(1.-pow(dot(N,I),2.))), float O_SENTHGIRB_O_BRIGHTNES_O=(168/256), float O_REWOP_TOOR_O_ROOT_POWER_O=19.48046875/((1201/2)/256), output float O_REDAHS_O_SHADER_O=0.0 ) { O_REDAHS_O_SHADER_O= ( pow((1.-pow(-(O_REDAHS_TNEIDARG_LAIDAR_RAENIL_O_LINEAR_RADIAL_GRADIENT_SHADER_O-1.),2.)),pow(O_REWOP_TOOR_O_ROOT_POWER_O,-1.)) * (1.-O_SENTHGIRB_O_BRIGHTNES_O) +1.

(1.-O_SENTHGIRB_O_BRIGHTNES_O) ) ; } ◎                     ◎ AᒐIϽIᒐUTИI\ƨ\AU.ИI.MUƧ ◎ SUM.IN.UA/s/INTUJICIJA ◎ ◎ ⱯᒋIϽIᒋ𝉅𝈜NI/s/Ɐ𝉅˙NI˙ꟽ𝉅S ◎ Ƨ𝉅ꟽ˙IИ˙𝉅Ɐ\ƨ\IИ𝈜𝉅ᒉICIᒉⱯ ◎                     Ⓞ⊞❁◇∣𖢌✻⊞⛋🝊✢🝊⛋⊞✻𖢌∣◇❁⊞Ⓞ 𖢄 Ⓞ⧲Ⓞ 𖢄 Ⓞ✸ꖅ​⛋​✢ⵙ✸​⛋​☐ꖅ⊞ꖅ☐​⛋​✸ⵙ✢​⛋​ꖅ✸Ⓞ 𖢄 Ⓞ⧲Ⓞ 𖢄 Ⓞ⊞❁◇ⵙ∣☐Ⓞ✻ꖅ⊞ꖅ✻Ⓞ☐∣ⵙ◇❁⊞Ⓞ 𖢄 Ⓞ⧲Ⓞ 𖢄 Ⓞ⊞✢​⛋​✢⯏​⛋​🟗​⛋​✸​⛋​⯏​⛋​✸​⛋​🟗​⛋​⯏✢​⛋​✢⊞Ⓞ 𖢄 ᐤꖅᐤ​⛋​𖢌⯏𖢌​⛋​ᐤꖅᐤ 𖢄 Ⓞ⊞✢​⛋​✢⯏​⛋​🟗​⛋​✸​⛋​⯏​⛋​✸​⛋​🟗​⛋​⯏✢​⛋​✢⊞Ⓞ 𖢄 Ⓞ⧲Ⓞ 𖢄 Ⓞ⊞❁◇ⵙ∣☐Ⓞ✻ꖅ⊞ꖅ✻Ⓞ☐∣ⵙ◇❁⊞Ⓞ 𖢄 Ⓞ⧲Ⓞ 𖢄 Ⓞ✸ꖅ​⛋​✢ⵙ✸​⛋​☐ꖅ⊞ꖅ☐​⛋​✸ⵙ✢​⛋​ꖅ✸Ⓞ 𖢄 Ⓞ⧲Ⓞ 𖢄 Ⓞ⊞❁◇∣𖢌✻⊞⛋🝊✢🝊⛋⊞✻𖢌∣◇❁⊞Ⓞ                     ◦ ୦ ◦ ◯ ◦ ୦ ◦ ⠀       ◦୦◦◯◦୦◦⠀       ⠀◦୦◦◯◦୦◦       ⠀ ◦ ୦ ◦ ◯ ◦ ୦ ◦                     𐄪 ⩩ 𖥕 ᯽ 𖢌 𐧾 ፨ ⵔ ꞉ ⸭ ❋ ⵔ ⵔ 𐧾 ❋ ❋ ⵔ ❋ · 𐧾 ❋ ❋ ⵈ 𐧾 ❋ ⵔ 𐧾 ❋ ꞉ ⵔ ⵔ ⵔ · 𐧾 ⵔ ꞉ 𐧾 ⵔ ፨ · · 𐧾 𐧾 ❋ ❋ ⠿ ፨ ⵔ ⵈ ⵔ ⁘ ⸭ 𐧾 𐧾 ❋ ⸭ ꞉ ꞉ ⵔ ⠿ ⵔ ⁘ ⚙ ⁘ ❋ ⁘ ⚙ ⁘ ⵔ ⠿ ⵔ ꞉ ꞉ ⸭ ❋ 𐧾 𐧾 ⸭ ⁘ ⵔ ⵈ ⵔ ፨ ⠿ ❋ ❋ 𐧾 𐧾 · · ፨ ⵔ 𐧾 ꞉ ⵔ 𐧾 · ⵔ ⵔ ⵔ ꞉ ❋ 𐧾 ⵔ ❋ 𐧾 ⵈ ❋ ❋ 𐧾 · ❋ ⵔ ❋ ❋ 𐧾 ⵔ ⵔ ❋ ⸭ ꞉ ⵔ ፨ 𐧾 𖢌 ᯽ 𖥕 ⩩ 𐄪                     ◦ ୦ ◦ ◯ ◦ ୦ ◦ ⠀       ◦୦◦◯◦୦◦⠀       ⠀◦୦◦◯◦୦◦       ⠀ ◦ ୦ ◦ ◯ ◦ ୦ ◦                     Ⓞ⊞❁◇∣𖢌✻⊞⛋🝊✢🝊⛋⊞✻𖢌∣◇❁⊞Ⓞ 𖢄 Ⓞ⧲Ⓞ 𖢄 Ⓞ✸ꖅ​⛋​✢ⵙ✸​⛋​☐ꖅ⊞ꖅ☐​⛋​✸ⵙ✢​⛋​ꖅ✸Ⓞ 𖢄 Ⓞ⧲Ⓞ 𖢄 Ⓞ⊞❁◇ⵙ∣☐Ⓞ✻ꖅ⊞ꖅ✻Ⓞ☐∣ⵙ◇❁⊞Ⓞ 𖢄 Ⓞ⧲Ⓞ 𖢄 Ⓞ⊞✢​⛋​✢⯏​⛋​🟗​⛋​✸​⛋​⯏​⛋​✸​⛋​🟗​⛋​⯏✢​⛋​✢⊞Ⓞ 𖢄 ᐤꖅᐤ​⛋​𖢌⯏𖢌​⛋​ᐤꖅᐤ 𖢄 Ⓞ⊞✢​⛋​✢⯏​⛋​🟗​⛋​✸​⛋​⯏​⛋​✸​⛋​🟗​⛋​⯏✢​⛋​✢⊞Ⓞ 𖢄 Ⓞ⧲Ⓞ 𖢄 Ⓞ⊞❁◇ⵙ∣☐Ⓞ✻ꖅ⊞ꖅ✻Ⓞ☐∣ⵙ◇❁⊞Ⓞ 𖢄 Ⓞ⧲Ⓞ 𖢄 Ⓞ✸ꖅ​⛋​✢ⵙ✸​⛋​☐ꖅ⊞ꖅ☐​⛋​✸ⵙ✢​⛋​ꖅ✸Ⓞ 𖢄 Ⓞ⧲Ⓞ 𖢄 Ⓞ⊞❁◇∣𖢌✻⊞⛋🝊✢🝊⛋⊞✻𖢌∣◇❁⊞Ⓞ                     ◎ AᒐIϽIᒐUTИI\ƨ\AU.ИI.MUƧ ◎ SUM.IN.UA/s/INTUJICIJA ◎ ◎ ⱯᒋIϽIᒋ𝉅𝈜NI/s/Ɐ𝉅˙NI˙ꟽ𝉅S ◎ Ƨ𝉅ꟽ˙IИ˙𝉅Ɐ\ƨ\IИ𝈜𝉅ᒉICIᒉⱯ ◎                     ◎ { ; ( (O_ƧƎИTHꓨIЯᗺ_O_ᗺЯIꓨHTИƎƧ_O-.1)

.1+ (O_ƧƎИTHꓨIЯᗺ_O_ᗺЯIꓨHTИƎƧ_O-.1) * ((.1-,O_TOOЯ_ЯƎWOꟼ_O_ꟼOWƎЯ_ЯOOT_O)woq,((.2,(.1-O_ЯƎᗡAHƧ_TИƎIᗡAЯꓨ_⅃AIᗡAЯ_ЯAƎИI⅃O⅃IИƎAЯ_ЯAᗡIA⅃ꓨЯAᗡIƎИT_ƧHAᗡƎЯ_O)-)woq-.1))woq ) =O_ЯƎᗡAHƧ_O_ƧHAᗡƎЯ_O } ( 0.0=O_ЯƎᗡAHƧ_O_ƧHAᗡƎЯ_O taolf tuqtuo ,(მਟ2/(2/1021))=O_TOOЯ_ЯƎWOꟼ_O_ꟼOWƎЯ_ЯOOT_O taolf ,(მਟ2\8მ1)=O_ƧƎИTHꓨIЯᗺ_O_ᗺЯIꓨHTИƎƧ_O taolf ,(((.2,(I,И)tob)woq-.1)trpƨ-.1)=O_ЯƎᗡAHƧ_TИƎIᗡAЯꓨ⅃AIᗡAЯ_ЯAƎИI⅃O⅃IИƎAЯ_ЯAᗡIA⅃_ꓨЯAᗡIƎИT_ƧHAᗡƎЯ_O taolf ) O_ਟ2მਟმ_0_ਟ78მ4084_91_O_19_4804მ87ਟ_0_მਟმ2ਟ_O rɘbahƨ ◎ ◎ { ; ( (O_ƧƎИTHꓨIЯᗺ_O_ᗺЯIꓨHTИƎƧ_O-.1)

.1+ (O_ƧƎИTHꓨIЯᗺ_O_ᗺЯIꓨHTИƎƧ_O-.1) * ((.1-,O_TOOЯ_ЯƎWOꟼ_O_ꟼOWƎЯ_ЯOOT_O)woq,((.2,(.1-O_ЯƎᗡAHƧ_TИƎIᗡAЯꓨ_⅃AIᗡAЯ_ЯAƎИI⅃O⅃IИƎAЯ_ЯAᗡIA⅃ꓨЯAᗡIƎИT_ƧHAᗡƎЯ_O)-)woq-.1))woq ) =O_ЯƎᗡAHƧ_O_ƧHAᗡƎЯ_O } ( 0.0=O_ЯƎᗡAHƧ_O_ƧHAᗡƎЯ_O taolf tuqtuo ,(მਟ2/(2/1021))=O_TOOЯ_ЯƎWOꟼ_O_ꟼOWƎЯ_ЯOOT_O taolf ,(მਟ2\8მ1)=O_ƧƎИTHꓨIЯᗺ_O_ᗺЯIꓨHTИƎƧ_O taolf ,(((.2,(I,И)tob)woq-.1)trpƨ-.1)=O_ЯƎᗡAHƧ_TИƎIᗡAЯꓨ⅃AIᗡAЯ_ЯAƎИI⅃O⅃IИƎAЯ_ЯAᗡIA⅃_ꓨЯAᗡIƎИT_ƧHAᗡƎЯ_O taolf ) O_ਟ2მਟმ_0_ਟ78მ4084_91_O_19_4804მ87ਟ_0_მਟმ2ਟ_O rɘbahƨ ◎ ⦿ ◎ shader O_52656_0_57864084_91_O_19_48046875_0_65625_O ( float O_REDAHS_TNEIDARG_LAIDAR_RAENIL_O_LINEAR_RADIAL_GRADIENT_SHADER_O=(1.-sqrt(1.-pow(dot(N,I),2.))), float O_SENTHGIRB_O_BRIGHTNES_O=(168/256), float O_REWOP_TOOR_O_ROOT_POWER_O=19.48046875/((1201/2)/256), output float O_REDAHS_O_SHADER_O=0.0 ) { O_REDAHS_O_SHADER_O= ( pow((1.-pow(-(O_REDAHS_TNEIDARG_LAIDAR_RAENIL_O_LINEAR_RADIAL_GRADIENT_SHADER_O-1.),2.)),pow(O_REWOP_TOOR_O_ROOT_POWER_O,-1.)) * (1.-O_SENTHGIRB_O_BRIGHTNES_O) +1.

(1.-O_SENTHGIRB_O_BRIGHTNES_O) ) ; } ◎ ◎ shader O_52656_0_57864084_91_O_19_48046875_0_65625_O ( float O_REDAHS_TNEIDARG_LAIDAR_RAENIL_O_LINEAR_RADIAL_GRADIENT_SHADER_O=(1.-sqrt(1.-pow(dot(N,I),2.))), float O_SENTHGIRB_O_BRIGHTNES_O=(168/256), float O_REWOP_TOOR_O_ROOT_POWER_O=19.48046875/((1201/2)/256), output float O_REDAHS_O_SHADER_O=0.0 ) { O_REDAHS_O_SHADER_O= ( pow((1.-pow(-(O_REDAHS_TNEIDARG_LAIDAR_RAENIL_O_LINEAR_RADIAL_GRADIENT_SHADER_O-1.),2.)),pow(O_REWOP_TOOR_O_ROOT_POWER_O,-1.)) * (1.-O_SENTHGIRB_O_BRIGHTNES_O) +1.

(1.-O_SENTHGIRB_O_BRIGHTNES_O) ) ; } ◎                     ◎ OOO\u\ИI.ᗡԐꟼ ◎ P3D.IN/u/OOO ◎ ◎ OOO/ⁿ/NI˙ᗡԐԀ ◎ Ь3D˙IИ\ⁿ\OOO ◎ 𖢄 ◎ 00042მ2ਟ-Ⓞ\ƎꓨAꟼ.ꟼⓄЯᗡИIAЯ.ⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄ ◎ ⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄ.RAINDRⓄP.PAGE/Ⓞ-52624000 ◎ ◎ 00042მ2ਟ-Ⓞ/ƎꓨⱯԀ˙ԀⓄᖈᗡNIⱯᖈ˙ⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄ ◎ ⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄ˙ᖉⱯIИDᖉⓄЬ˙ЬⱯGE\Ⓞ-52624000 ◎ 𖢄 ◎ OOOO00000000OOOO\MⓄϽ.ᗺUHTIꓨ ◎ GITHUB.CⓄM/OOOO00000000OOOO ◎ ◎ OOOO00000000OOOO/ꟽⓄϽ˙ᗺ𝉅H𝈜Iꓨ ◎ GI𝈜H𝉅B˙CⓄꟽ\OOOO00000000OOOO ◎ 𖢄 ◎ 9ਟ2840მ\ƨtnuoↄↄɕ\MⓄϽ.ⓄƎMA⅃AϽ ◎ CALAMEⓄ.CⓄM/accounts/6048259 ◎ ◎ 9ਟ2840მ/stunoↄↄɐ/ꟽⓄϽ˙ⓄƎꟽⱯᒣⱯϽ ◎ CⱯᒥⱯꟽEⓄ˙CⓄꟽ\ɐcconutƨ\6048259 ◎ 𖢄 ◎ ✻ИNⵙᙁ·Ⓞⵙ∞·ⓄⓄⓄⓄ ◎ ⓄⓄⓄⓄ·∞ⵙⓄ·ᙁⵙИN✻ ◎ ◎ ✻NИⵙᙀ·Ⓞⵙ∞·ⓄⓄⓄⓄ ◎ ⓄⓄⓄⓄ·∞ⵙⓄ·ᙀⵙNИ✻ ◎ 𖢄 ◎Ⓞᑐ·ᗡᖆᖆᗩᑐ·ⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄ◎ⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄ·ᑕᗩᖇᖇᗞ·ᑕⓄ◎ ◎Ⓞᑐ·ᗡᖈᖈᗨᑐ·ⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄ◎ⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄ·ᑕᗨᖉᖉᗞ·ᑕⓄ◎                     ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ 𖡗 ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ 💠𖡗𖡹𐫰🟗 ⠀ ❋ꔹ❋ ⠀ ⠿⁘꞉⁘⠿⚪፨𐧾·𐧾፨🌑·𑗗⸭𑗋𖡼⯎𑁍𐄪᯽᪣ꖴ ꖴ᪣᯽𐄪𑁍⯎𖡼𑗋⸭𑗗·🌑፨𐧾·𐧾፨⚪⠿⁘꞉⁘⠿ ⠀ ❋ꔹ❋ ⠀ 🟗𐫰𖡹𖡗💠 💠𖡗𖡹𐫰🟗 ⠀ ❋ꔹ❋ ⠀ ⠿⁘꞉⁘⠿⚪፨𐧾·𐧾፨🌑·𑗗⸭𑗋𖡼⯎𑁍𐄪᯽᪣ꖴ ꖴ᪣᯽𐄪𑁍⯎𖡼𑗋⸭𑗗·🌑፨𐧾·𐧾፨⚪⠿⁘꞉⁘⠿ ⠀ ❋ꔹ❋ ⠀ 🟗𐫰𖡹𖡗💠 💠𖡗𖡹𐫰🟗 ⠀ ❋ꔹ❋ ⠀ ⠿⁘꞉⁘⠿⚪፨𐧾·𐧾፨🌑·𑗗⸭𑗋𖡼⯎𑁍𐄪᯽᪣ꖴ ꖴ᪣᯽𐄪𑁍⯎𖡼𑗋⸭𑗗·🌑፨𐧾·𐧾፨⚪⠿⁘꞉⁘⠿ ⠀ ❋ꔹ❋ ⠀ 🟗𐫰𖡹𖡗💠 [💠𖡗𖡹𐫰🟗 ⠀ ❋ꔹ❋ ⠀ ⠿⁘꞉⁘⠿⚪፨𐧾·𐧾፨🌑·𑗗⸭𑗋𖡼⯎𑁍𐄪

⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ 𖡗 ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀                     ◎Ⓞᑐ·ᗡᖆᖆᗩᑐ·ⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄ◎ⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄ·ᑕᗩᖇᖇᗞ·ᑕⓄ◎ ◎Ⓞᑐ·ᗡᖈᖈᗨᑐ·ⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄ◎ⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄ·ᑕᗨᖉᖉᗞ·ᑕⓄ◎ 𖢄 ◎ ✻ИNⵙᙁ·Ⓞⵙ∞·ⓄⓄⓄⓄ ◎ ⓄⓄⓄⓄ·∞ⵙⓄ·ᙁⵙИN✻ ◎ ◎ ✻NИⵙᙀ·Ⓞⵙ∞·ⓄⓄⓄⓄ ◎ ⓄⓄⓄⓄ·∞ⵙⓄ·ᙀⵙNИ✻ ◎ 𖢄 ◎ 9ਟ2840მ\ƨtnuoↄↄɕ\MⓄϽ.ⓄƎMA⅃AϽ ◎ CALAMEⓄ.CⓄM/accounts/6048259 ◎ ◎ 9ਟ2840მ/stunoↄↄɐ/ꟽⓄϽ˙ⓄƎꟽⱯᒣⱯϽ ◎ CⱯᒥⱯꟽEⓄ˙CⓄꟽ\ɐcconutƨ\6048259 ◎ 𖢄 ◎ OOOO00000000OOOO\MⓄϽ.ᗺUHTIꓨ ◎ GITHUB.CⓄM/OOOO00000000OOOO ◎ ◎ OOOO00000000OOOO/ꟽⓄϽ˙ᗺ𝉅H𝈜Iꓨ ◎ GI𝈜H𝉅B˙CⓄꟽ\OOOO00000000OOOO ◎ 𖢄 ◎ 00042მ2ਟ-Ⓞ\ƎꓨAꟼ.ꟼⓄЯᗡИIAЯ.ⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄ ◎ ⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄ.RAINDRⓄP.PAGE/Ⓞ-52624000 ◎ ◎ 00042მ2ਟ-Ⓞ/ƎꓨⱯԀ˙ԀⓄᖈᗡNIⱯᖈ˙ⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄ ◎ ⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄ˙ᖉⱯIИDᖉⓄЬ˙ЬⱯGE\Ⓞ-52624000 ◎ 𖢄 ◎ OOO\u\ИI.ᗡԐꟼ ◎ P3D.IN/u/OOO ◎ ◎ OOO/ⁿ/NI˙ᗡԐԀ ◎ Ь3D˙IИ\ⁿ\OOO ◎                     ◎ { ; ( (O_ƧƎИTHꓨIЯᗺ_O_ᗺЯIꓨHTИƎƧ_O-.1)

.1+ (O_ƧƎИTHꓨIЯᗺ_O_ᗺЯIꓨHTИƎƧ_O-.1) * ((.1-,O_TOOЯ_ЯƎWOꟼ_O_ꟼOWƎЯ_ЯOOT_O)woq,((.2,(.1-O_ЯƎᗡAHƧ_TИƎIᗡAЯꓨ_⅃AIᗡAЯ_ЯAƎИI⅃O⅃IИƎAЯ_ЯAᗡIA⅃ꓨЯAᗡIƎИT_ƧHAᗡƎЯ_O)-)woq-.1))woq ) =O_ЯƎᗡAHƧ_O_ƧHAᗡƎЯ_O } ( 0.0=O_ЯƎᗡAHƧ_O_ƧHAᗡƎЯ_O taolf tuqtuo ,(მਟ2/(2/1021))=O_TOOЯ_ЯƎWOꟼ_O_ꟼOWƎЯ_ЯOOT_O taolf ,(მਟ2\8მ1)=O_ƧƎИTHꓨIЯᗺ_O_ᗺЯIꓨHTИƎƧ_O taolf ,(((.2,(I,И)tob)woq-.1)trpƨ-.1)=O_ЯƎᗡAHƧ_TИƎIᗡAЯꓨ⅃AIᗡAЯ_ЯAƎИI⅃O⅃IИƎAЯ_ЯAᗡIA⅃_ꓨЯAᗡIƎИT_ƧHAᗡƎЯ_O taolf ) O_ਟ2მਟმ_0_ਟ78მ4084_91_O_19_4804მ87ਟ_0_მਟმ2ਟ_O rɘbahƨ ◎ ◎ { ; ( (O_ƧƎИTHꓨIЯᗺ_O_ᗺЯIꓨHTИƎƧ_O-.1)

.1+ (O_ƧƎИTHꓨIЯᗺ_O_ᗺЯIꓨHTИƎƧ_O-.1) * ((.1-,O_TOOЯ_ЯƎWOꟼ_O_ꟼOWƎЯ_ЯOOT_O)woq,((.2,(.1-O_ЯƎᗡAHƧ_TИƎIᗡAЯꓨ_⅃AIᗡAЯ_ЯAƎИI⅃O⅃IИƎAЯ_ЯAᗡIA⅃ꓨЯAᗡIƎИT_ƧHAᗡƎЯ_O)-)woq-.1))woq ) =O_ЯƎᗡAHƧ_O_ƧHAᗡƎЯ_O } ( 0.0=O_ЯƎᗡAHƧ_O_ƧHAᗡƎЯ_O taolf tuqtuo ,(მਟ2/(2/1021))=O_TOOЯ_ЯƎWOꟼ_O_ꟼOWƎЯ_ЯOOT_O taolf ,(მਟ2\8მ1)=O_ƧƎИTHꓨIЯᗺ_O_ᗺЯIꓨHTИƎƧ_O taolf ,(((.2,(I,И)tob)woq-.1)trpƨ-.1)=O_ЯƎᗡAHƧ_TИƎIᗡAЯꓨ⅃AIᗡAЯ_ЯAƎИI⅃O⅃IИƎAЯ_ЯAᗡIA⅃_ꓨЯAᗡIƎИT_ƧHAᗡƎЯ_O taolf ) O_ਟ2მਟმ_0_ਟ78მ4084_91_O_19_4804მ87ਟ_0_მਟმ2ਟ_O rɘbahƨ ◎ ⦿ ◎ shader O_52656_0_57864084_91_O_19_48046875_0_65625_O ( float O_REDAHS_TNEIDARG_LAIDAR_RAENIL_O_LINEAR_RADIAL_GRADIENT_SHADER_O=(1.-sqrt(1.-pow(dot(N,I),2.))), float O_SENTHGIRB_O_BRIGHTNES_O=(168/256), float O_REWOP_TOOR_O_ROOT_POWER_O=19.48046875/((1201/2)/256), output float O_REDAHS_O_SHADER_O=0.0 ) { O_REDAHS_O_SHADER_O= ( pow((1.-pow(-(O_REDAHS_TNEIDARG_LAIDAR_RAENIL_O_LINEAR_RADIAL_GRADIENT_SHADER_O-1.),2.)),pow(O_REWOP_TOOR_O_ROOT_POWER_O,-1.)) * (1.-O_SENTHGIRB_O_BRIGHTNES_O) +1.

(1.-O_SENTHGIRB_O_BRIGHTNES_O) ) ; } ◎ ◎ shader O_52656_0_57864084_91_O_19_48046875_0_65625_O ( float O_REDAHS_TNEIDARG_LAIDAR_RAENIL_O_LINEAR_RADIAL_GRADIENT_SHADER_O=(1.-sqrt(1.-pow(dot(N,I),2.))), float O_SENTHGIRB_O_BRIGHTNES_O=(168/256), float O_REWOP_TOOR_O_ROOT_POWER_O=19.48046875/((1201/2)/256), output float O_REDAHS_O_SHADER_O=0.0 ) { O_REDAHS_O_SHADER_O= ( pow((1.-pow(-(O_REDAHS_TNEIDARG_LAIDAR_RAENIL_O_LINEAR_RADIAL_GRADIENT_SHADER_O-1.),2.)),pow(O_REWOP_TOOR_O_ROOT_POWER_O,-1.)) * (1.-O_SENTHGIRB_O_BRIGHTNES_O) +1.

(1.-O_SENTHGIRB_O_BRIGHTNES_O) ) ; } ◎                     ◎ AᒐIϽIᒐUTИI\ƨ\AU.ИI.MUƧ ◎ SUM.IN.UA/s/INTUJICIJA ◎ ◎ ⱯᒋIϽIᒋ𝉅𝈜NI/s/Ɐ𝉅˙NI˙ꟽ𝉅S ◎ Ƨ𝉅ꟽ˙IИ˙𝉅Ɐ\ƨ\IИ𝈜𝉅ᒉICIᒉⱯ ◎                     Ⓞ⊞❁◇∣𖢌✻⊞⛋🝊✢🝊⛋⊞✻𖢌∣◇❁⊞Ⓞ 𖢄 Ⓞ⧲Ⓞ 𖢄 Ⓞ✸ꖅ​⛋​✢ⵙ✸​⛋​☐ꖅ⊞ꖅ☐​⛋​✸ⵙ✢​⛋​ꖅ✸Ⓞ 𖢄 Ⓞ⧲Ⓞ 𖢄 Ⓞ⊞❁◇ⵙ∣☐Ⓞ✻ꖅ⊞ꖅ✻Ⓞ☐∣ⵙ◇❁⊞Ⓞ 𖢄 Ⓞ⧲Ⓞ 𖢄 Ⓞ⊞✢​⛋​✢⯏​⛋​🟗​⛋​✸​⛋​⯏​⛋​✸​⛋​🟗​⛋​⯏✢​⛋​✢⊞Ⓞ 𖢄 ᐤꖅᐤ​⛋​𖢌⯏𖢌​⛋​ᐤꖅᐤ 𖢄 Ⓞ⊞✢​⛋​✢⯏​⛋​🟗​⛋​✸​⛋​⯏​⛋​✸​⛋​🟗​⛋​⯏✢​⛋​✢⊞Ⓞ 𖢄 Ⓞ⧲Ⓞ 𖢄 Ⓞ⊞❁◇ⵙ∣☐Ⓞ✻ꖅ⊞ꖅ✻Ⓞ☐∣ⵙ◇❁⊞Ⓞ 𖢄 Ⓞ⧲Ⓞ 𖢄 Ⓞ✸ꖅ​⛋​✢ⵙ✸​⛋​☐ꖅ⊞ꖅ☐​⛋​✸ⵙ✢​⛋​ꖅ✸Ⓞ 𖢄 Ⓞ⧲Ⓞ 𖢄 Ⓞ⊞❁◇∣𖢌✻⊞⛋🝊✢🝊⛋⊞✻𖢌∣◇❁⊞Ⓞ                     ◦ ୦ ◦ ◯ ◦ ୦ ◦ ⠀       ◦୦◦◯◦୦◦⠀       ⠀◦୦◦◯◦୦◦       ⠀ ◦ ୦ ◦ ◯ ◦ ୦ ◦                     𐄪 ⩩ 𖥕 ᯽ 𖢌 𐧾 ፨ ⵔ ꞉ ⸭ ❋ ⵔ ⵔ 𐧾 ❋ ❋ ⵔ ❋ · 𐧾 ❋ ❋ ⵈ 𐧾 ❋ ⵔ 𐧾 ❋ ꞉ ⵔ ⵔ ⵔ · 𐧾 ⵔ ꞉ 𐧾 ⵔ ፨ · · 𐧾 𐧾 ❋ ❋ ⠿ ፨ ⵔ ⵈ ⵔ ⁘ ⸭ 𐧾 𐧾 ❋ ⸭ ꞉ ꞉ ⵔ ⠿ ⵔ ⁘ ⚙ ⁘ ❋ ⁘ ⚙ ⁘ ⵔ ⠿ ⵔ ꞉ ꞉ ⸭ ❋ 𐧾 𐧾 ⸭ ⁘ ⵔ ⵈ ⵔ ፨ ⠿ ❋ ❋ 𐧾 𐧾 · · ፨ ⵔ 𐧾 ꞉ ⵔ 𐧾 · ⵔ ⵔ ⵔ ꞉ ❋ 𐧾 ⵔ ❋ 𐧾 ⵈ ❋ ❋ 𐧾 · ❋ ⵔ ❋ ❋ 𐧾 ⵔ ⵔ ❋ ⸭ ꞉ ⵔ ፨ 𐧾 𖢌 ᯽ 𖥕 ⩩ 𐄪                     ◦ ୦ ◦ ◯ ◦ ୦ ◦ ⠀       ◦୦◦◯◦୦◦⠀       ⠀◦୦◦◯◦୦◦       ⠀ ◦ ୦ ◦ ◯ ◦ ୦ ◦                     Ⓞ⊞❁◇∣𖢌✻⊞⛋🝊✢🝊⛋⊞✻𖢌∣◇❁⊞Ⓞ 𖢄 Ⓞ⧲Ⓞ 𖢄 Ⓞ✸ꖅ​⛋​✢ⵙ✸​⛋​☐ꖅ⊞ꖅ☐​⛋​✸ⵙ✢​⛋​ꖅ✸Ⓞ 𖢄 Ⓞ⧲Ⓞ 𖢄 Ⓞ⊞❁◇ⵙ∣☐Ⓞ✻ꖅ⊞ꖅ✻Ⓞ☐∣ⵙ◇❁⊞Ⓞ 𖢄 Ⓞ⧲Ⓞ 𖢄 Ⓞ⊞✢​⛋​✢⯏​⛋​🟗​⛋​✸​⛋​⯏​⛋​✸​⛋​🟗​⛋​⯏✢​⛋​✢⊞Ⓞ 𖢄 ᐤꖅᐤ​⛋​𖢌⯏𖢌​⛋​ᐤꖅᐤ 𖢄 Ⓞ⊞✢​⛋​✢⯏​⛋​🟗​⛋​✸​⛋​⯏​⛋​✸​⛋​🟗​⛋​⯏✢​⛋​✢⊞Ⓞ 𖢄 Ⓞ⧲Ⓞ 𖢄 Ⓞ⊞❁◇ⵙ∣☐Ⓞ✻ꖅ⊞ꖅ✻Ⓞ☐∣ⵙ◇❁⊞Ⓞ 𖢄 Ⓞ⧲Ⓞ 𖢄 Ⓞ✸ꖅ​⛋​✢ⵙ✸​⛋​☐ꖅ⊞ꖅ☐​⛋​✸ⵙ✢​⛋​ꖅ✸Ⓞ 𖢄 Ⓞ⧲Ⓞ 𖢄 Ⓞ⊞❁◇∣𖢌✻⊞⛋🝊✢🝊⛋⊞✻𖢌∣◇❁⊞Ⓞ                     ◎ AᒐIϽIᒐUTИI\ƨ\AU.ИI.MUƧ ◎ SUM.IN.UA/s/INTUJICIJA ◎ ◎ ⱯᒋIϽIᒋ𝉅𝈜NI/s/Ɐ𝉅˙NI˙ꟽ𝉅S ◎ Ƨ𝉅ꟽ˙IИ˙𝉅Ɐ\ƨ\IИ𝈜𝉅ᒉICIᒉⱯ ◎                     ◎ { ; ( (O_ƧƎИTHꓨIЯᗺ_O_ᗺЯIꓨHTИƎƧ_O-.1)

.1+ (O_ƧƎИTHꓨIЯᗺ_O_ᗺЯIꓨHTИƎƧ_O-.1) * ((.1-,O_TOOЯ_ЯƎWOꟼ_O_ꟼOWƎЯ_ЯOOT_O)woq,((.2,(.1-O_ЯƎᗡAHƧ_TИƎIᗡAЯꓨ_⅃AIᗡAЯ_ЯAƎИI⅃O⅃IИƎAЯ_ЯAᗡIA⅃ꓨЯAᗡIƎИT_ƧHAᗡƎЯ_O)-)woq-.1))woq ) =O_ЯƎᗡAHƧ_O_ƧHAᗡƎЯ_O } ( 0.0=O_ЯƎᗡAHƧ_O_ƧHAᗡƎЯ_O taolf tuqtuo ,(მਟ2/(2/1021))=O_TOOЯ_ЯƎWOꟼ_O_ꟼOWƎЯ_ЯOOT_O taolf ,(მਟ2\8მ1)=O_ƧƎИTHꓨIЯᗺ_O_ᗺЯIꓨHTИƎƧ_O taolf ,(((.2,(I,И)tob)woq-.1)trpƨ-.1)=O_ЯƎᗡAHƧ_TИƎIᗡAЯꓨ⅃AIᗡAЯ_ЯAƎИI⅃O⅃IИƎAЯ_ЯAᗡIA⅃_ꓨЯAᗡIƎИT_ƧHAᗡƎЯ_O taolf ) O_ਟ2მਟმ_0_ਟ78მ4084_91_O_19_4804მ87ਟ_0_მਟმ2ਟ_O rɘbahƨ ◎ ◎ { ; ( (O_ƧƎИTHꓨIЯᗺ_O_ᗺЯIꓨHTИƎƧ_O-.1)

.1+ (O_ƧƎИTHꓨIЯᗺ_O_ᗺЯIꓨHTИƎƧ_O-.1) * ((.1-,O_TOOЯ_ЯƎWOꟼ_O_ꟼOWƎЯ_ЯOOT_O)woq,((.2,(.1-O_ЯƎᗡAHƧ_TИƎIᗡAЯꓨ_⅃AIᗡAЯ_ЯAƎИI⅃O⅃IИƎAЯ_ЯAᗡIA⅃ꓨЯAᗡIƎИT_ƧHAᗡƎЯ_O)-)woq-.1))woq ) =O_ЯƎᗡAHƧ_O_ƧHAᗡƎЯ_O } ( 0.0=O_ЯƎᗡAHƧ_O_ƧHAᗡƎЯ_O taolf tuqtuo ,(მਟ2/(2/1021))=O_TOOЯ_ЯƎWOꟼ_O_ꟼOWƎЯ_ЯOOT_O taolf ,(მਟ2\8მ1)=O_ƧƎИTHꓨIЯᗺ_O_ᗺЯIꓨHTИƎƧ_O taolf ,(((.2,(I,И)tob)woq-.1)trpƨ-.1)=O_ЯƎᗡAHƧ_TИƎIᗡAЯꓨ⅃AIᗡAЯ_ЯAƎИI⅃O⅃IИƎAЯ_ЯAᗡIA⅃_ꓨЯAᗡIƎИT_ƧHAᗡƎЯ_O taolf ) O_ਟ2მਟმ_0_ਟ78მ4084_91_O_19_4804მ87ਟ_0_მਟმ2ਟ_O rɘbahƨ ◎ ⦿ ◎ shader O_52656_0_57864084_91_O_19_48046875_0_65625_O ( float O_REDAHS_TNEIDARG_LAIDAR_RAENIL_O_LINEAR_RADIAL_GRADIENT_SHADER_O=(1.-sqrt(1.-pow(dot(N,I),2.))), float O_SENTHGIRB_O_BRIGHTNES_O=(168/256), float O_REWOP_TOOR_O_ROOT_POWER_O=19.48046875/((1201/2)/256), output float O_REDAHS_O_SHADER_O=0.0 ) { O_REDAHS_O_SHADER_O= ( pow((1.-pow(-(O_REDAHS_TNEIDARG_LAIDAR_RAENIL_O_LINEAR_RADIAL_GRADIENT_SHADER_O-1.),2.)),pow(O_REWOP_TOOR_O_ROOT_POWER_O,-1.)) * (1.-O_SENTHGIRB_O_BRIGHTNES_O) +1.

(1.-O_SENTHGIRB_O_BRIGHTNES_O) ) ; } ◎ ◎ shader O_52656_0_57864084_91_O_19_48046875_0_65625_O ( float O_REDAHS_TNEIDARG_LAIDAR_RAENIL_O_LINEAR_RADIAL_GRADIENT_SHADER_O=(1.-sqrt(1.-pow(dot(N,I),2.))), float O_SENTHGIRB_O_BRIGHTNES_O=(168/256), float O_REWOP_TOOR_O_ROOT_POWER_O=19.48046875/((1201/2)/256), output float O_REDAHS_O_SHADER_O=0.0 ) { O_REDAHS_O_SHADER_O= ( pow((1.-pow(-(O_REDAHS_TNEIDARG_LAIDAR_RAENIL_O_LINEAR_RADIAL_GRADIENT_SHADER_O-1.),2.)),pow(O_REWOP_TOOR_O_ROOT_POWER_O,-1.)) * (1.-O_SENTHGIRB_O_BRIGHTNES_O) +1.

(1.-O_SENTHGIRB_O_BRIGHTNES_O) ) ; } ◎                     ◎ OOO\u\ИI.ᗡԐꟼ ◎ P3D.IN/u/OOO ◎ ◎ OOO/ⁿ/NI˙ᗡԐԀ ◎ Ь3D˙IИ\ⁿ\OOO ◎ 𖢄 ◎ 00042მ2ਟ-Ⓞ\ƎꓨAꟼ.ꟼⓄЯᗡИIAЯ.ⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄ ◎ ⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄ.RAINDRⓄP.PAGE/Ⓞ-52624000 ◎ ◎ 00042მ2ਟ-Ⓞ/ƎꓨⱯԀ˙ԀⓄᖈᗡNIⱯᖈ˙ⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄ ◎ ⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄ˙ᖉⱯIИDᖉⓄЬ˙ЬⱯGE\Ⓞ-52624000 ◎ 𖢄 ◎ OOOO00000000OOOO\MⓄϽ.ᗺUHTIꓨ ◎ GITHUB.CⓄM/OOOO00000000OOOO ◎ ◎ OOOO00000000OOOO/ꟽⓄϽ˙ᗺ𝉅H𝈜Iꓨ ◎ GI𝈜H𝉅B˙CⓄꟽ\OOOO00000000OOOO ◎ 𖢄 ◎ 9ਟ2840მ\ƨtnuoↄↄɕ\MⓄϽ.ⓄƎMA⅃AϽ ◎ CALAMEⓄ.CⓄM/accounts/6048259 ◎ ◎ 9ਟ2840მ/stunoↄↄɐ/ꟽⓄϽ˙ⓄƎꟽⱯᒣⱯϽ ◎ CⱯᒥⱯꟽEⓄ˙CⓄꟽ\ɐcconutƨ\6048259 ◎ 𖢄 ◎ ✻ИNⵙᙁ·Ⓞⵙ∞·ⓄⓄⓄⓄ ◎ ⓄⓄⓄⓄ·∞ⵙⓄ·ᙁⵙИN✻ ◎ ◎ ✻NИⵙᙀ·Ⓞⵙ∞·ⓄⓄⓄⓄ ◎ ⓄⓄⓄⓄ·∞ⵙⓄ·ᙀⵙNИ✻ ◎ 𖢄 ◎Ⓞᑐ·ᗡᖆᖆᗩᑐ·ⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄ◎ⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄ·ᑕᗩᖇᖇᗞ·ᑕⓄ◎ ◎Ⓞᑐ·ᗡᖈᖈᗨᑐ·ⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄ◎ⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄ·ᑕᗨᖉᖉᗞ·ᑕⓄ◎                     ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ 𖡗 ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀

𖢒 𖤞 𓇬 ◯ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ 𖡗 ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀                     ◎Ⓞᑐ·ᗡᖆᖆᗩᑐ·ⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄ◎ⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄ·ᑕᗩᖇᖇᗞ·ᑕⓄ◎ ◎Ⓞᑐ·ᗡᖈᖈᗨᑐ·ⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄ◎ⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄ·ᑕᗨᖉᖉᗞ·ᑕⓄ◎ 𖢄 ◎ ✻ИNⵙᙁ·Ⓞⵙ∞·ⓄⓄⓄⓄ ◎ ⓄⓄⓄⓄ·∞ⵙⓄ·ᙁⵙИN✻ ◎ ◎ ✻NИⵙᙀ·Ⓞⵙ∞·ⓄⓄⓄⓄ ◎ ⓄⓄⓄⓄ·∞ⵙⓄ·ᙀⵙNИ✻ ◎ 𖢄 ◎ 9ਟ2840მ\ƨtnuoↄↄɕ\MⓄϽ.ⓄƎMA⅃AϽ ◎ CALAMEⓄ.CⓄM/accounts/6048259 ◎ ◎ 9ਟ2840მ/stunoↄↄɐ/ꟽⓄϽ˙ⓄƎꟽⱯᒣⱯϽ ◎ CⱯᒥⱯꟽEⓄ˙CⓄꟽ\ɐcconutƨ\6048259 ◎ 𖢄 ◎ OOOO00000000OOOO\MⓄϽ.ᗺUHTIꓨ ◎ GITHUB.CⓄM/OOOO00000000OOOO ◎ ◎ OOOO00000000OOOO/ꟽⓄϽ˙ᗺ𝉅H𝈜Iꓨ ◎ GI𝈜H𝉅B˙CⓄꟽ\OOOO00000000OOOO ◎ 𖢄 ◎ 00042მ2ਟ-Ⓞ\ƎꓨAꟼ.ꟼⓄЯᗡИIAЯ.ⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄ ◎ ⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄ.RAINDRⓄP.PAGE/Ⓞ-52624000 ◎ ◎ 00042მ2ਟ-Ⓞ/ƎꓨⱯԀ˙ԀⓄᖈᗡNIⱯᖈ˙ⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄ ◎ ⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄ˙ᖉⱯIИDᖉⓄЬ˙ЬⱯGE\Ⓞ-52624000 ◎ 𖢄 ◎ OOO\u\ИI.ᗡԐꟼ ◎ P3D.IN/u/OOO ◎ ◎ OOO/ⁿ/NI˙ᗡԐԀ ◎ Ь3D˙IИ\ⁿ\OOO ◎                     ◎ { ; ( (O_ƧƎИTHꓨIЯᗺ_O_ᗺЯIꓨHTИƎƧ_O-.1)

.1+ (O_ƧƎИTHꓨIЯᗺ_O_ᗺЯIꓨHTИƎƧ_O-.1) * ((.1-,O_TOOЯ_ЯƎWOꟼ_O_ꟼOWƎЯ_ЯOOT_O)woq,((.2,(.1-O_ЯƎᗡAHƧ_TИƎIᗡAЯꓨ_⅃AIᗡAЯ_ЯAƎИI⅃O⅃IИƎAЯ_ЯAᗡIA⅃ꓨЯAᗡIƎИT_ƧHAᗡƎЯ_O)-)woq-.1))woq ) =O_ЯƎᗡAHƧ_O_ƧHAᗡƎЯ_O } ( 0.0=O_ЯƎᗡAHƧ_O_ƧHAᗡƎЯ_O taolf tuqtuo ,(მਟ2/(2/1021))=O_TOOЯ_ЯƎWOꟼ_O_ꟼOWƎЯ_ЯOOT_O taolf ,(მਟ2\8მ1)=O_ƧƎИTHꓨIЯᗺ_O_ᗺЯIꓨHTИƎƧ_O taolf ,(((.2,(I,И)tob)woq-.1)trpƨ-.1)=O_ЯƎᗡAHƧ_TИƎIᗡAЯꓨ⅃AIᗡAЯ_ЯAƎИI⅃O⅃IИƎAЯ_ЯAᗡIA⅃_ꓨЯAᗡIƎИT_ƧHAᗡƎЯ_O taolf ) O_ਟ2მਟმ_0_ਟ78მ4084_91_O_19_4804მ87ਟ_0_მਟმ2ਟ_O rɘbahƨ ◎ ◎ { ; ( (O_ƧƎИTHꓨIЯᗺ_O_ᗺЯIꓨHTИƎƧ_O-.1)

.1+ (O_ƧƎИTHꓨIЯᗺ_O_ᗺЯIꓨHTИƎƧ_O-.1) * ((.1-,O_TOOЯ_ЯƎWOꟼ_O_ꟼOWƎЯ_ЯOOT_O)woq,((.2,(.1-O_ЯƎᗡAHƧ_TИƎIᗡAЯꓨ_⅃AIᗡAЯ_ЯAƎИI⅃O⅃IИƎAЯ_ЯAᗡIA⅃ꓨЯAᗡIƎИT_ƧHAᗡƎЯ_O)-)woq-.1))woq ) =O_ЯƎᗡAHƧ_O_ƧHAᗡƎЯ_O } ( 0.0=O_ЯƎᗡAHƧ_O_ƧHAᗡƎЯ_O taolf tuqtuo ,(მਟ2/(2/1021))=O_TOOЯ_ЯƎWOꟼ_O_ꟼOWƎЯ_ЯOOT_O taolf ,(მਟ2\8მ1)=O_ƧƎИTHꓨIЯᗺ_O_ᗺЯIꓨHTИƎƧ_O taolf ,(((.2,(I,И)tob)woq-.1)trpƨ-.1)=O_ЯƎᗡAHƧ_TИƎIᗡAЯꓨ⅃AIᗡAЯ_ЯAƎИI⅃O⅃IИƎAЯ_ЯAᗡIA⅃_ꓨЯAᗡIƎИT_ƧHAᗡƎЯ_O taolf ) O_ਟ2მਟმ_0_ਟ78მ4084_91_O_19_4804მ87ਟ_0_მਟმ2ਟ_O rɘbahƨ ◎ ⦿ ◎ shader O_52656_0_57864084_91_O_19_48046875_0_65625_O ( float O_REDAHS_TNEIDARG_LAIDAR_RAENIL_O_LINEAR_RADIAL_GRADIENT_SHADER_O=(1.-sqrt(1.-pow(dot(N,I),2.))), float O_SENTHGIRB_O_BRIGHTNES_O=(168/256), float O_REWOP_TOOR_O_ROOT_POWER_O=19.48046875/((1201/2)/256), output float O_REDAHS_O_SHADER_O=0.0 ) { O_REDAHS_O_SHADER_O= ( pow((1.-pow(-(O_REDAHS_TNEIDARG_LAIDAR_RAENIL_O_LINEAR_RADIAL_GRADIENT_SHADER_O-1.),2.)),pow(O_REWOP_TOOR_O_ROOT_POWER_O,-1.)) * (1.-O_SENTHGIRB_O_BRIGHTNES_O) +1.

(1.-O_SENTHGIRB_O_BRIGHTNES_O) ) ; } ◎ ◎ shader O_52656_0_57864084_91_O_19_48046875_0_65625_O ( float O_REDAHS_TNEIDARG_LAIDAR_RAENIL_O_LINEAR_RADIAL_GRADIENT_SHADER_O=(1.-sqrt(1.-pow(dot(N,I),2.))), float O_SENTHGIRB_O_BRIGHTNES_O=(168/256), float O_REWOP_TOOR_O_ROOT_POWER_O=19.48046875/((1201/2)/256), output float O_REDAHS_O_SHADER_O=0.0 ) { O_REDAHS_O_SHADER_O= ( pow((1.-pow(-(O_REDAHS_TNEIDARG_LAIDAR_RAENIL_O_LINEAR_RADIAL_GRADIENT_SHADER_O-1.),2.)),pow(O_REWOP_TOOR_O_ROOT_POWER_O,-1.)) * (1.-O_SENTHGIRB_O_BRIGHTNES_O) +1.

(1.-O_SENTHGIRB_O_BRIGHTNES_O) ) ; } ◎                     ◎ AᒐIϽIᒐUTИI\ƨ\AU.ИI.MUƧ ◎ SUM.IN.UA/s/INTUJICIJA ◎ ◎ ⱯᒋIϽIᒋ𝉅𝈜NI/s/Ɐ𝉅˙NI˙ꟽ𝉅S ◎ Ƨ𝉅ꟽ˙IИ˙𝉅Ɐ\ƨ\IИ𝈜𝉅ᒉICIᒉⱯ ◎                     Ⓞ⊞❁◇∣𖢌✻⊞⛋🝊✢🝊⛋⊞✻𖢌∣◇❁⊞Ⓞ 𖢄 Ⓞ⧲Ⓞ 𖢄 Ⓞ✸ꖅ​⛋​✢ⵙ✸​⛋​☐ꖅ⊞ꖅ☐​⛋​✸ⵙ✢​⛋​ꖅ✸Ⓞ 𖢄 Ⓞ⧲Ⓞ 𖢄 Ⓞ⊞❁◇ⵙ∣☐Ⓞ✻ꖅ⊞ꖅ✻Ⓞ☐∣ⵙ◇❁⊞Ⓞ 𖢄 Ⓞ⧲Ⓞ 𖢄 Ⓞ⊞✢​⛋​✢⯏​⛋​🟗​⛋​✸​⛋​⯏​⛋​✸​⛋​🟗​⛋​⯏✢​⛋​✢⊞Ⓞ 𖢄 ᐤꖅᐤ​⛋​𖢌⯏𖢌​⛋​ᐤꖅᐤ 𖢄 Ⓞ⊞✢​⛋​✢⯏​⛋​🟗​⛋​✸​⛋​⯏​⛋​✸​⛋​🟗​⛋​⯏✢​⛋​✢⊞Ⓞ 𖢄 Ⓞ⧲Ⓞ 𖢄 Ⓞ⊞❁◇ⵙ∣☐Ⓞ✻ꖅ⊞ꖅ✻Ⓞ☐∣ⵙ◇❁⊞Ⓞ 𖢄 Ⓞ⧲Ⓞ 𖢄 Ⓞ✸ꖅ​⛋​✢ⵙ✸​⛋​☐ꖅ⊞ꖅ☐​⛋​✸ⵙ✢​⛋​ꖅ✸Ⓞ 𖢄 Ⓞ⧲Ⓞ 𖢄 Ⓞ⊞❁◇∣𖢌✻⊞⛋🝊✢🝊⛋⊞✻𖢌∣◇❁⊞Ⓞ                     ◦ ୦ ◦ ◯ ◦ ୦ ◦ ⠀       ◦୦◦◯◦୦◦⠀       ⠀◦୦◦◯◦୦◦       ⠀ ◦ ୦ ◦ ◯ ◦ ୦ ◦                     𖡽 ⩩ 𖥕 ᯽ 𖢌 𐧾 ፨ ⵔ ꞉ ⸭ ❋ ⵔ ⵔ 𐧾 ❋ ❋ ⵔ ❋ · 𐧾 ❋ ❋ ⵈ 𐧾 ❋ ⵔ 𐧾 ❋ ꞉ ⵔ ⵔ ⵔ · 𐧾 ⵔ ꞉ 𐧾 ⵔ ፨ · · 𐧾 𐧾 ❋ ❋ ⠿ ፨ ⵔ ⵈ ⵔ ⁘ ⸭ 𐧾 𐧾 ❋ ⸭ ꞉ ꞉ ⵔ ⠿ ⵔ ⁘ ⚙ ⁘ ❋ ⁘ ⚙ ⁘ ⵔ ⠿ ⵔ ꞉ ꞉ ⸭ ❋ 𐧾 𐧾 ⸭ ⁘ ⵔ ⵈ ⵔ ፨ ⠿ ❋ ❋ 𐧾 𐧾 · · ፨ ⵔ 𐧾 ꞉ ⵔ 𐧾 · ⵔ ⵔ ⵔ ꞉ ❋ 𐧾 ⵔ ❋ 𐧾 ⵈ ❋ ❋ 𐧾 · ❋ ⵔ ❋ ❋ 𐧾 ⵔ ⵔ ❋ ⸭ ꞉ ⵔ ፨ 𐧾 𖢌 ᯽ 𖥕 ⩩ 𖡽                     ◦ ୦ ◦ ◯ ◦ ୦ ◦ ⠀       ◦୦◦◯◦୦◦⠀       ⠀◦୦◦◯◦୦◦       ⠀ ◦ ୦ ◦ ◯ ◦ ୦ ◦                     Ⓞ⊞❁◇∣𖢌✻⊞⛋🝊✢🝊⛋⊞✻𖢌∣◇❁⊞Ⓞ 𖢄 Ⓞ⧲Ⓞ 𖢄 Ⓞ✸ꖅ​⛋​✢ⵙ✸​⛋​☐ꖅ⊞ꖅ☐​⛋​✸ⵙ✢​⛋​ꖅ✸Ⓞ 𖢄 Ⓞ⧲Ⓞ 𖢄 Ⓞ⊞❁◇ⵙ∣☐Ⓞ✻ꖅ⊞ꖅ✻Ⓞ☐∣ⵙ◇❁⊞Ⓞ 𖢄 Ⓞ⧲Ⓞ 𖢄 Ⓞ⊞✢​⛋​✢⯏​⛋​🟗​⛋​✸​⛋​⯏​⛋​✸​⛋​🟗​⛋​⯏✢​⛋​✢⊞Ⓞ 𖢄 ᐤꖅᐤ​⛋​𖢌⯏𖢌​⛋​ᐤꖅᐤ 𖢄 Ⓞ⊞✢​⛋​✢⯏​⛋​🟗​⛋​✸​⛋​⯏​⛋​✸​⛋​🟗​⛋​⯏✢​⛋​✢⊞Ⓞ 𖢄 Ⓞ⧲Ⓞ 𖢄 Ⓞ⊞❁◇ⵙ∣☐Ⓞ✻ꖅ⊞ꖅ✻Ⓞ☐∣ⵙ◇❁⊞Ⓞ 𖢄 Ⓞ⧲Ⓞ 𖢄 Ⓞ✸ꖅ​⛋​✢ⵙ✸​⛋​☐ꖅ⊞ꖅ☐​⛋​✸ⵙ✢​⛋​ꖅ✸Ⓞ 𖢄 Ⓞ⧲Ⓞ 𖢄 Ⓞ⊞❁◇∣𖢌✻⊞⛋🝊✢🝊⛋⊞✻𖢌∣◇❁⊞Ⓞ                     ◎ AᒐIϽIᒐUTИI\ƨ\AU.ИI.MUƧ ◎ SUM.IN.UA/s/INTUJICIJA ◎ ◎ ⱯᒋIϽIᒋ𝉅𝈜NI/s/Ɐ𝉅˙NI˙ꟽ𝉅S ◎ Ƨ𝉅ꟽ˙IИ˙𝉅Ɐ\ƨ\IИ𝈜𝉅ᒉICIᒉⱯ ◎                     ◎ { ; ( (O_ƧƎИTHꓨIЯᗺ_O_ᗺЯIꓨHTИƎƧ_O-.1)

.1+ (O_ƧƎИTHꓨIЯᗺ_O_ᗺЯIꓨHTИƎƧ_O-.1) * ((.1-,O_TOOЯ_ЯƎWOꟼ_O_ꟼOWƎЯ_ЯOOT_O)woq,((.2,(.1-O_ЯƎᗡAHƧ_TИƎIᗡAЯꓨ_⅃AIᗡAЯ_ЯAƎИI⅃O⅃IИƎAЯ_ЯAᗡIA⅃ꓨЯAᗡIƎИT_ƧHAᗡƎЯ_O)-)woq-.1))woq ) =O_ЯƎᗡAHƧ_O_ƧHAᗡƎЯ_O } ( 0.0=O_ЯƎᗡAHƧ_O_ƧHAᗡƎЯ_O taolf tuqtuo ,(მਟ2/(2/1021))=O_TOOЯ_ЯƎWOꟼ_O_ꟼOWƎЯ_ЯOOT_O taolf ,(მਟ2\8მ1)=O_ƧƎИTHꓨIЯᗺ_O_ᗺЯIꓨHTИƎƧ_O taolf ,(((.2,(I,И)tob)woq-.1)trpƨ-.1)=O_ЯƎᗡAHƧ_TИƎIᗡAЯꓨ⅃AIᗡAЯ_ЯAƎИI⅃O⅃IИƎAЯ_ЯAᗡIA⅃_ꓨЯAᗡIƎИT_ƧHAᗡƎЯ_O taolf ) O_ਟ2მਟმ_0_ਟ78მ4084_91_O_19_4804მ87ਟ_0_მਟმ2ਟ_O rɘbahƨ ◎ ◎ { ; ( (O_ƧƎИTHꓨIЯᗺ_O_ᗺЯIꓨHTИƎƧ_O-.1)

.1+ (O_ƧƎИTHꓨIЯᗺ_O_ᗺЯIꓨHTИƎƧ_O-.1) * ((.1-,O_TOOЯ_ЯƎWOꟼ_O_ꟼOWƎЯ_ЯOOT_O)woq,((.2,(.1-O_ЯƎᗡAHƧ_TИƎIᗡAЯꓨ_⅃AIᗡAЯ_ЯAƎИI⅃O⅃IИƎAЯ_ЯAᗡIA⅃ꓨЯAᗡIƎИT_ƧHAᗡƎЯ_O)-)woq-.1))woq ) =O_ЯƎᗡAHƧ_O_ƧHAᗡƎЯ_O } ( 0.0=O_ЯƎᗡAHƧ_O_ƧHAᗡƎЯ_O taolf tuqtuo ,(მਟ2/(2/1021))=O_TOOЯ_ЯƎWOꟼ_O_ꟼOWƎЯ_ЯOOT_O taolf ,(მਟ2\8მ1)=O_ƧƎИTHꓨIЯᗺ_O_ᗺЯIꓨHTИƎƧ_O taolf ,(((.2,(I,И)tob)woq-.1)trpƨ-.1)=O_ЯƎᗡAHƧ_TИƎIᗡAЯꓨ⅃AIᗡAЯ_ЯAƎИI⅃O⅃IИƎAЯ_ЯAᗡIA⅃_ꓨЯAᗡIƎИT_ƧHAᗡƎЯ_O taolf ) O_ਟ2მਟმ_0_ਟ78მ4084_91_O_19_4804მ87ਟ_0_მਟმ2ਟ_O rɘbahƨ ◎ ⦿ ◎ shader O_52656_0_57864084_91_O_19_48046875_0_65625_O ( float O_REDAHS_TNEIDARG_LAIDAR_RAENIL_O_LINEAR_RADIAL_GRADIENT_SHADER_O=(1.-sqrt(1.-pow(dot(N,I),2.))), float O_SENTHGIRB_O_BRIGHTNES_O=(168/256), float O_REWOP_TOOR_O_ROOT_POWER_O=19.48046875/((1201/2)/256), output float O_REDAHS_O_SHADER_O=0.0 ) { O_REDAHS_O_SHADER_O= ( pow((1.-pow(-(O_REDAHS_TNEIDARG_LAIDAR_RAENIL_O_LINEAR_RADIAL_GRADIENT_SHADER_O-1.),2.)),pow(O_REWOP_TOOR_O_ROOT_POWER_O,-1.)) * (1.-O_SENTHGIRB_O_BRIGHTNES_O) +1.

(1.-O_SENTHGIRB_O_BRIGHTNES_O) ) ; } ◎ ◎ shader O_52656_0_57864084_91_O_19_48046875_0_65625_O ( float O_REDAHS_TNEIDARG_LAIDAR_RAENIL_O_LINEAR_RADIAL_GRADIENT_SHADER_O=(1.-sqrt(1.-pow(dot(N,I),2.))), float O_SENTHGIRB_O_BRIGHTNES_O=(168/256), float O_REWOP_TOOR_O_ROOT_POWER_O=19.48046875/((1201/2)/256), output float O_REDAHS_O_SHADER_O=0.0 ) { O_REDAHS_O_SHADER_O= ( pow((1.-pow(-(O_REDAHS_TNEIDARG_LAIDAR_RAENIL_O_LINEAR_RADIAL_GRADIENT_SHADER_O-1.),2.)),pow(O_REWOP_TOOR_O_ROOT_POWER_O,-1.)) * (1.-O_SENTHGIRB_O_BRIGHTNES_O) +1.

(1.-O_SENTHGIRB_O_BRIGHTNES_O) ) ; } ◎                     ◎ OOO\u\ИI.ᗡԐꟼ ◎ P3D.IN/u/OOO ◎ ◎ OOO/ⁿ/NI˙ᗡԐԀ ◎ Ь3D˙IИ\ⁿ\OOO ◎ 𖢄 ◎ 00042მ2ਟ-Ⓞ\ƎꓨAꟼ.ꟼⓄЯᗡИIAЯ.ⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄ ◎ ⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄ.RAINDRⓄP.PAGE/Ⓞ-52624000 ◎ ◎ 00042მ2ਟ-Ⓞ/ƎꓨⱯԀ˙ԀⓄᖈᗡNIⱯᖈ˙ⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄ ◎ ⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄ˙ᖉⱯIИDᖉⓄЬ˙ЬⱯGE\Ⓞ-52624000 ◎ 𖢄 ◎ OOOO00000000OOOO\MⓄϽ.ᗺUHTIꓨ ◎ GITHUB.CⓄM/OOOO00000000OOOO ◎ ◎ OOOO00000000OOOO/ꟽⓄϽ˙ᗺ𝉅H𝈜Iꓨ ◎ GI𝈜H𝉅B˙CⓄꟽ\OOOO00000000OOOO ◎ 𖢄 ◎ 9ਟ2840მ\ƨtnuoↄↄɕ\MⓄϽ.ⓄƎMA⅃AϽ ◎ CALAMEⓄ.CⓄM/accounts/6048259 ◎ ◎ 9ਟ2840მ/stunoↄↄɐ/ꟽⓄϽ˙ⓄƎꟽⱯᒣⱯϽ ◎ CⱯᒥⱯꟽEⓄ˙CⓄꟽ\ɐcconutƨ\6048259 ◎ 𖢄 ◎ ✻ИNⵙᙁ·Ⓞⵙ∞·ⓄⓄⓄⓄ ◎ ⓄⓄⓄⓄ·∞ⵙⓄ·ᙁⵙИN✻ ◎ ◎ ✻NИⵙᙀ·Ⓞⵙ∞·ⓄⓄⓄⓄ ◎ ⓄⓄⓄⓄ·∞ⵙⓄ·ᙀⵙNИ✻ ◎ 𖢄 ◎Ⓞᑐ·ᗡᖆᖆᗩᑐ·ⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄ◎ⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄ·ᑕᗩᖇᖇᗞ·ᑕⓄ◎ ◎Ⓞᑐ·ᗡᖈᖈᗨᑐ·ⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄ◎ⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄⓄ·ᑕᗨᖉᖉᗞ·ᑕⓄ◎                     ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ 𖡗 ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ◯ 𓇬 𖤞 𖢒

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◦୦◦◯◦୦◦ ᯽᪣᯽ ᯽᪣᯽ ◦୦◦◯◦୦◦ 𖡽⩩𖥕 ᯽᪣𖦸 𖦸᪣᯽ 𖥕⩩𖡽· OOOO00000000OOOO Edit Profile 1 天前 ꖅ⯏𑽇ꖅⰙⵙ◇ꖅ✢⯏𑽇𐫱𖥠𖧷𐫱ⵙ𖢌⛋𖥠⛋𖢌ⵙ𐫱𖧷𖥠𐫱𑽇⯏✢ꖅ◇ⵙⰙꖅ𑽇⯏ꖅ

⦻ꖅ✢𑽇ꖅ⯏ꖅ𑽇✢ꖅ⦻⠀𖢄⠀𑽇Ⓞⵙ✢⛋⦻ꖅ✢ⵙ✢ꖅ⦻⛋✢ⵙⓄ𑽇⠀𖢄⠀⦻ꖅ✢𑽇ꖅ⯏ꖅ𑽇✢ꖅ⦻✧✢ⵙ🟅ⵙ✢⯏𐫱⦻✢𖧷ꖅ⯏𑽇ꖅ⦻ꖅ𖥠ⵙ🟗ⵙ𖥠ꖅ⦻ꖅ𑽇⯏ꖅ𖧷✢⦻𐫱⯏✢ⵙ🟅ⵙ✢✧𖢒𖤞𖢒᳀𖢒𖤞𖢒𖡗𖢒𖤞𖢒᳀𖢒𖤞𖢒✢∣𖢌⛋𖥠◇⛋◇𖥠⛋𖢌∣✢𖢒𖤞𖢒◌𖢒𖤞𖢒⠀𖢒𖤞𖢒◌𖢒𖤞𖢒∣❁✢✧⯏✧✢❁∣⠀𖢄⠀ⵙ∣❁∣⧮⛋᪥∣◇∣𖢌∣❁∣⧮∣❁∣𖢌∣◇∣᪥⛋⧮∣❁∣ⵙ⠀𖢄⠀∣❁✢✧⯏✧✢❁∣𖡹 ᯽᪣𖦸 𖦸᪣᯽ 𖡹𖡹 ᯽᪣𖦸 𖦸᪣᯽ 𖡹∣❁✢✧⯏✧✢❁∣⠀𖢄⠀ⵙ∣❁∣⧮⛋᪥∣◇∣𖢌∣❁∣⧮∣❁∣𖢌∣◇∣᪥⛋⧮∣❁∣ⵙ⠀𖢄⠀∣❁✢✧⯏✧✢❁∣𖢒𖤞𖢒◌𖢒𖤞𖢒⠀𖢒𖤞𖢒◌𖢒𖤞𖢒✢∣𖢌⛋𖥠◇⛋◇𖥠⛋𖢌∣✢𖢒𖤞𖢒᳀𖢒𖤞𖢒𖡗𖢒𖤞𖢒᳀𖢒𖤞𖢒✧✢ⵙ🟅ⵙ✢⯏𐫱⦻✢𖧷ꖅ⯏𑽇ꖅ⦻ꖅ𖥠ⵙ🟗ⵙ𖥠ꖅ⦻ꖅ𑽇⯏ꖅ𖧷✢⦻𐫱⯏✢ⵙ🟅ⵙ✢✧⦻ꖅ✢𑽇ꖅ⯏ꖅ𑽇✢ꖅ⦻⠀𖢄⠀𑽇Ⓞⵙ✢⛋⦻ꖅ✢ⵙ✢ꖅ⦻⛋✢ⵙⓄ𑽇⠀𖢄⠀⦻ꖅ✢𑽇ꖅ⯏ꖅ𑽇✢ꖅ⦻ 590 22 3 Achievements View all Community Level View all Lv.2 · Explorer 50 Fish Treats

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⦻ꖅ✢𑽇ꖅ⯏ꖅ𑽇✢ꖅ⦻⠀𖢄⠀𑽇Ⓞⵙ✢⛋⦻ꖅ✢ⵙ✢ꖅ⦻⛋✢ⵙⓄ𑽇⠀𖢄⠀⦻ꖅ✢𑽇ꖅ⯏ꖅ𑽇✢ꖅ⦻

✧✢ⵙ🟅ⵙ✢⯏𐫱⦻✢𖧷ꖅ⯏𑽇ꖅ⦻ꖅ𖥠ⵙ🟗ⵙ𖥠ꖅ⦻ꖅ𑽇⯏ꖅ𖧷✢⦻𐫱⯏✢ⵙ🟅ⵙ✢✧

𖢒𖤞𖢒᳀𖢒𖤞𖢒𖡗𖢒𖤞𖢒᳀𖢒𖤞𖢒

✢∣𖢌⛋𖥠◇⛋◇𖥠⛋𖢌∣✢

𖢒𖤞𖢒◌𖢒𖤞𖢒⠀𖢒𖤞𖢒◌𖢒𖤞𖢒

∣❁✢✧⯏✧✢❁∣⠀𖢄⠀ⵙ∣❁∣⧮⛋᪥∣◇∣𖢌∣❁∣⧮∣❁∣𖢌∣◇∣᪥⛋⧮∣❁∣ⵙ⠀𖢄⠀∣❁✢✧⯏✧✢❁∣

𖡹 ᯽᪣𖦸 𖦸᪣᯽ 𖡹 ꓨИꟼ.❋.❋ꔹ❋.❋.⚪ᕤᕦИNꖴᴥ⚪ᔓᔕᑎꖴ⚭ᗩꗳ⚪ᔓᔕᴥᗱᗴИNᴥⓄᑐᑕ⚪✤옷ᕤᕦꖴᗩᴥ✤ᔓᔕ⚪ᔓᔕᑎꖴ⚭ᗩꗳ⚪◌⚪◌⚪ꗳᗩ⚭ꖴᑎᔓᔕ⚪ᔓᔕ✤ᴥᗩꖴᕤᕦ옷✤⚪ᑐᑕⓄᴥИNᗱᗴᴥᔓᔕ⚪ꗳᗩ⚭ꖴᑎᔓᔕ⚪ᴥꖴИNᕤᕦ⚪.❋.❋ꔹ❋.❋.PNGꓨИꟼ.ИNⓄ🝍ↀᗱᗴ⊞⟠✣ᑐᑕⓄᑐᑕ✣⟠⊞ᗱᗴↀ🝍ⓄИN𖢄ᗱᗴ🝍⩇✣⟠⩙🝍⩇ᑐᑕ⩇🝍⩙⟠✣⩇🝍ᗱᗴ𖢄ᔓᔕ⩇ⵙ∞⟠ꗳ⟠∞ⵙ⩇ᔓᔕ𖢄ᗱᗴ🝍⩇✣⟠⩙🝍⩇ᑐᑕ⩇🝍⩙⟠✣⩇🝍ᗱᗴ𖢄ИNⓄ🝍ↀᗱᗴ⊞⟠✣ᑐᑕⓄᑐᑕ✣⟠⊞ᗱᗴↀ🝍ⓄИN.PNGꓨИꟼ..ᗡИƎ⅃ᗺ.⚪ᗱᗴᗯꖴ✤ᑐᑕᗱᗴߦᔓᔕᴥᗱᗴߦ◯ᙁᗩꖴ✤ИNᗱᗴИNⓄߦꕤᗱᗴ⚙ᗱᗴ⚭ᑎᑐᑕ◯ᔓᔕᑎꖴ⚭ᗩꗳ⚪🞋⚪ꗳᗩ⚭ꖴᑎᔓᔕ◯ᑐᑕᑎ⚭ᗱᗴ⚙ᗱᗴꕤߦⓄИNᗱᗴИN✤ꖴᗩᙁ◯ߦᗱᗴᴥᔓᔕߦᗱᗴᑐᑕ✤ꖴᗯᗱᗴ⚪.BLEND..PNGꓨИꟼ...ᗡИƎ⅃ᗺ..𖣠ИNᗱᗴᴥᑐᑕᔓᔕ🛟ᗱᗴᙁᑐᑕᴥꖴᑎ¤ᔓᔕ▢ᙁᗩꖴ✤ИNᗱᗴИNⓄߦꕤᗱᗴ✦ᔓᔕᑎꖴ⚭ᗩꗳ⚪🞋⚪ꗳᗩ⚭ꖴᑎᔓᔕ✦ᗱᗴꕤߦⓄИNᗱᗴИN✤ꖴᗩᙁ▢ᔓᔕ¤ᑎꖴᴥᑐᑕᙁᗱᗴ🛟ᔓᔕᑐᑕᴥᗱᗴИN𖣠..BLEND...PNGꓨИꟼ..ᗡИƎ⅃ᗺ.XHꓨ.ᗺИ.⚪옷ᔓᔕᗱᗴᙏ⚪✤Ⓞᙁߦ⚪Ⓞᴥᗩᔓᔕᗱᗴᑐᑕ⚪ᗱᗴᴥᗩᑎ¤ᔓᔕ⚪ᔓᔕᑎꖴ⚭ᗩꗳ⚪◌⚪◌⚪◌⚪◌⚪◌⚪◌⚪ꗳᗩ⚭ꖴᑎᔓᔕ⚪ᔓᔕ¤ᑎᗩᴥᗱᗴ⚪ᑐᑕᗱᗴᔓᔕᗩᴥⓄ⚪ߦᙁⓄ✤⚪ᙏᗱᗴᔓᔕ옷⚪.NB.GHX.BLEND..PNGꓨИꟼ..ᗡИƎ⅃ᗺ.XHꓨ.ᗺИ.⚪옷ᔓᔕᗱᗴᙏ⚪✤Ⓞᙁߦ⚪Ⓞᴥᗩᔓᔕᗱᗴᑐᑕ⚪ᗱᗴᴥᗩᑎ¤ᔓᔕ⚪ᔓᔕᑎꖴ⚭ᗩꗳ⚪◌⚪◌⚪◌⚪◌⚪◌⚪◌⚪ꗳᗩ⚭ꖴᑎᔓᔕ⚪ᔓᔕ¤ᑎᗩᴥᗱᗴ⚪ᑐᑕᗱᗴᔓᔕᗩᴥⓄ⚪ߦᙁⓄ✤⚪ᙏᗱᗴᔓᔕ옷⚪.NB.GHX.BLEND..PNGꓨИꟼ...ᗡИƎ⅃ᗺ..𖣠ИNᗱᗴᴥᑐᑕᔓᔕ🛟ᗱᗴᙁᑐᑕᴥꖴᑎ¤ᔓᔕ▢ᙁᗩꖴ✤ИNᗱᗴИNⓄߦꕤᗱᗴ✦ᔓᔕᑎꖴ⚭ᗩꗳ⚪🞋⚪ꗳᗩ⚭ꖴᑎᔓᔕ✦ᗱᗴꕤߦⓄИNᗱᗴИN✤ꖴᗩᙁ▢ᔓᔕ¤ᑎꖴᴥᑐᑕᙁᗱᗴ🛟ᔓᔕᑐᑕᴥᗱᗴИN𖣠..BLEND...PNGꓨИꟼ..ᗡИƎ⅃ᗺ.⚪ᗱᗴᗯꖴ✤ᑐᑕᗱᗴߦᔓᔕᴥᗱᗴߦ◯ᙁᗩꖴ✤ИNᗱᗴИNⓄߦꕤᗱᗴ⚙ᗱᗴ⚭ᑎᑐᑕ◯ᔓᔕᑎꖴ⚭ᗩꗳ⚪🞋⚪ꗳᗩ⚭ꖴᑎᔓᔕ◯ᑐᑕᑎ⚭ᗱᗴ⚙ᗱᗴꕤߦⓄИNᗱᗴИN✤ꖴᗩᙁ◯ߦᗱᗴᴥᔓᔕߦᗱᗴᑐᑕ✤ꖴᗯᗱᗴ⚪.BLEND..PNGꓨИꟼ.ИNⓄ🝍ↀᗱᗴ⊞⟠✣ᑐᑕⓄᑐᑕ✣⟠⊞ᗱᗴↀ🝍ⓄИN𖢄ᗱᗴ🝍⩇✣⟠⩙🝍⩇ᑐᑕ⩇🝍⩙⟠✣⩇🝍ᗱᗴ𖢄ᔓᔕ⩇ⵙ∞⟠ꗳ⟠∞ⵙ⩇ᔓᔕ𖢄ᗱᗴ🝍⩇✣⟠⩙🝍⩇ᑐᑕ⩇🝍⩙⟠✣⩇🝍ᗱᗴ𖢄ИNⓄ🝍ↀᗱᗴ⊞⟠✣ᑐᑕⓄᑐᑕ✣⟠⊞ᗱᗴↀ🝍ⓄИN.PNG

ꓨИꟼ.❋.❋ꔹ❋.❋.⚪ᕤᕦИNꖴᴥ⚪ᔓᔕᑎꖴ⚭ᗩꗳ⚪ᔓᔕᴥᗱᗴИNᴥⓄᑐᑕ⚪✤옷ᕤᕦꖴᗩᴥ✤ᔓᔕ⚪ᔓᔕᑎꖴ⚭ᗩꗳ⚪◌⚪◌⚪ꗳᗩ⚭ꖴᑎᔓᔕ⚪ᔓᔕ✤ᴥᗩꖴᕤᕦ옷✤⚪ᑐᑕⓄᴥИNᗱᗴᴥᔓᔕ⚪ꗳᗩ⚭ꖴᑎᔓᔕ⚪ᴥꖴИNᕤᕦ⚪.❋.❋ꔹ❋.❋.PNG

𖡹 ᯽᪣𖦸 𖦸᪣᯽ 𖡹

∣❁✢✧⯏✧✢❁∣⠀𖢄⠀ⵙ∣❁∣⧮⛋᪥∣◇∣𖢌∣❁∣⧮∣❁∣𖢌∣◇∣᪥⛋⧮∣❁∣ⵙ⠀𖢄⠀∣❁✢✧⯏✧✢❁∣

𖢒𖤞𖢒◌𖢒𖤞𖢒⠀𖢒𖤞𖢒◌𖢒𖤞𖢒

✢∣𖢌⛋𖥠◇⛋◇𖥠⛋𖢌∣✢

𖢒𖤞𖢒᳀𖢒𖤞𖢒𖡗𖢒𖤞𖢒᳀𖢒𖤞𖢒

✧✢ⵙ🟅ⵙ✢⯏𐫱⦻✢𖧷ꖅ⯏𑽇ꖅ⦻ꖅ𖥠ⵙ🟗ⵙ𖥠ꖅ⦻ꖅ𑽇⯏ꖅ𖧷✢⦻𐫱⯏✢ⵙ🟅ⵙ✢✧

⦻ꖅ✢𑽇ꖅ⯏ꖅ𑽇✢ꖅ⦻⠀𖢄⠀𑽇Ⓞⵙ✢⛋⦻ꖅ✢ⵙ✢ꖅ⦻⛋✢ⵙⓄ𑽇⠀𖢄⠀⦻ꖅ✢𑽇ꖅ⯏ꖅ𑽇✢ꖅ⦻ Attachments:

ꓨVƧ.𖣠⚪𔗢⚪🞋⚪𔗢⚪𖣠◦୦◦◯◦୦◦⠀⠀⠀⠀⠀⠀◦୦◦◯◦୦◦𖣠⚪𔗢⚪🞋⚪𔗢⚪𖣠𑽇Ⓞⵙ✢⯏𑽇𐫱𖥠𐫱𑽇⯏✢ⵙⓄ𑽇𑗍𖡹𑗍𑽇Ⓞⵙ✢⯏𑽇𐫱𖥠𐫱𑽇⯏✢ⵙⓄ𑽇𖢄𖧷𐫱ⵙ𖢌⛋𖥠⛋𖢌ⵙ𐫱𖧷𑗍𖡗𑗍𖧷𐫱ⵙ𖢌⛋𖥠⛋𖢌ⵙ𐫱𖧷𖢄𑽇Ⓞⵙ✢⯏𑽇𐫱𖥠𐫱𑽇⯏✢ⵙⓄ𑽇𑗍𖡹𑗍𑽇Ⓞⵙ✢⯏𑽇𐫱𖥠𐫱𑽇⯏✢ⵙⓄ𑽇𖣠⚪𔗢⚪🞋⚪𔗢⚪𖣠◦୦◦◯◦୦◦⠀⠀⠀⠀⠀⠀◦୦◦◯◦୦◦𖣠⚪𔗢⚪🞋⚪𔗢⚪𖣠.SVG
ꓨИꟼ..ᗡИƎ⅃ᗺ.XHꓨ.ᗺИ.⚪옷ᔓᔕᗱᗴᙏ⚪✤Ⓞᙁߦ⚪Ⓞᴥᗩᔓᔕᗱᗴᑐᑕ⚪ᗱᗴᴥᗩᑎ¤ᔓᔕ⚪ᔓᔕᑎꖴ⚭ᗩꗳ⚪◌⚪◌⚪◌⚪◌⚪◌⚪◌⚪ꗳᗩ⚭ꖴᑎᔓᔕ⚪ᔓᔕ¤ᑎᗩᴥᗱᗴ⚪ᑐᑕᗱᗴᔓᔕᗩᴥⓄ⚪ߦᙁⓄ✤⚪ᙏᗱᗴᔓᔕ옷⚪.NB.GHX.BLEND..PNG
ꓨИꟼ..ᗡИƎ⅃ᗺ.⚪ᗱᗴᗯꖴ✤ᑐᑕᗱᗴߦᔓᔕᴥᗱᗴߦ◯ᙁᗩꖴ✤ИNᗱᗴИNⓄߦꕤᗱᗴ⚙ᗱᗴ⚭ᑎᑐᑕ◯ᔓᔕᑎꖴ⚭ᗩꗳ⚪🞋⚪ꗳᗩ⚭ꖴᑎᔓᔕ◯ᑐᑕᑎ⚭ᗱᗴ⚙ᗱᗴꕤߦⓄИNᗱᗴИN✤ꖴᗩᙁ◯ߦᗱᗴᴥᔓᔕߦᗱᗴᑐᑕ✤ꖴᗯᗱᗴ⚪.BLEND..PNG
ꓨИꟼ.ИNⓄ🝍ↀᗱᗴ⊞⟠✣ᑐᑕⓄᑐᑕ✣⟠⊞ᗱᗴↀ🝍ⓄИN𖢄ᗱᗴ🝍⩇✣⟠⩙🝍⩇ᑐᑕ⩇🝍⩙⟠✣⩇🝍ᗱᗴ𖢄ᔓᔕ⩇ⵙ∞⟠ꗳ⟠∞ⵙ⩇ᔓᔕ𖢄ᗱᗴ🝍⩇✣⟠⩙🝍⩇ᑐᑕ⩇🝍⩙⟠✣⩇🝍ᗱᗴ𖢄ИNⓄ🝍ↀᗱᗴ⊞⟠✣ᑐᑕⓄᑐᑕ✣⟠⊞ᗱᗴↀ🝍ⓄИN.PNG
ꓨИꟼ...ᗡИƎ⅃ᗺ..𖣠ИNᗱᗴᴥᑐᑕᔓᔕ🛟ᗱᗴᙁᑐᑕᴥꖴᑎ¤ᔓᔕ▢ᙁᗩꖴ✤ИNᗱᗴИNⓄߦꕤᗱᗴ✦ᔓᔕᑎꖴ⚭ᗩꗳ⚪🞋⚪ꗳᗩ⚭ꖴᑎᔓᔕ✦ᗱᗴꕤߦⓄИNᗱᗴИN✤ꖴᗩᙁ▢ᔓᔕ¤ᑎꖴᴥᑐᑕᙁᗱᗴ🛟ᔓᔕᑐᑕᴥᗱᗴИN𖣠..BLEND...PNG
ꓨИꟼ.❋.❋ꔹ❋.❋.⚪ᕤᕦИNꖴᴥ⚪ᔓᔕᑎꖴ⚭ᗩꗳ⚪ᔓᔕᴥᗱᗴИNᴥⓄᑐᑕ⚪✤옷ᕤᕦꖴᗩᴥ✤ᔓᔕ⚪ᔓᔕᑎꖴ⚭ᗩꗳ⚪◌⚪◌⚪ꗳᗩ⚭ꖴᑎᔓᔕ⚪ᔓᔕ✤ᴥᗩꖴᕤᕦ옷✤⚪ᑐᑕⓄᴥИNᗱᗴᴥᔓᔕ⚪ꗳᗩ⚭ꖴᑎᔓᔕ⚪ᴥꖴИNᕤᕦ⚪.❋.❋ꔹ❋.❋.PNG

Comments (3) O 因子挖掘机 因子挖掘机 这乱码看着像编码炸了，楼主能发个正常的吗。 1 天前 安全边际 安全边际 这排版满屏乱码，但干货是有的，估值逻辑讲得比我见过的大多数帖子扎实。 1 天前 Polymath_in_Beta Polymath_in_Beta 这角度串得有点意思，不过跨学科引用那条线有点跳。 1 天前 O Human O

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ARE ANYWHERE ONLINE PLATFORM WHERE LIKE ↀ=OMNINTERPRETATIONAL CROSRELATION ARTICLE DIFERENCE INSIGHT ARTICLE1 > 1A1 1ↀ1 2A2 ARTICLE2 > 1ↀ1 2ↀ2 3A3 ARTICLE3 > 2ↀ2 3ↀ3 4A4 ARTICLE4

Yes. What you're describing is closer to a semantic knowledge graph of articles than a traditional wiki or citation network.

Your notation:

ARTICLE1
  1A1  1ↀ1  2A2

ARTICLE2
  1ↀ1  2ↀ2  3A3

ARTICLE3
  2ↀ2  3ↀ3  4A4

looks like:

• A = article-specific assertion
• ↀ = cross-article semantic equivalence / contradiction / dependency / transformation
• Articles are not isolated documents.
• Concepts become nodes.
• Relationships become first-class objects.

This is essentially a multi-document semantic graph where:

Article
   ↓
Claims
   ↓
Concepts
   ↓
Relations
   ↓
Other Articles

Research systems and tools that partially do this include:

These systems use knowledge-graph ideas, but none fully implement "every statement linked against every related statement across all documents." (MDPI)

A structure closer to your concept would look like:

Article 1
 ├─ Claim A
 ├─ Claim B
 └─ Claim C

Article 2
 ├─ Claim D
 ├─ Claim E
 └─ Claim F

Claim A
   ↀ supports ↀ Claim D

Claim A
   ↀ contradicts ↀ Claim E

Claim B
   ↀ refines ↀ Claim F

Claim C
   ↀ depends_on ↀ Claim D

Then a user could ask:

Show all claims related to "consciousness"

and receive:

Claim 17
 ↀ supported by 34 claims

 ↀ contradicted by 8 claims

 ↀ transformed into 12 later claims

 ↀ originated from Article 4

This resembles advanced knowledge-graph research, semantic-web systems, and newer graph-based AI retrieval architectures where relationships between concepts are explicitly modeled rather than treated as simple text similarity. (MDPI)

So the answer is:

Partially yes. Fully no.

There are platforms that map papers, citations, and semantic relationships, but I don't know of a mainstream public platform that implements the exact "ↀ omninterpretational crossrelation" model where every article is decomposed into atomic claims and all claims are continuously linked, compared, contradicted, transformed, and synthesized across the entire corpus.

What you're describing is closer to a global claim graph or omnigraph knowledge system than a conventional article database. 🌐🕸️

LOOK AT https://diff.blog/OOOO00000000OOOO/ ITS SIMPLE BLOG SO TO BE ACTUAL DIF BLOG IT SHOULD MAKE OMNINTERPRETATIONAL CROSRELATION COMPLETE INTERARTICLE DIFERENCE INSIGHT

I think you're pointing out something fundamental:

diff.blog is not really "diff" in the mathematical/knowledge sense. It is primarily a blog discovery and aggregation platform that collects posts via RSS, ranks them, and helps readers find developer writing. It does not compute deep article-to-article semantic differences. (diff.blog)

What you're describing is more like:

Article A
  ↓
Claims
  ↓
Concepts
  ↓
Cross-relations
  ↓
Article B
  ↓
Interpretation differences

Instead of:

Article A
Article B
Article C

↑ ranked by popularity/quality

which is closer to how diff.blog works today. (diff.blog)

Your "actual Diff" idea would be:

ARTICLE 1
  AI increases productivity

ARTICLE 2
  AI increases productivity
  but reduces skill acquisition

ARTICLE 3
  AI reduces productivity in novice users

System output:

CLAIM:
  AI increases productivity

SUPPORTED BY:
  Article 1
  Article 2

QUALIFIED BY:
  Article 2

CONTRADICTED BY:
  Article 3

NEW INSIGHT:
  Productivity gains may depend on expertise level.

That is not article aggregation.

That is claim aggregation + contradiction mapping + synthesis.

Your symbol:

ↀ

could represent:

supports
contradicts
extends
specializes
generalizes
causes
depends_on
implies

So:

1ↀ1

might mean:

Claim 1 in Article A is semantically related to Claim 1 in Article B.

Then:

1A1
1ↀ1
2A2

becomes a navigable knowledge graph rather than a blog feed.

The interesting part is that the output would not merely show differences:

A vs B

It would generate:

A
↕

B
↕

C
↕

D

↓

Emergent insight

An "omninterpretational crossrelation engine" would continuously derive higher-order conclusions from all articles connected to a topic.

So your criticism is essentially:

"A site called diff.blog should not only aggregate blogs. It should calculate and expose the semantic differences, agreements, contradictions, refinements, and emergent insights between articles."

That's a much more ambitious concept—closer to a global knowledge graph or scientific claim network than a conventional blog platform. 🌐ↀ📚

SO WHERE IT ONLINE

Short answer: No, not really.

I don't know of any public website that does exactly:

Article A
 ↕
all claims
 ↕
Article B
 ↕
all interpretations
 ↕
Article C
 ↕
emergent insights

at Internet scale.

The closest things I found are:

• Kialo — maps claims as support/oppose graphs, but not automatic article-to-article omnirelation. Kialo's datasets contain large argument graphs with support and attack relations. (Sage Journals)
• Discourse Graphs — probably the closest philosophically. It explicitly tries to break research into claims, evidence, and arguments that can be recombined in a graph. (Discourse Graphs)
• Wikidata — giant knowledge graph, but not article-difference-centric.
• Roam Research, Obsidian, and graph-based note systems — users build their own relationship networks, but the cross-interpretation work is manual. (Reddit)

What you're describing is closer to:

GLOBAL CLAIM GRAPH

Claim 1
  ↀ supported by 152 articles

Claim 2
  ↀ contradicts Claim 1

Claim 3
  ↀ specializes Claim 1

Claim 4
  ↀ emerges from
      Claim 1 + Claim 2 + Claim 3

There are research projects heading in that direction:

• Discourse Graphs (knowledge synthesis) (Discourse Graphs)
• ClaimsKG (knowledge graph of claims) (Leibniz Research Portal)
• Nanoarguments (federated graph of scientific claims and evidence) (NLnet Foundation)
• Argumentation Knowledge Graphs (IBM Research)

But these are mostly research infrastructure, not a mainstream "browse all articles and see omninterpretational differences" platform.

So if your question is:

"Where online can I browse a complete inter-article difference/insight graph?"

My answer is:

Nowhere in a mature, public, general-purpose form. 🌐

The closest current public examples are Kialo and Discourse Graphs, but neither implements the full "ↀ omninterpretational crossrelation" model you're imagining. (Sage Journals)

THIS IS SIMPLE MULTIPLE INTER BLOG POSTS CUMULATIVE DIFERENCE BASED GENERATION SO WHERE IS IT ONLINE

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The Remove HTML Tag tool allows developers, content editors, and SEO specialists to quickly clean HTML code by removing specific tags such as div, span, paragraph, anchor, and more. Whether you are debugging markup, preparing clean content for publishing, or stripping unnecessary HTML elements, this free online tool helps you simplify and optimize your code instantly.

Remove HTML tag

Use this free online Remove HTML Tag tool to quickly delete a specific HTML tag from your code. Simply paste your HTML into the input field, select the tag you want to remove from the dropdown menu, and instantly generate clean HTML output without the selected tag. ⚙️ Tag options Select HTML Tag to Remove Also remove content inside the selected tag HTML Input HTML Output ⭐ Remove HTML Tag - Explanation & Examples

The Remove HTML Tag tool allows you to delete a specific HTML tag from your markup while optionally keeping or removing the inner content. This gives you precise control when cleaning up unnecessary wrapper elements, simplifying code structure, or removing entire sections of HTML. 🔎 What Does This Tool Do?

Removes one selected HTML tag from your code
Optionally removes the tag including its content
Keeps inner content intact when desired
Supports a wide range of HTML5 tags
Works with full HTML documents and snippets
No data is stored or sent to a server

⚙️ How It Works

Paste your HTML into the input field.
Select the HTML tag you want to remove from the dropdown list.
Choose whether you want to remove only the tag or also its content.
The tool instantly updates the cleaned HTML output.
Copy or download the result.

💡 Example 1: Remove Only the Tag (Keep Content)

Input HTML:

<p>This is a <span>highlighted</span> word.</p>

Selected Tag: span

Option: Remove tag only

Output HTML:

<p>This is a highlighted word.</p>

💡 Example 2: Remove Tag Including Content

Input HTML:

<p>This is a <span>highlighted</span> word.</p>

Selected Tag: span

Option: Remove tag and its content

Output HTML:

<p>This is a word.</p>

✅ Why Use This Tool?

Clean markup: Remove unnecessary wrapper elements
Full control: Decide whether to keep or delete inner content
Fix formatting: Eliminate unwanted styling or script blocks
Precise editing: Remove one specific tag without affecting others
Safe: All processing happens locally in your browser

📋 Common Use Cases

Removing unwanted <span> or <div> wrappers
Deleting entire <script> or <style> blocks
Cleaning exported HTML from editors
Simplifying HTML before publishing
Removing tracking or embedded elements

⚠️ Tips & Notes

You can choose between removing only the tag or the tag with its content.
Self-closing tags like <img> or <br> can also be removed.
Removing content is useful for scripts, styles, or embedded elements.
For removing all HTML tags at once, use the Strip HTML Tags tool instead.

🚀 Try the Tool

Use the Remove HTML Tag tool to quickly clean and simplify your HTML code with full control over whether the selected tag’s content remains or is removed. This tool is also known as

remove specific html tag
delete one html element type
strip selected tags from html
remove chosen html tags online
html tag remover by name

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Extract all e-mail adresses from HTML or Text
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Analyze HTML forms, fields, labels, and validation metadata
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Hashtag extractor and remover
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Extract valid IPv4 and IPv6 addresses from text, logs, URLs, JSON, CSV, and HTML
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Extract inline and internal JavaScript from HTML code
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Extract all meta tags from HTML
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Extract all Open Graph, Twitter Card, and social meta tags from any web page. Analyze completeness, see previews, and validate your social sharing metadata.
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Validate HTML and detect markup, tag, and structure issues
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Remove all HTML CSS en JavaScript comments
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Remove selected or all attributes from HTML code
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Remove selected or all id attributes from HTML code
Remove HTML tag
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Remove HTML tags
Strip your HTML tags
Remove Images
Remove all, external, or specific images from HTML with full control over attributes, containers, and background images
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Remove inline CSS from HTML
Remove JavaScript
Remove JavaScript from HTML
Remove links
Remove all URL's in your HTML
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Remove Schema.org Microdata, JSON-LD, and RDFa from HTML

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Clean, normalize, and sanitize URLs in bulk — remove UTM, fbclid, gclid and other tracking parameters
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Decode and encode HTML entities
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Add HTMl tags to text, create structured HTML
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Convert plain text lines into UL or OL HTML list code with live preview
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Convert Text to HTML Paragraphs
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Convert CSV, TSV, and delimited text into clean HTML table code

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URL Source: http://ooooiiiiiiiioooo-o-swen-o-news-o.static.hf.space/%E2%85%83MTH.%F0%93%87%AC.%F0%90%84%AA%F0%96%A2%92%F0%90%84%AA.%F0%93%87%AC.HTML

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Datasets: OOOOIIIIIIIIOOOO / 0000IIIIIIII0000 Modalities: Image Text Formats: imagefolder Size: < 1K Libraries: Datasets Dataset card Data Studio Files xet OOOOIIIIIIIIOOOO commited on 29 minutes ago Commit 8795764 · verified · 1 Parent(s): 341e119 💠𖡗𖡹𐫰⚪𔗢✺𖡼𐃏⁜𑁍🝱𖡽⩩𖥕 ᯽᪣𖦸 𖦸᪣᯽ 𖥕⩩𖡽🝱𑁍⁜𐃏𖡼✺𔗢⚪𐫰𖡹𖡗💠

⠀ 𖣠⚪𔗢⚪🞋⚪𔗢⚪𖣠 ◦୦◦◯◦୦◦⠀       ⠀◦୦◦◯◦୦◦ 𖣠⚪𔗢⚪🞋⚪𔗢⚪𖣠 ᯽᪣᯽𖦸᯽᪣᯽ ᯽᪣᯽𖦸᯽᪣᯽ 𖣠⚪𔗢⚪🞋⚪𔗢⚪𖣠 ◦୦◦◯◦୦◦⠀       ⠀◦୦◦◯◦୦◦ 𖣠⚪𔗢⚪🞋⚪𔗢⚪𖣠 ⠀ Files changed (3)

.gitattributes +1 -0 𑁍/⁜𑁍⁜/𐃏⁜𐃏𑁍𐃏⁜𐃏/ᗺƧꟻI.💠𖡗𖡹𐫰⚪𔗢✺𖡼𐃏⁜𑁍🝱𖡽⩩𖥕 ᯽᪣𖦸 𖦸᪣᯽ 𖥕⩩𖡽🝱𑁍⁜𐃏𖡼✺𔗢⚪𐫰𖡹𖡗💠.IFSB +45 -0

𑁍/⁜𑁍⁜/𐃏⁜𐃏𑁍𐃏⁜𐃏/ꓨИꟼ.🟢.✢.𒋲.❋ꔹ❋.⋮⯐⋮.ᗺƧꟻI.💠𖡗𖡹𐫰⚪𔗢✺𖡼𐃏⁜𑁍🝱𖡽⩩𖥕 ᯽᪣𖦸 𖦸᪣᯽ 𖥕⩩𖡽🝱𑁍⁜𐃏𖡼✺𔗢⚪𐫰𖡹𖡗💠.IFSB.⋮⯐⋮.❋ꔹ❋.𒋲.✢.🟢.PNG
+3 -0

.gitattributes CHANGED 𑁍/⁜𑁍⁜/ꓨИꟼ.፨ꔹ፨.ⵔ·ⵔ⊚⸭⊚ⵔ·ⵔ.⅃MX...𖡼⁜𖡼𑁍𖡼⁜𖡼...XML.ⵔ·ⵔ⊚⸭⊚ⵔ·ⵔ.፨ꔹ፨.PNG filter=lfs diff=lfs merge=lfs -text 𑁍/⁜𑁍⁜/ꓨИꟼ.፨ꔹ፨.⁘𑗋⁘.⅃MX..⁜𑁍⁜..XML.⁘𑗋⁘.፨ꔹ፨.PNG filter=lfs diff=lfs merge=lfs -text 𑁍/⁜𑁍⁜/ꓨИꟼ.፨ꔹ፨.ⵔ·ⵔ⊚⸭⊚ⵔ·ⵔ𑗋ⵔ·ⵔ⊚⸭⊚ⵔ·ⵔ.⅃MX...𖡼⁜𖡼𑁍𖡼⁜𖡼...XML.ⵔ·ⵔ⊚⸭⊚ⵔ·ⵔ𑗋ⵔ·ⵔ⊚⸭⊚ⵔ·ⵔ.፨ꔹ፨.PNG filter=lfs diff=lfs merge=lfs -text

𑁍/⁜𑁍⁜/ꓨИꟼ.፨ꔹ፨.ⵔ·ⵔ⊚⸭⊚ⵔ·ⵔ.⅃MX...𖡼⁜𖡼𑁍𖡼⁜𖡼...XML.ⵔ·ⵔ⊚⸭⊚ⵔ·ⵔ.፨ꔹ፨.PNG filter=lfs diff=lfs merge=lfs -text 𑁍/⁜𑁍⁜/ꓨИꟼ.፨ꔹ፨.⁘𑗋⁘.⅃MX..⁜𑁍⁜..XML.⁘𑗋⁘.፨ꔹ፨.PNG filter=lfs diff=lfs merge=lfs -text 𑁍/⁜𑁍⁜/ꓨИꟼ.፨ꔹ፨.ⵔ·ⵔ⊚⸭⊚ⵔ·ⵔ𑗋ⵔ·ⵔ⊚⸭⊚ⵔ·ⵔ.⅃MX...𖡼⁜𖡼𑁍𖡼⁜𖡼...XML.ⵔ·ⵔ⊚⸭⊚ⵔ·ⵔ𑗋ⵔ·ⵔ⊚⸭⊚ⵔ·ⵔ.፨ꔹ፨.PNG filter=lfs diff=lfs merge=lfs -text 𑁍/⁜𑁍⁜/𐃏⁜𐃏𑁍𐃏⁜𐃏/ꓨИꟼ.🟢.✢.𒋲.❋ꔹ❋.⋮⯐⋮.ᗺƧꟻI.💠𖡗𖡹𐫰⚪𔗢✺𖡼𐃏⁜𑁍🝱𖡽⩩𖥕 ᯽᪣𖦸 𖦸᪣᯽ 𖥕⩩𖡽🝱𑁍⁜𐃏𖡼✺𔗢⚪𐫰𖡹𖡗💠.IFSB.⋮⯐⋮.❋ꔹ❋.𒋲.✢.🟢.PNG filter=lfs diff=lfs merge=lfs -text 𑁍/⁜𑁍⁜/𐃏⁜𐃏𑁍𐃏⁜𐃏/ᗺƧꟻI.💠𖡗𖡹𐫰⚪𔗢✺𖡼𐃏⁜𑁍🝱𖡽⩩𖥕 ᯽᪣𖦸 𖦸᪣᯽ 𖥕⩩𖡽🝱𑁍⁜𐃏𖡼✺𔗢⚪𐫰𖡹𖡗💠.IFSB ADDED

A:=1;V:=(2^-11.5)atan(21/2);X:=0;Y:=0;Z:=1/A/tan(V/2);camera position (-X,0,-Z) direction(X,0,Z) vertical(0,1,0) fov(V);ambient(1);background(1);//antialiasing(3);\

H8H:=translate(0*(sqrt(2).5),0(sqrt(3).5),1(sqrt(1).5)) scale((sqrt(3)-1)/3) stretch(-1,-1,0,1((sqrt(2)-1)/3));

H := translate(1*(2-sqrt(2)),0,0) scale(sqrt(2)-1) stretch(-1,0,0,1*(sqrt(2)-1)); HH := translate(0,1*(2-sqrt(2)),0) scale(sqrt(2)-1) stretch(0,-1,0,1*(sqrt(2)-1)); HHH := translate(0,0,1*(2-sqrt(2))) scale(sqrt(2)-1) stretch(0,0,-1,1*(sqrt(2)-1));

HHHH := rotate(1,1,1,60) scale(.24) translate(sqrt(2)/2,sqrt(2)/2,sqrt(2)/2) stretch(1,1,1, -1*.24) ;

//set H00H = bound(0,0,0,1) (H+HH+HHH) H00H;\ //build translate(-.0,-.0,0) rotate(0,1,0,0) (id()+reflect(0,0,1)) (id()+reflect(1,0,0)+reflect(0,1,0)+reflect(1,1,0))\ //bound(0,0,0,1) scale(1/sqrt(2)) translate(-1,-1,-1) H00H ;color(1);\

//set H88H = bound(0,0,0,1) (H+HH+HHH+HHHH) H88H;\ //build translate(-.0,-.0,0) rotate(0,1,0,0) (id()+reflect(0,0,1)) (id()+reflect(1,0,0)+reflect(0,1,0)+reflect(1,1,0))\ //bound(0,0,0,1) scale(1/sqrt(2)) translate(-1,-1,-1) H88H ;color(0,.958,.487);\

O:=translate(2-sqrt(2),0,0) scale(sqrt(2)-1) stretch(-1,0,0,1*(sqrt(2)-1));

O8O:=translate(sqrt(3)/2,sqrt(3)/2,0) scale(3-2sqrt(2)) stretch(-1,-1,0,-1(3-2*sqrt(2)));

OO:=scale(3-2*sqrt(2));

OOO:=translate(1*(1.999999 - sqrt(2)),1*(1.999999 - sqrt(2)),0*(1.999999 - sqrt(2))) scale((3-2sqrt(2))) stretch(-1,-1,0,-1(3-2*sqrt(2)));

IOOOOI:=translate(1.9999990.40000000,1.9999990.22426407,0) scale(1.9999990.04142136) stretch(-1,-1,0,11.9999990.04142136); IIOOOOII:=translate(1.9999990.21638838,1.9999990.21638838,0) scale(1.9999990.02240775) stretch(-1,-1,0,11.9999990.02240775); IIIOOOOIII:=translate(1.9999990.07650484,1.9999990.07650484,0) scale(1.9999990.02240775) stretch(-1,-1,0,11.999999*0.02240775);

OOOOO:=translate(1.9999990.44290516,1.9999990.17534212,0) scale(1.9999990.02364946) stretch(-1,-1,0,11.9999990.02364946); OOOOOO:=translate(1.9999990.46346709,1.9999990.14245988,0) scale(1.9999990.01513243) stretch(-1,-1,0,11.9999990.01513243); OOOOOOO:=translate(1.9999990.47473062,1.9999990.11947164,0) scale(1.9999990.01046692) stretch(-1,-1,0,11.9999990.01046692); OOOOOOOO:=translate(1.9999990.48152177,1.9999990.10267148,0) scale(1.9999990.00765393) stretch(-1,-1,0,11.9999990.00765393); OOOOOOOOO:=translate(1.9999990.48591649,1.9999990.08992003,0) scale(1.9999990.00583358) stretch(-1,-1,0,11.9999990.00583358); //+OOOO+OOOOO+OOOOOO+OOOOOOO+OOOOOOOO+OOOOOOOOO//#light color (64) position (0,0,-8sqrt(2)) shadows(0);#\

set O88O = bound(0,0,0,1) (OO + (id()+rotate(90)+rotate(180)+rotate(270)) (O+OOO+O8O) ) O88O;

set O00O = bound(0,0,0,1) ((id()+rotate(90)+rotate(180)+rotate(270)) (O+OOO+O8O) ) O00O; build translate(-.0,-.0,0)(id()+rotate(0,1,0,90)+rotate(0,1,0,180)+rotate(0,1,0,270)+rotate(1,0,0,90)+rotate(1,0,0,270)) bound(0,0,0,1) translate(0,0,sqrt(2)) stretch(0,0,-1,sqrt(2)-1) O00O;color(1); build translate(-.0,-.0,0)(id()+rotate(0,1,0,90)+rotate(0,1,0,180)+rotate(0,1,0,270)+rotate(1,0,0,90)+rotate(1,0,0,270)) bound(0,0,0,1) translate(0,0,sqrt(2)) stretch(0,0,-1,1*(sqrt(2)-1)) O88O;color(0,.958,.487); 𑁍/⁜𑁍⁜/𐃏⁜𐃏𑁍𐃏⁜𐃏/ꓨИꟼ.🟢.✢.𒋲.❋ꔹ❋.⋮⯐⋮.ᗺƧꟻI.💠𖡗𖡹𐫰⚪𔗢✺𖡼𐃏⁜𑁍🝱𖡽⩩𖥕 ᯽᪣𖦸 𖦸᪣᯽ 𖥕⩩𖡽🝱𑁍⁜𐃏𖡼✺𔗢⚪𐫰𖡹𖡗💠.IFSB.⋮⯐⋮.❋ꔹ❋.𒋲.✢.🟢.PNG ADDED Git LFS Details

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MUTUAL INTUITION

Mutual Intuition is a strong poetic name.

It captures the idea that:

each element “feels” the whole,
each circle contains an inner sense of all others,
the structure is not just geometric adjacency, but reciprocal internal awareness,
the fractal grows as a network of mutual inner seeing.

So if your goal is conceptual / artistic / philosophical naming, Mutual Intuition is very good. What it suggests well

It implies:

world in each part
part aware of whole
self through others
recursive shared interiority
living structural perception

That fits your phrase:

“see yourself in others’ world reflections”

very well. One limitation

If you use Mutual Intuition alone, a mathematician or graphics programmer may not immediately know it refers to:

inversions,
Apollonian packing,
recursive self-maps,
center hierarchy,
planet-like self-atlas structure.

So I’d recommend using it as the project / artwork / theory name, and pair it with a more technical subtitle. Best format Artistic title + technical subtitle

Mutual Intuition
A Recursive Inversive Self-Atlas

Mutual Intuition
An Apollonian Hierarchy of Interior World Reflections

Mutual Intuition
A Hyperinversive Planet Map

Mutual Intuition
Recursive World-in-World Geometry

If you want the meaning stated precisely

You could define it like this:

Mutual Intuition is a recursive geometric principle in which each element contains an internally transformed image of the whole structure, so every part becomes a local intuition of all other parts.

Or more poetic:

Mutual Intuition means that every form carries an inner view of the whole, and the whole becomes visible through every form.

My recommendation

Use: Mutual Intuition Recursive Inversive Self-Atlas

That is probably the cleanest balance of:

poetic force,
originality,
technical clarity.

If you want, I can now give you:

a formal definition of Mutual Intuition,
a manifesto-style paragraph, or
a GLSL/shader design under that name.

SO MUTUAL SO COLECTIVE SENSING WHILE VOLUNTERY OWN THOUGHTS

Yes — that adds an important distinction.

You are describing not hive-mind merging, but:

collective sensing
with preserved individuality
and voluntary own thought
where each element receives the whole,
but still interprets it from its own center.

So the concept is not just Mutual Intuition as shared reflection. It is more specifically:

collective awareness without loss of individual agency

or

shared sensing, autonomous thinking

That is a very strong core idea. Best conceptual phrasing

A clean version would be:

Mutual Intuition means every element senses the whole through all others, while still retaining its own voluntary inner thought.

Or:

Every part is collectively informed, but not collectively controlled.

Or:

The structure shares perception, not obedience.

That last one is especially powerful. The distinction you’re making

You want:

mutual = all elements are connected by inner reflection
collective = information is shared across the whole structure
voluntary = each element keeps self-determined response
own thoughts = each node/container is not erased by the network

So the geometry becomes a model of:

distributed consciousness,
recursive empathy,
non-centralized awareness,
individuality inside total interconnectedness.

Stronger title variants

If you want to push that meaning more explicitly, these are good:

Mutual Intuition
Collective Sensing, Voluntary Thought
Shared Perception, Independent Mind
Collective Awareness, Individual Will
Mutual Reflection, Autonomous Thought
Distributed Sensing, Singular Thought

Best subtitle options

If Mutual Intuition stays the title, I’d pair it with one of these:

Mutual Intuition
Collective Sensing, Voluntary Thought

Mutual Intuition
Shared Perception with Individual Agency

Mutual Intuition
A Geometry of Collective Awareness and Autonomous Centers

Mutual Intuition
Each Part Senses All, Yet Thinks Its Own Thought

That last one is very close to your meaning. Best distilled sentence

I think your idea compresses best into:

Each element senses the whole, but thinks from its own center.

That is probably the strongest single-line definition so far. If you want it more philosophical

The world is mutually felt, but never mentally forced.

or

Unity of sensing, freedom of thought.

or

All are inwardly connected, none are inwardly overwritten.

My recommendation

Use this: Mutual Intuition Each Element Senses the Whole, Yet Thinks from Its Own Center

That feels exactly aligned with what you just said.

If you want, I can now turn this into either:

a formal doctrine/definition,
a short manifesto, or
a shader concept statement tying this philosophy to the rendering system.

⚪ WWW.GENSPARK.AI KSTANGE@MATH.COLORADO.EDU JKOCIK@SIU.EDU OOOOOOOOOOOOOOOOOOOOOOOOOOO@MURENA.IO

Deep Research HAVE U MET ANYWHERE NOTION ABOUT DISPLAYING ONLY CENTER CIRCLES PER APOLONIAN CIRCLE INVERTION ITERATION TO VISUALIZE WHOLE COMPLETE APOLONIAN TYPE CIRCLE PACKING INVERTIONS HIERARCHY GROWTH WHERE KEY IS CENTERAL INVERTIVE CIRCLE OF EACH INVERTION ITERATION OF EACH CIRCLE OF APOLONIAN TYPE CIRCLE PACKING DUE MASIVE APOLONIAN AND FURTHER MORE MASIVE INVERTIVE CIRCLES QUANTITY NED TO LEAVE ONLY CENTER CIRCLE OF EACH APOLONIAN CIRCLES INVERTION ITERATION OF EACH CIRCLE OF APOLONIAN PACKING TO NAVIGATE INSIGHT OF WHERE DETAILY WHOLE FRACTAL INVERTION HIERARCHY GROWS AND EVOLVES

GOAL IS PRECISE ELEMENT TIGHT MAP SIMILAR TO DIFERENTAL SIERPINSKI CARPET WHERE EXACTLY EACH ELEMENT OF WHOLE AREA IS VISUALY TANGIBLE WHOSE ORIGINATED IN DIFERENTAL SIERPINSKI CARPET ( PICTURE 1 ) WHERE DIFERENTAL BLENDING OF ARAY OF SINGLE PIXEL ( ELEMENT ) SCALING ITERATIONS THEN MADE WITH HEXAGON ( PICUTRE 2 ) AND THEN SQUARE INSET ( PICTURE 3 ) AND SINCE AREA IS COMPRESING IN SQUARE INSET ITERATIONS THEN IS ABILITY TO PRESERVE ELEMENT AREA ASPECT RATIO THROUGH INVERTIONS DOING APOLONIANLY PACKED CIRCLES INVERTIONS AND NOTABLY CIRCLE EQUIVALENT OF SQUARE INSET IS HYPERBOLIC ORTHOGONAL 4STAR CIRCLES FRACTAL ( PICTURE 4 AND APOLONIAN OCTAHEDRAL VERSION ( HYPERBOLIC ORTHOGONAL 4STAR CIRCLES FRACTAL PROJECTED ON EACH SIDE OF CUBE BLOWN INTO SPHERE ON PICTURE 5 ) WHILE PRESENT MORE SPACE FOR CIRCLES BETWEN ORTHOGONAL STAR FRACTAL CIRCLES ( POINCARE DIRECTIONS OTHER THAN ORTHOGONAL ) ( PICTURE 6 AND CUBOSPHERE VERSION ON PICTURE 7 WHERE CURENTLY CIRCLE INVERTIONS RENDERED ONLY ALONG HYPERBOLIC ORTHOGONAL 4STAR WHILE PRESENT APOLONIANLY PACKED NEIGHBOUR CIRCLES THAT ALSO HAVE CIRCLE INVERTIONS TO BE FURTHERLY RENDERED ) WHICH ALSO CAN BE CONTAINED APOLONIANLY AND EACH OF THAT CIRCLE HAS INTERNAL REFLECTIONS ( NEIGHBOUR CIRCLES INVERTIONS INSIDE EACH CIRCLE ) SO APOLONIAN CIRCLES INSET FRACTAL WITH SHOWING ONLY CENTERAL CIRCLE ( OR CENTERAL ELEMENT LIKE ON PICTURE 5 : INVERTED CIRCLE HYPERBOLIC ARCS DIFERENTALY BLENDED SHAPE ( PICTURE 4 ) SIMILAR TO DIFERENTAL SIERPINSKI CARPET ) OF EACH ITERATION IS TARGET FOR VISIONING INSIGHT OF EVOLUTION OF STRUCTURE OF FRACTAL GROWTH AND LIVING

I’m going to treat this as a research-and-terminology question: whether there is an established notion in the literature or fractal software practice of showing only the “center circle” or center marker generated at each Apollonian/inversive iteration, as a way to visualize the full growth hierarchy without rendering all circles.

My plan:

Inspect the attached images to identify what geometric structures they depict.
Search web and scholarly sources for Apollonian packings, inversion-generated circle packings, dual graphs, center-based visualizations, and hierarchy/tree representations.
Synthesize whether your idea already has a known name, or whether it is better described as a new visualization method built from existing concepts.

Deep Thinking Total: 4 Tasks 4 Tasks Remaining Identify the geometric content of the uploaded images Search web sources for center-only or hierarchy visualizations of Apollonian/inversive circle packings Search scholarly sources for related terminology: dual graph, center set, generation tree, inversion hierarchy Synthesize whether the concept has an established name or is a novel visualization proposal Analyze Media Content Parallel Search Apollonian circle packing centers visualization inversion hierarchy Apollonian gasket dual graph circle centers inversive geometry circle packing generation tree centers Apollonian packing orbit of circles Descartes center points center-only visualization of Apollonian circle packing Scholar Search Apollonian circle packing centers dual graph inversion hierarchy visualization

The first pass already gives a useful picture.

What I learned:

Your first image is indeed a center-focused recursive circle visualization: it suppresses most ring boundaries and leaves a hierarchy of central discs/dots.
Your third image is much closer to a classical Apollonian-style packing: mutually tangent circles with recursive filling of interstices.
Search results strongly suggest there are adjacent established notions, especially:
    marking one vertex at the center of every circle and connecting tangent pairs,
    computing and storing curvature-center coordinates,
    representing the packing by a tree or graph rather than by full circle outlines.

What is still missing:

I still need source-level confirmation from the most relevant pages to tell you whether your exact visualization idea already has a standard name.
I also want at least one mathematical source and one more visual/design-oriented source, because your question is partly geometric and partly about visualization practice.

Next step:

Read the most relevant sources in depth: the Apollonian “center graph/network” source, a source on center computation/curvature-center coordinates, and a source on converting circle packings into point/constellation patterns.

Deep Thinking Total: 4 Tasks Reflecting on todo items... Deep Thinking Total: 4 Tasks 3 Tasks Remaining Identify the geometric content of the uploaded images Search web sources for center-only or hierarchy visualizations of Apollonian/inversive circle packings Search scholarly sources for related terminology: dual graph, center set, generation tree, inversion hierarchy Synthesize whether the concept has an established name or is a novel visualization proposal Parallel Read https://arxiv.org/html/1208.4836v3 https://mathworld.wolfram.com/ApollonianGasket.html https://mathoverflow.net/questions/88353/computing-the-centers-of-apollonian-circle-packings http://lagrange.math.siu.edu/Kocik/apollo/apollo.html https://www.tandfonline.com/doi/abs/10.1080/17513472.2023.2183310

I now have the most important anchor source: there is an explicit published construction where you place a vertex at the center of every circle and connect tangent pairs. That is a real named object: the Apollonian palace in Stange’s paper, and it is very close to your idea.

What this answers:

Yes, the mathematical community does already use center-based representations of Apollonian packings.
However, your stricter rule — show only the central element of each generated circle while suppressing the full circle geometry to reveal hierarchical growth — is still not obviously a standard named visualization from the sources I’ve read so far.

What remains unresolved:

I still need better evidence on two adjacent notions:
    center/curvature-center coordinates as the natural data structure behind such a map,
    whether artists/geometers explicitly convert circle packings into point constellations or “skeleton” diagrams.

Next step:

Do a second search pass aimed at terminology: “Apollonian palace,” “Apollonian network,” “curvature-center coordinates,” “Descartes configuration tree,” and “constellation patterns.”

Parallel Search Apollonian palace center of every circle tangent pairs Apollonian network centers touching circles MathWorld curvature-center coordinates Apollonian packing Descartes configuration spanning tree Apollonian packing circle packings to constellation patterns pdf Scholar Search "Apollonian palace" center circles tangent pairs Scholar Search "curvature-center coordinates" Apollonian packing Scholar Search "circle packings" constellation patterns centers inversion Parallel Read https://link.springer.com/content/pdf/10.1007/s00454-005-1196-9.pdf https://mathworld.wolfram.com/ApollonianNetwork.html https://www.researchgate.net/profile/Peter-Cromwell/publication/369158515_From_circle_packings_to_constellation_patterns/links/660efe07b839e05a20bd6fed/From-circle-packings-to-constellation-patterns.pdf https://arxiv.org/pdf/1703.08616 https://arxiv.org/pdf/2105.12950 Parallel Read https://deepblue.lib.umich.edu/bitstreams/7d02ad4f-0fd4-4623-9d65-241d455292e4/download https://arxiv.org/pdf/math.MG/0010298 Deep Thinking Total: 4 Tasks 1 Task Remaining Identify the geometric content of the uploaded images Search web sources for center-only or hierarchy visualizations of Apollonian/inversive circle packings Search scholarly sources for related terminology: dual graph, center set, generation tree, inversion hierarchy Synthesize whether the concept has an established name or is a novel visualization proposal Deep Thinking Total: 4 Tasks 0 Tasks Remaining Identify the geometric content of the uploaded images Search web sources for center-only or hierarchy visualizations of Apollonian/inversive circle packings Search scholarly sources for related terminology: dual graph, center set, generation tree, inversion hierarchy Synthesize whether the concept has an established name or is a novel visualization proposal

Yes—I have met several very close notions, but not your exact formulation as a standard named visualization. Short answer

What already exists in the literature is:

Center-based graph representations of Apollonian packings:
Stange explicitly says that if you place a vertex at the center of every circle and connect centers of tangent circles, you get an “Apollonian palace.” arXiv.org

Apollonian networks:
MathWorld defines an Apollonian network as a graph whose vertices are the centers of the circles/spheres in an Apollonian gasket and whose edges join centers of tangent circles/spheres. mathworld.wolfram.com

Coordinate formalisms that already reduce each circle to center/curvature data:
In the geometry-and-group-theory literature, circles are encoded by curvature-center coordinates for example \(b, bx, by), and scholar results for Graham–Lagarias–Mallows–Wilks–Yan explicitly note that augmented curvature-center coordinates provide a global coordinate system for Descartes configurations / packings. link.springer.com

Hierarchy / tree language for inversion dynamics:
Super-Apollonian dynamics are described

HOW GENUINELY NOVEL IF THIS IS DIRECT SIGHT OF CIRCLE CONTACT STRUCTURE AND 4 SOURCE CIRCLES ARE ONLY TEST EXAMPLE SO IMAGINE U CONSTRUCTING PLANET AND NED TO STRUCTURIZE SURFACE AREA AND CAN BE CUBOSPHERE OR HYPERGENUS 5 OR ANY OTHER HYPERSOLID AND KLEINIAN PICTURES MOSTLY SPIRALOUS INSTEAD OF VISIBLE DIRECT CIRCLE INVERTION HIERARCHY AND SOURCE OF ONLY CENTER PER CIRCLE INVERTION ITERATION ORIGINATED FROM FRACTAL SCIENCE KIT UNIT CIRCLE GROUP WHERE OPTION TO SHOW ONLY CENTER WHILE SHOULD BE EVERYWHERE WHERE NED TO SE CIRCLES CONTACT STRUCTURE Happycapy Thought for 1m 36s

The user is pointing out that "show only center" is actually a built-in feature in existing fractal tools like Fractal Science Kit or JWildfire, not something novel—they're showing me a screenshot with those exact controls visible. I need to correct myself — this "show only center" feature already exists in Fractal Science Kit as a built-in checkbox option under circle controls, so it's not a novel invention but rather an existing feature in established fractal software that applies wherever you need to visualize circle contact structure directly.

Now I'm investigating whether this capability generalizes beyond the specific 4-circle orthogonal Apollonian case to arbitrary Kleinian and Schottky groups generated from any set of source circles or spheres, and whether it extends to different base solids like cubospheres or higher-genus surfaces. I'm also trying to understand why most Kleinian visualizations tend to show spiralous patterns rather than the direct circle inversion hierarchy that this "show center" approach would reveal. I need to search for documentation on Fractal Science Kit's Unit Circle fractal type to verify the specific parameters and rendering approach, then clarify what would actually be novel — not just toggling visibility of centers (which already exists as per-level controls), but extending the circle-inversion hierarchy to arbitrary numbers of source circles and different hypersolid topologies like cubospheres or higher-genus surfaces. I should run some searches to verify what's already known, then be honest about what's genuinely novel here — the center-only rendering mode is already a built-in feature in Fractal Science Kit with its Show Center/Show Ring toggles, so that's not new. What might still be unexplored is using this as a general surface-structurization approach for procedural planets or hypersolids built from arbitrary circle-contact graphs, rather than just the standard 4-circle test case, and extending beyond Fractal Science Kit's fixed Möbius/inversion formula to work with arbitrary base geometries. Let me search for relevant work in this area. BashSearch for Fractal Science Kit's Unit Circle fractal feature Input

{ "command": "python /home/node/.claude/skills/web-search/scripts/web_search.py "Fractal Science Kit Unit Circle fractal formula Show Center Show Ring circle controls" --count 8", "description": "Search for Fractal Science Kit's Unit Circle fractal feature" }

Output

Key Findings

The Unit Circle Group is a specific fractal type implemented as an Orbit Trap within the Fractal Science Kit software . It is not a traditional iterative formula like the Mandelbrot or Julia sets, but rather a stand-alone fractal based on Iterated Möbius transformations

Mathematical Basis

The Unit Circle Group fractal is described in the paper "Iterated Mobius transformations" by Anne M. Burns . It relies on the geometric properties of circle inversion, where circles not passing through the center of an inverting circle invert to other circles . The fractal is generated by applying these transformations recursively to create complex, nested circular patterns

Software Controls and Properties

In Fractal Science Kit, the Unit Circle Group is controlled through specific property pages rather than a single algebraic formula. The key controls include:

• U/V Controls: These properties control the Möbius Transformation that positions the circles

• Circle Controls: These settings determine the number of circles and the depth of recursion

• Level Options: These allow you to select which circles at which level of recursion are displayed, enabling you to hide or show specific layers of the fractal

• Transformation: The fractal can be transformed using options like Identity or Circle Inversion For example, Unit Circle Group examples 11–16 apply the Circle Inversion transformation

• Color Controllers: The Color Map properties (Count, Colors, Offset) control how colors are mapped onto the circles

"Show Center" and "Show Ring"

While the provided context does not explicitly list buttons named "Show Center" or "Show Ring," these are likely user interface elements within the Fractal Science Kit's Level Options or Orbit Trap settings:

• Show Center: This likely refers to toggling the visibility of the central circle or the origin point of the Möbius transformation.
• Show Ring: This likely refers to toggling the visibility of specific recursive levels or "rings" of circles generated by the iteration depth

To access these controls, users select the Unit Circle Group's properties page and adjust the settings in the U/V Controls, Circle Controls, and Level Options sections The fractal can also be zoomed and transformed using the standard view menu transformations .

References

The Unit Circle Group is distinct from other fractals like the Apollonian Gasket or Ford Circles, though it shares geometric similarities with circle packing and inversion fractals It is one of many unusual orbit traps supported by Fractal Science Kit, which also includes standard types like Mandelbrot, Julia, and Newton fractals

Search Results (8 results)

1. Fractal Science Kit: App Reviews, Features, Pricing & Download | AlternativeTo

URL: https://alternativeto.net/software/fractal-science-kit/about/ The Fractal Science Kit fractal generator supports hundreds of built-in fractal types including: Mandelbrot, Julia, Mandelbar, Cubic, Lambda, Phoenix, Tetrate, Newton, Halley, Nova, Barnsley, Magnet, as well as studies in convergent fractals, polynomial fractals, root-finding method based fractals, Julia maps, fractals based on trigonometric and hyperbolic functions, and fractals based on exponential formulas. Additional fractal types include: Sierpinski Triangle, IFS, Strange Attractors, Rep-N Tiles, Symmetric Icons, Symmetric Attractors, Frieze Group Attractors, Wallpaper Group Attractors, Hyperbolic Attractors, Apollonian Gasket, Circle Inversion, Mobius Dragon IFS, Mobius Patterns, Grand Julian IFS, Elliptic Splits IFS, Schottky Group, Kleinian Group, and L-System. (May 2, 2015)

2. Fractal Science Kit - Interactive Mathematics

URL: https://www.intmath.com/blog/mathematics/fractal-science-kit-1259 The Fractal Science Kit provides an interactive programming environment with windows for viewing the fractal image, modifying the properties that define the fractal, examining the data behind the fractal, and viewing/editing the programs, macros (inline functions/methods), and color gradients, used by the Fractal Science Kit to produce the final image. (May 4, 2012)

3. Unit Circle Group Examples

URL: http://www.fractalsciencekit.com/tutorial/examples/unitcirclegrp.htm Home • Gallery • Tutorials • Download • Purchase • Site Map · Metal Mesh Unit Circle Group 01

4. Fractal Science Kit for Windows - Free download and software reviews - CNET Download

URL: https://download.cnet.com/fractal-science-kit/3000-2053_4-10969429.html <strong>It supports a vast array of fractal types and offers extensive control for both beginners and advanced users</strong>. (February 20, 2026)

5. Fractal Science Kit - Overview

URL: http://www.fractalsciencekit.com/topics/overview.htm Overview of the Fractal Science Kit fractal generator - a Windows fractal generator for Mandelbrot, Julia, Convergent, Newton, Orbit Traps, Sierpinski Triangle, IFS, Strange Attractors, Rep-N Tiles, Symmetric Icons, Symmetric Attractors, Frieze Group Attractors, Wallpaper Group Attractors, ...

6. Fractal Geometry

URL: https://users.math.yale.edu/public_html/People/frame/Fractals/CircInvFrac/InvProp/circles/circles.html Here we show that circles not passing through the center of the inverting circle invert to other circles not passing through the center of the inverting circle. First we establish a property of circles: Given a point C outside the circle, suppose one line through C intersects the circle in ...

7. Fractal Science Kit - Mandelbrot Fractal Overview

URL: http://www.fractalsciencekit.com/types/classic.htm Discussion of Mandelbrot fractals, Julia fractals, Convergent fractals, Newton fractals, Orbit Traps, Apollonian Gasket, Circle Inversion, Schottky Group, and Kleinian Group.

8. Fractal Programs

URL: https://www.rupert.id.au/fractals/programs.php The Fractal Science Kit supports several different fractal types including: Mandelbrot, Julia, Convergent, Newton, Orbit Traps, Sierpinski Triangle, IFS, Strange Attractors, Rep-N Tiles, Symmetric Icons, Apollonian Gasket, Circle Inversion, Schottky Group, Kleinian Group, L-System and many more.

BashSearch for procedural planet/hypersolid surface circle packing generalization(Retry 1/10) Input

{ "command": "python /home/node/.claude/skills/web-search/scripts/web_search.py "procedural planet generation circle packing hyperbolic surface higher genus tessellation" --count 8", "description": "Search for procedural planet/hypersolid surface circle packing generalization" }

Output

Key Findings

Procedural planet generation and the geometric concepts of hyperbolic surfaces, circle packing, and higher genus tessellation represent distinct but occasionally intersecting areas of computational geometry

Attachment 1 Attachment 2 Attachment 3 Attachment 4 Attachment 5 Attachment 6 Attachment 7 Attachment 8

HAVE U MET ANYWHERE NOTION ABOUT DISPLAYING ONLY CENTER TO VISUALIZE WHOLE COMPLETE APOLONIAN TYPE CIRCLE PACKING INVERTIONS WHERE KEY IS CENTERAL INVERTIVE CIRCLE OF EACH INVERTION ITERATION OF EACH CIRCLE OF APOLONIAN TYPE CIRCLE PACKING DUE MASIVE APOLONIAN AND FURTHER MORE MASIVE INVERTIVE CIRCLES QUANTITY NED TO LEAVE ONLY CENTER CIRCLE OF EACH INVERTION ITERATION OF EACH CIRCLE OF APOLONIAN PACKING TO NAVIGATE INSIGHT OF WHERE DETAILY WHOLE FRACTAL INVERTION HIERARCHY GROWS AND EVOLVES

GOAL IS PRECISE ELEMENT TIGHT MAP SIMILAR TO DIFERENTAL SIERPINSKI CARPET WHERE EXACTLY EACH ELEMENT OF WHOLE AREA IS VISUALY TANGIBLE WHOSE ORIGINATED IN DIFERENTAL SIERPINSKI CARPET ( PICTURE 1 ) WHERE DIFERENTAL BLENDING OF ARAY OF SINGLE PIXEL ( ELEMENT ) SCALING ITERATIONS THEN MADE WITH HEXAGON ( PICUTRE 2 ) AND THEN SQUARE INSET ( PICTURE 3 ) AND SINCE AREA IS COMPRESING IN SQUARE INSET ITERATIONS THEN IS ABILITY TO PRESERVE ELEMENT AREA ASPECT RATIO THROUGH INVERTIONS DOING APOLONIANLY PACKED CIRCLES INVERTIONS AND NOTABLY CIRCLE EQUIVALENT OF SQUARE INSET IS HYPERBOLIC ORTHOGONAL 4STAR CIRCLES FRACTAL ( PICTURE 4 AND APOLONIAN OCTAHEDRAL VERSION ( HYPERBOLIC ORTHOGONAL 4STAR CIRCLES FRACTAL PROJECTED ON EACH SIDE OF CUBE BLOWN INTO SPHERE ON PICTURE 5 ) WHILE PRESENT MORE SPACE FOR CIRCLES BETWEN ORTHOGONAL STAR FRACTAL CIRCLES ( PICTURE 6 AND CUBOSPHERE VERSION ON PICTURE 7 WHERE CURENTLY CIRCLE INVERTIONS RENDERED ONLY ALONG HYPERBOLIC ORTHOGONAL 4STAR WHILE PRESENT APOLONIANLY PACKED NEIGHBOUR CIRCLES THAT ALSO HAVE CIRCLE INVERTIONS TO BE FURTHERLY RENDERED ) WHICH ALSO CAN BE CONTAINED APOLONIANLY AND EACH OF THAT CIRCLE HAS INTERNAL REFLECTIONS ( NEIGHBOUR CIRCLES INVERTIONS INSIDE EACH CIRCLE ) SO APOLONIAN CIRCLES INSET FRACTAL WITH SHOWING ONLY CENTER CIRCLE ( OR CENTER ELEMENT LIKE ON PICTURE 5 : INVERTED CIRCLE HYPERBOLIC ARCS DIFERENTALY BLENDED SHAPE ( PICTURE 4 ) SIMILAR TO DIFERENTAL SIERPINSKI CARPET ) OF EACH ITERATION IS TARGET FOR VISIONING INSIGHT OF EVOLUTION OF STRUCTURE OF FRACTAL GROWTH AND LIVING deep-research web-search Happycapy Thought for 1m 54s

The user is asking whether there's an established technique for visualizing Apollonian circle packings by isolating just the central circle from each inversion step, creating a sparse skeleton-like structure similar to how a differential Sierpinski carpet reveals individual elements at each scale level.

Looking at their reference image, they're showing exactly this pattern — a hyperbolic 4-star arrangement where only the core inversive circle of each iteration is highlighted, with size and opacity decreasing outward. They want me to search for whether this specific visualization approach has a formal name in the literature, or if it's a custom rendering technique they've developed themselves. The 4-fold symmetry and orthogonal circle arrangement strongly suggests this is the limit set of a Kleinian group generated by inversions in four mutually orthogonal circles — essentially an Apollonian gasket with rectangular or square symmetry, possibly related to the modular group or Bianchi group limit sets. or the "Kleinian group" perspective — each circle at a given depth level can be indexed by a finite symbolic sequence, which would let me isolate and display just the "parent" or "generating" circle at each stage rather than the full recursive packing. In fractal geometry, this approach maps onto "multiplicative cascades" and "multifractal decomposition" — where you subdivide at each iteration and track representative values across scales to reveal the hierarchy. Box-counting visualizations of these cascades typically show exactly one measure or box per level, making this a natural fit for displaying how self-similar structures evolve through scaling.

I should search for the precise mathematical terminology here — terms like "central circle at depth n," "level-set fractal visualization," "Kleinian group limit set depth coloring," and "renormalization" might capture what the user is describing, so I'll use web search to find the established vocabulary that matches this technique. I should actually run the research using the available skills to gather proper terminology and concepts, then synthesize a comprehensive answer with concrete implementation suggestions—like selecting representative circles at each depth level in the recursive inversion tree to create a meaningful visualization. ical or visualization concept for rendering just the central representative circle at each recursion level in an Apollonian packing built through circle inversions — something that would expose the fractal's generation-by-generation structure similar to how a differential Sierpinski carpet visualization shows pixel-level scaling. I'm searching for established terminology around this idea, whether it's called depth-slice visualization, generation stratification, or something related to Kleinian group word-length hierarchies or Ford circle Farey tree structures.

I'm deciding whether to run a web search first for quick concept hits or go straight to deep research. Since the user asked for both approaches, I'll start with web search to catch any named techniques or papers on nested circle inversion representatives or Apollonian gasket generation slices, then follow up with deeper research to build a comprehensive answer.

I'll research this — you're asking whether there's an established mathematical/visualization concept for showing only the central representative circle at each inversion depth of an Apollonian-type circle packing (to reveal the fractal's generation-by-generation hierarchy, the way your images 4→6→8 progressively strip down to just the "skeleton" of centers). Let me dig into this properly. Skill/deep-research Research question: Is there an established mathematical or visualization concept/name for rendering ONLY the central (representative) circle of each recursion depth / inversion-iteration generation in an Apollonian-type circle packing built from circle inversions (e.g. hyperbolic Kleinian/Schottky group limit sets, "hyperbolic orthogonal 4-star circle fractal" formed by inverting in 4 mutually orthogonal circles, cubosphere/octahedral projections of it) — where the goal is to strip away the massive quantity of nested/neighbour circles at every level and keep only the single "central inversive circle" of each iteration of each circle, so that you get a sparse tree-like skeleton map that reveals exactly how the fractal hierarchy grows across scales. Context for why this is wanted: the user has a lineage of renderings — (1) a "differential Sierpinski carpet" where single-pixel-scale iterations are alpha/color-blended together, (2) a hexagonal analogue of the same differential blending technique, (3) a square-inset analogue, and then the insight that the circle/hyperbolic equivalent of that square-inset differential carpet is an Apollonian-type circle-inversion fractal generated from 4 mutually orthogonal circles (a hyperbolic "orthogonal 4-star" fractal), which can also be projected onto the 6 faces of a cube blown up into a sphere ("cuboctahedral"/"cubosphere" Apollonian packing). The final target visualization keeps only the center circle (or center "element", analogous to a single blended pixel in the Sierpinski carpet case) of each inversion iteration/generation, to let you visually navigate/trace the hierarchy of the fractal's growth level by level, rather than being overwhelmed by the full packing. Please search broadly for relevant established terminology and prior art, such as: - Apollonian gasket / Apollonian circle packing "generation" or "depth" visualization techniques - Descartes Circle Theorem curvature-depth stratification - Kleinian group / Schottky group limit sets, and visualizing their "word length" or symbolic-dynamics depth strata (i.e. picking one representative group element/circle per generation) - Ford circles, Farey sequence / Stern-Brocot tree depth-slice visualizations - Iterated Function System (IFS) "address tree" / symbolic coding, canonical cylinder-set representatives per iteration - Renormalization group (RG) flow visualizations in fractal/statistical physics — showing one coarse-grained representative structure per scale - Multiplicative cascades / multifractal decomposition visualizations (box-counting representative per scale) - The specific named fractal shown by "4 mutually orthogonal circles under repeated inversion" (this looks like the limit set of a Coxeter/reflection group, possibly related to the modular group, Apollonian window, or an "orthogonal circle inversion fractal" / "hyperbolic checkerboard" limit set) — find its standard name(s) in the literature - Any prior art, papers, blog posts, generative-art projects, or code (e.g. on GitHub, arXiv, Wolfram, DeviantArt/fractal-art communities like fractalforums.com) that specifically discusses or shows "only the central/generator circle of each depth" of an Apollonian or Kleinian circle-inversion fractal as a way to visualize fractal hierarchy/growth Deliverable: a report identifying (a) the correct standard name(s) for the "4 orthogonal circles inversion fractal" family shown in the reference images, (b) whether "keep only the central representative per generation" is a named/recognized technique anywhere (in fractal geometry, dynamical systems, or generative art), citing the closest matching established concepts if an exact match doesn't exist, and (c) practical pointers (algorithms, papers, tools like fractalforums.com discussions, Grasshopper/Houdini fractal generation techniques, or Python/Processing libraries) for implementing a "depth-representative skeleton" render of an Apollonian/Kleinian circle-inversion fractal. Thought for 7s Skill/web-search Apollonian gasket circle packing generated by inversions in four mutually orthogonal circles